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Mary Gaitskill: Don't Cry

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Mary Gaitskill Don't Cry

Don't Cry: краткое содержание, описание и аннотация

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Following the extraordinary success of her novel , Mary Gaitskill returns with a luminous new collection of stories-her first in more than ten years. In “College Town 1980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson-three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls. Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body-or of the intelligent body with the craving mind-that is characteristic of Gaitskill’s fiction. As intense as her first collection of stories, reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths-“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it-remain unchanged.

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Mary Gaitskill

Don't Cry

FOR PETER

College Town, 1980

Dolores did not look good in a scarf. Her face was fleshy, her nose had a bulby tip, and her forehead was low. Her skin was coarse and heavy for a woman under thirty and the tension in her face was such that a quick glance gave the impression that she was grinding her teeth, although she was not. She was attractive anyway because of her expressive, thick-lashed eyes and full mouth. When her hair was worn long, it was thick enough to draw attention from the fleshiness of her face, so that her eyes and mouth were more striking. Thus, it was not a good idea to pull her hair back with a scarf.

Dolores knew this. She hated wearing the scarf, but she'd recently pulled huge chunks of her hair out, and her head looked so weird that a scarf was necessary. It was the second episode of its kind in her life, and yet, now as then, she couldn't remember why it had ever been satisfying to pull her hair out, or even how it had felt, although you'd think it would have hurt. As if to remind herself, she'd actually kept the removed hair in a little box, until the sight of it sickened her one day. When she was in public, she was sometimes torn between the fear that the scarf had slipped and part of her head was showing and the urge to take it off and see what people did. Although, of course, she knew they'd only stare when they thought she wasn't looking.

She sat in the Oasis Café, before the picture window, next to a box of overwatered, crowded plants. She came to the Oasis every morning, sat down, and waited like a brute for coffee. She'd never had trouble getting it before. Now when Dolores raised her hand, the waitress looked at her and looked away.

Dolores knew the waitress. Her name was Teresa. She was a young, ungainly woman whose stomach seemed to be leading her around. She had a funny way of holding her forearms out in front of her at the waist, elbows bent, large hands dangling like flippers. Dolores knew that she had a snotty boyfriend, that she'd just graduated from the School of Public Health, and that she wanted to open an abortion clinic. She barely knew Dolores, and had no reason to dislike her.

Dolores glared at Teresa. It didn't work. She got two anti-depressants from her bag and put them on the table so the waitress could see she needed something to swallow medicine with. Teresa sailed by imperiously, a full pot of coffee in her grip, nonacknowledging Dolores's “Excuse me” with an aggressive whap of her hip against the table, causing Dolores's antidepressants to roll off onto the floor. As Dolores bent to pick them up, Teresa ran back and yelled, “Are you ready?”

Dolores jerked up too quickly, dropped the pills, then had to reach for them again. She laughed nervously as she emerged from under the table a second time. “Are you ready to order?” asked Teresa.

“Hello,” said Dolores.

Teresa stood there silently, one large hand dangling.

“I'd like a black coffee with—”

“What?” snapped Teresa.

“I said I'd like a black coffee with an apricot roll.”

“We don't have any more rolls.”

“All right. Just coffee.”

When Teresa poured the coffee, she spilled some on Dolores's mulberry-colored gloves and didn't say she was sorry. A few minutes later, Dolores saw her traveling across the floor with a little plate of apricot rolls for another table, dangling hand wagging. Everyone else in the restaurant continued to smoke cigarettes, eat, and talk as if nothing had happened. Dolores began to feel depressed.

Teresa's friend Lindsay walked into the restaurant. Teresa cried “Linnnnn!” as if she hadn't seen Lindsay for months; they kissed and touched each other's arms. Teresa had incredibly thick, dark arm hair. Dolores remembered a girl from high school who, because of her thick body hair, shaved her arms. It had looked awful. Teresa and Lindsay walked to the counter with their arms around each other. They stood there giggling and whispering. Lindsay was a small, pretty girl who wanted to be a writer. She wore a black leather jacket and large black sunglasses. She came to the Oasis almost every day. She could sit there all day talking about how depressed she was to the various friends and acquaintances who would occupy the empty place beside her as the day went on. Dolores despised Lindsay for wearing ridiculous sunglasses and for letting her father support her. This, although Dolores's father had supported her until he went bankrupt.

Teresa and Lindsay turned to lean against the counter and stared at Dolores. They looked right at her, whispering and giggling. Dolores tried to think about how one of them was ugly and the other stupid. It didn't help. Under their eyes, she felt swollen and hideous at her little table in the sun. At least they were young and had boyfriends to get depressed about. She was an overweight twenty-nine-year-old in stretch pants and a scarf that hid her debased head, mentally ill, and unable to have orgasms, not even with herself, sitting in a college town with nothing to do but run around the phys ed building. She felt like the kind of retarded person who's smart enough to know she's retarded. Teresa and Lindsay looked and giggled; Dolores swelled, until she felt like a giantess barely able to hold the delicate little cup and utensils in her horrible fingers.

She no longer wanted to run around the track after her coffee. She drove back home, got in bed, and lay there while the sun gamboled over her body She thought, This wouldn't be happening to me if Allan hadn't dumped me. She turned her head and her eyeballs took a rolling tour of the room. It had bright yellow wallpaper and plants in it. Baby pictures of her and her younger brother Patrick hung on the walls, Patrick looking dark and tiny and very solemn for a three-year-old. She had lots of pretty things — lacy lamp shades, linen dustcovers, vases and literature on the bookshelves. It would've been nice if someone else had lived in it.

When her father came to visit her in the mental hospital, right after Allan had dumped her, she'd said, “Daddy, I want you to beat me.” He'd turned away and licked his lips. Dolores didn't see why he should balk at that; he'd been beating her mother for years, although it was true that it had never been a physical beating. Besides, the first time she'd been in a mental hospital, she'd asked him to kill her; this second request seemed reasonable in comparison.

She lived in a communal house with her younger brother, Patrick, his girlfriend, Lily, and Mark, a twenty-one-year-old philosophy student. Patrick was an acting student and a drummer in a local band that actually made a living; Lily was a journalism student. They were supposed to buy food together, but Dolores didn't like what Patrick and Lily bought, and nobody liked what Mark ate. They were supposed to split the bills four ways, but somehow bills got paid only after Patrick received a shutoff notice; then it took him months to collect from the others. The kitchen table was always covered with months’ worth of bills, as well as papers scrawled with phone messages, cigarettes, ashtrays, pencils, and fruit, especially blackening bananas pulled apart from their bunch and ranging all through the mess in singular curves.

Dolores had never lived like this before. She'd never wanted to. But when Patrick came to visit her in the mental hospital, he'd said she could move in with him when he found a house, that he would take care of her. His large petal-shaped eyes were full of concern and puzzlement, and she was seized with a need to be near her brother, even though they did not get along, mostly because his gentle nature made her want to bully him.

Dolores liked Lily. Lily was a very pretty very unpopular girl with a strange light-headed demeanor. She was very thin, and gave the impression that she walked on her toes. She had very black shoulder-length hair, narrow gray eyes, and a thin, severe mouth. She shied away from people, softly and indifferently as a cat. She had grown up in a foster home and had lived on her own since she was seventeen. Except for Dolores, she had no friends in Ann Arbor. She actually had enemies; Patrick's female friends were appalled when he first started to go out with her. Dolores was surprised to find herself associating with outcasts at such a late time in life.

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