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Yiyun Li: The Vagrants

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Yiyun Li The Vagrants

The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising. Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond. In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction. Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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“I should have remembered to buy a new pair of dress shoes for her,” his wife said. She placed an old pair of Shan's leather shoes next to her own sandals on top of the pile. “She loves leather shoes.”

Teacher Gu watched his wife pack the outfits and shoes into a cloth bag. He had always thought that the worst form of grieving was to treat the afterlife as a continuity of living—that people would carry on the burden of living not only for themselves but also for the dead. Be aware not to fall into the futile and childish tradition of uneducated villagers, he thought of reminding his wife, but when he opened his mouth, he could not find words gentle enough for his message. He left her abruptly for the front room.

The small cooking stove was still unlit. The two hens in the cardboard box clucked with hungry expectation. On a normal day his wife would start the fire and cook the leftover rice into porridge while he fed the hens a small handful of millet. Teacher Gu refilled the food tin. The hens looked as attentive in their eating as did his wife in her packing. He pushed a dustpan underneath the stove and noisily opened the ash grate. Yesterday's ashes fell into the dustpan without a sound.

“Shall we send the clothes to her now?” his wife asked. She was standing by the door, a plump bag in her arms. “I'll start the fire when we come back,” she said when he did not reply.

“We can't go out and burn that bag,” Teacher Gu whispered.

His wife stared at him with a questioning look.

“It's not the right thing to do,” he said. It frustrated him that he had to explain these things to her. “It's superstitious, reactionary-it's all wrong.”

“What is the right thing to do? To applaud the murderers of our daughter?” The unfamiliar shrillness had returned to her voice, and her face took on a harsh expression.

“Everybody dies,” he said.

“Shan is being murdered. She is innocent.”

“It's not up to us to decide such things,” he said. For a second he almost blurted out that their daughter was not as innocent as his wife thought. It was not a surprise that a mother was the first one to forgive and forget her own child's wrongdoing.

“I'm not talking about what we could decide,” she said, raising her voice. “I'm asking for your conscience. Do you really believe she should die because of what she has written?”

Conscience is not part of what one needs to live, Teacher Gu thought, but before he could say anything, someone knocked on the thin wall that separated their house from their neighbors’, a protest at the noise they were making at such an early hour perhaps, or, more probably, a warning. Their next-door neighbors were a young couple who had moved in a year earlier; the wife, a branch leader of the district Communist Youth League, had come to the Gus’ house twice and questioned them about their attitudes toward their imprisoned daughter. “The party and the people have put trusting hands on your shoulders, and it's up to you to help her correct her mistake,” the woman had said both times, observing their reactions with sharp, birdlike eyes. That was before Shan's retrial; they had hoped then that she would soon be released, after she had served the ten years from the first trial. They had not expected that she would be retried for what she had written in her journals in prison, or that words she had put on paper would be enough evidence to warrant a death sentence.

Teacher Gu turned off the light, but the knocking continued. In the darkness he could see the light in his wife's eyes, more fearful than angry. They were no more than birds that panicked at the first twang of a bow. In a gentle voice Teacher Gu urged, “Let me have the bag.”

She hesitated and then passed the bag to him; he hid it behind the hens’ box, the small noise of their scratching and pecking growing loud in the empty space. From the dark alley occasional creaks of opening gates could be heard, and a few crows stirred on the roof of a nearby house, their croaking carrying a strange conversational tone. Teacher Gu and his wife waited, and when there were no more knocks on the wall, he told her to take a rest before daybreak.

THE CITY OF MUDDY RIVER WAS named after the river that ran eastward on the southern border of the town. Downstream, the Muddy River joined other rivers to form the Golden River, the biggest river in the northeastern plain, though the Golden River did not carry gold but was rubbish-filled and heavily polluted by industrial cities on both banks. Equally misnamed, the Muddy River came from the melting snow on White Mountain. In summers, boys swimming in the river could look up from underwater at the wavering sunshine through the transparent bodies of busy minnows, while their sisters, pounding laundry on the boulders along the bank, sometimes sang revolutionary songs in chorus, their voices as clear and playful as the water.

Built on a slice of land between a mountain in the north and the river in the south, the city assumed the shape of a spindle. Expansion was limited by both the mountain and the river, but from its center the town spread to the east and the west until it tapered off to undeveloped wilderness. It took thirty minutes to walk from North Mountain to the riverbank on the south, and two hours to cover the distance between the two tips of the spindle. Yet for a town of its size, Muddy River was heavily populated and largely self-sufficient. The twenty-year-old city, a development planned to industrialize the rural area, relied on its many small factories to provide jobs and commodities for the residents. The housing was equally planned out, and apart from a few buildings of four or five stories around the city square, and a main street with a department store, a cinema, two marketplaces, and many small shops, the rest of the town was partitioned into twenty big blocks that in turn were divided into nine smaller blocks, each of which consisted of four rows of eight connected, one-storied houses. Every house, a square of fifteen feet on its sides, consisted of a bedroom and a front room, with a small front yard circled by a wooden fence or, for better-off families, a brick wall taller than a man's height. The front alleys between the yards were a few feet wide; the back alleys allowed only one person to squeeze through. To avoid having people gaze directly into other people's beds, the only window in the bedroom was a small square high up on the back wall. In warmer months it was not uncommon for a child to call out to his mother, and for another mother, in a different house, to answer; even in the coldest season, people heard their neighbors’ coughing, and sometimes snoring, through the closed windows.

It was in these numbered blocks that eighty thousand people lived, parents sharing, with their children, brick beds that had wood-stoves built underneath them for heating. Sometimes a grandparent slept there too. It was rare to see both grandparents in a house, as the city was a new one and its residents, recent immigrants from villages near and far, would take in their parents only when they were widowed and no longer able to live on their own.

Except for these lonely old people, the end of 1978 and the beginning of 1979 were auspicious for Muddy River as well as for the nation. Two years earlier, Chairman Mao had passed away and within a month, Madame Mao and her gang in the central government had been arrested, and together they had been blamed for the ten years of Cultural Revolution that had derailed the country. News of national policies to develop technology and the economy was delivered by rooftop loudspeakers in cities and the countryside alike, and if a man was to travel from one town to the next, he would find himself, like the blind beggar mapping this part of the province near Muddy River with his old fiddle and his aged legs, awakened at sunrise and then lulled to sleep at sundown by the same news read by different announcers; spring after ten long years of winter, these beautiful voices sang in chorus, forecasting a new Communist era full of love and progress.

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