Mary Gaitskill - Don't Cry

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Following the extraordinary success of her novel
, Mary Gaitskill returns with a luminous new collection of stories-her first in more than ten years. In “College Town 1980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson-three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls.
Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body-or of the intelligent body with the craving mind-that is characteristic of Gaitskill’s fiction. As intense as
her first collection of stories,
reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths-“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it-remain unchanged.

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We took Sonny; I carried him because Katya was too weak. Outside on the street, people and animals were walking around like normal. Who were these people? I felt half-scared of them, half-linked with them, and didn't know which feeling was most real. I reached inside my shirt and held the rings for a moment in my cupped hand. Thomas's face, flat and beautifully misshapen, rippled in me like a reflection in water. There was a boy at my side, trying to push a cow out of the way Thomas's face stretched unrecognizably on the moving water. The boy came suddenly around the cow and tore my chain off my neck. I screamed; the boy flashed down the street. I was after him. My legs are long and I almost had him, but I couldn't grab him because Sonny was screaming, forgotten, in my arms. I darted back to Katya, who was standing motionless, and thrust Sonny at her. The boy was a quick pixilation of limbs, disappearing. Katya shouted, “Janice!” and I ran. The boy was bright movement that I chased like an animal with a single instinct. I turned a corner, stumbled into a pothole full of warm brown water, and nearly fell. I staggered and bent to catch myself with my hands. I looked up; he was gone. I whipped my head around, looking, my instinct trying to leap in every direction — but it had nothing to leap at. I panted raggedly, sweat running in my eyes, my instinct exiting through my eyes as I stared around, wild. Women holding children stared back at me. Faces peered from the broken hole of a window. Skeleton dogs, fierce and cringing, watched with starving eyes. My instinct felt them all as it felt itself: quick force in slow mammal bodies; soft brain in hard bone; a machine of thoughts; a machine of sex. The dark radiance of emotions; the personality; eyes, nose, mouth. You, specifically. A little boy with a large round head pointed at me and said words I couldn't understand. My instinct broke; everything that had been joined was now in pieces again. I put my face in my hands and cried like an animal.

I came out of the alley to find my way back to Katya. I tried to stop making noise. I couldn't. I felt people following me. I understood. The current had reversed. As I had chased the boy they would follow me. They would kill me. I heard myself sobbing. Thomas was dead. I had let him die. They would kill me. It was right.

“Miss? Miss?” A small voice was at my side, gently tugging me without touching me. “Miss? What's wrong, miss?”

I looked at the voice. There were two young girls, maybe thirteen years old, tagging at my side. They were dressed in school uniforms. Their faces were soft but intensely focused. I wiped my face; I glanced behind me. There was a small crowd following me, made up mostly of teenage girls and a few boys with curious faces. I turned to face them. “My husband died,” I said. “He died and somebody stole our wedding rings. Now I don't have anything.” Tears ran down my face — human tears now. “I have to find my friend and her baby. Thank you.”

The girls nodded gravely. I continued to walk. One girl followed me. “It will be all right,” she said. “God will help you.”

I said, “Thank you, honey” Machine-gun fire sounded in the distance. The girl dropped away.

“Janice!” It was Katya, rounding a corner, Sonny in her arms. She said, “What happened? Why did you do that?”

“I was robbed. That boy took my wedding rings. I couldn't catch him.”

“Then we need to call the police.”

If she hadn't been holding Sonny, I would've slapped her. “Do you know how stupid you sound?” I said. “Call the police?”

“Janice—”

“Look around you!” I was trembling, still dripping tears with no force. “They're in the middle of a war and you think the police are going to come because of my rings?”

“Janice—”

“Shut up!”

I turned to get away, to go back to the B and B. In my head was Thomas well and virile, Thomas sick, our house with its marble shower, its riches of detail, its condiments and candies, paintings and knickknacks, baskets on the wall, baskets from all over the world, from places we had traveled together, shelves of books, the books he had written, the languages he had spoken, his children, my students— Now I don't have anything. But once I'd had everything; I had betrayed everything so I could fuck somebody I didn't love.

“Stop.” Someone touched my arm from behind; I turned. A very small old man stood before me.

“What?” I asked, or thought.

“Stop,” he said. “Don't cry Please. It's okay.” He said “Please,” but his eyes had an expression of command. I lifted my hand to wipe my eyes. He reached out and took it. He held it palm up; he put my rings in my hand and closed my fingers over them. “Okay?” he said.

“But how—”

He shook his head and said, “Just don't cry Okay?”

I stopped crying. He turned to go.

“Wait,” I said. “There was a chain, too?”

He turned his head and looked hard at me.

“The rings were on a chain. Do you know about that?”

He shook his head and walked away.

Years later, I told this story at a party at the university I told it to a woman who had traveled extensively in Africa. She was a big woman, very grand, with a high chest and a chunky necklace made of precious stones. When I told her how I had lost my rings and how the old man had given them back, she made a face. She said, “Really, you make too big a fuss of yourself. You should not go to Africa and then make such a fuss.” I answered her vaguely. I let myself be chastised. Because in that room, she was right. In that room, I was a privileged and foolish woman running around bawling about rings while a whole city fell apart and people were killed. But I didn't meet the old man in that room. I met him in a place of biblical times and modern times, where people walked back and forth between times, all times. In this place, I walked back and forth between the time of the living and the time of the dead. In the middle of my walking, war broke out, and the path between the living and the dead opened up and everything dear to me fell down the crack. I fell, too, and I might've fallen forever — but the old man came and said, “Stop.” And I stopped.

That same night at the university, another person asked, “Did you thank him?” And I was amazed to realize I didn't know. Probably I did not. How could I? Thanking him would have been like thanking an angel.

I sit in my darkened house sometimes, holding a glass of wine, and I thank him.

The next day, we rode through the streets, crouched on the floor of a car Yonas had borrowed from his uncle. We rode to the American embassy, sharing the car with five Ethiopians, women and girls whom Yonas was taking “to safety.” He didn't dare drive his cab lest taxi drivers striking on behalf of the protestors turn it over and burn it. But there were no taxis in the street, no cars, no people. There were huge high trucks full of soldiers in camouflage with automatic weapons. Still, the Ethiopian women sat on the seat and we crouched on the floor, hiding the whiteness that declared us paying customers. One of the women, a girl really, held Sonny against her breast. A military truck passed close by, bristling with guns. The girl holding our baby looked at me with wide, frightened eyes. Katya pressed her forehead to the sweat-drenched seat and stretched her hand up to clasp Sonny's foot as though it were a hand.

Outside, the embassy was surrounded by guards with machine guns; inside, it was jammed with frightened people and officials behind windows. We took a number and waited. Waiting next to us was an American doctor who had been on emergency-room duty when gunshot victims began to come in. He was calm, over-calm, but he smelled like fear, and when he got up to one of the windows, he began talking loud and fast, telling someone, really everyone, that there had been many killings, many more than the reported twenty-five. The whole room smelled of fear. Something was missing from Sonny's file, and Katya was shouting at someone, her jaw moving like cheap animation on her stark chalk white face, her body giving off a smell that was nearly savage, the smell of something ready to attack. She turned to me suddenly and I flinched. “I've got to go,” she said. “I'll be back.” She was already dialing Yonas on her cell.

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