Jesse Ball - Silence Once Begun

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From the celebrated author of
(“A spare masterwork of dystopian fiction”
), Jesse Ball’s
is an astonishing novel of unjust conviction, lost love, and a journalist’s obsession.
Over the course of several months, eight people vanish from their homes in the same Japanese town, a single playing card found on each door. Known as the “Narito Disappearances,” the crime has authorities baffled — until a confession appears on the police’s doorstep, signed by Oda Sotatsu, a thread salesman. Sotatsu is arrested, jailed, and interrogated — but he refuses to speak. Even as his parents, brother, and sister come to visit him, even as his execution looms, and even as a young woman named Jito Joo enters his cell, he maintains his vow of silence. Our narrator, a journalist named Jesse Ball, is grappling with mysteries of his own when he becomes fascinated by the case. Why did Sotatsu confess? Why won’t he speak? Who is Jito Joo? As Ball interviews Sotatsu’s family, friends, and jailers, he uncovers a complex story of heartbreak, deceit, honor, and chance.
Wildly inventive and emotionally powerful,
is a devastating portrayal of a justice system compromised, and evidence that Jesse Ball is a voraciously gifted novelist working at the height of his powers.

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Interrogation 4

Second of November, 1977. Oda Sotatsu. Inspectors’ names unrecorded.

[ Int. note . Again, transcript of session recording, possibly altered or shoddily made. Original recording not heard. Furthermore, it appears that many interrogations are missing from the record, as it is absurd to conclude Sotatsu was not interrogated at all between the nineteenth of October and the second of November. This transcript is large. The inspector speaks at length on various matters, possibly trying to elicit a response from Sotatsu. He refers to previous conversations they have had, which are unrecorded. This is further evidence for the suppression of interrogation transcripts. I will note that it was not necessary at the time for these transcripts to be released, so the destruction of empty-interrogation sessions is potentially legitimate.]

картинка 13

OFFICER 3

I want you to tell me about these cards. These are the cards you left on the doors. Why did you do that?

ODA

(silent)

OFFICER 3

Nothing in your history suggests you care at all about France, that you have any acquaintance with France. Yes, musically, we can see you have some recordings. But, beyond that, cards … It’s unclear where you even obtained them. Tell me at least that. Where did you buy these cards?

ODA

(silent)

OFFICER 3

I am just thinking, I have a daughter who likes these sorts of things. She is kind of empty-headed, a dreamer. You know the type. She is too pretty for her own good. A father should not say such things, I know. But I think she would be better off a bit plainer but with good sense. Anyway, she would love to have cards like these. But I don’t know where to get them. Where should I go to get these cards? Perhaps in Tokyo? You have a sister in Tokyo, no? Does she like cards? She studies languages, no? She speaks German, Korean, English. Does she speak French, your sister?

ODA

(silent)

OFFICER 3

Maybe I will call this sister of yours. Maybe I will send someone to ask her, does she speak French. Or you could spare me the trouble. You could just tell me. I would trust your answer.

(Tape-device clicks off.)

Interview 7 ( Mother )

[ Int. note . When I brought up the details that Jiro had spoken of, the narrative of the father’s beating, Sotatsu’s possible recanting of the confession, the visit of the sister, etc., Mrs. Oda became very agitated. She said that Jiro meant no good for anyone, that he was against the rest of the family and always had been. She said that he was jealous of his sister’s good fortune, and that he had no sense of family responsibility. I was not to trust anything he might say. I asked her if she could speak of particular things he brought up, because I wanted to clear up the record. I wanted to make the record as clear as possible. Would she mind that?]

[She said she would not.]

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INT.

The first question is, what happened at the store?

MRS. ODA

You mean, when my husband had his accident?

INT.

Yes, the accident. How did that come about?

MRS. ODA

Everyone in the town had turned against us. They felt that we were just as guilty as Sotatsu. Maybe it was true, maybe it would have been true, that we were all equally guilty. That is what my husband believed. He thought it was his fault, in particular. All of a sudden, we were despised. We were the lowest ones of all. No one would speak to me. People I had spoken to for years, I would pass them in the street and they would do this thing, this stepping away. They would walk a little farther away than usual. Maybe someone else couldn’t see it, but I could see it. It was very evident, this distance. Also, some would even, they would even spit on us. Children.

INT.

Children would spit on you?

MRS. ODA

It happened once. From a window, a child spat on me. Mr. Oda knocked on the door of the house, but no one answered.

INT.

But we were talking about the accident.

MRS. ODA

My husband went to buy some rice flour. We were out of rice flour and he wanted to buy some for me so I could do the cooking. At the store, the clerk, a mean little person, I had never liked him, never. He refused to sell my husband the flour. My husband put the money on the counter and took the rice flour. The clerk followed after my husband, saying his money was no good. He threw the money at my husband. I think he never liked my husband. He threw it on him, the money, and he shouted that he could never come in the store again. My husband tried to talk to him. He said, You know he didn’t do it. Sotatsu does not do things like that. It is a mistake . But the man wouldn’t hear of it. He just started hitting my husband with a stick, a cane of some kind. He started that, and then he was chasing him. My husband tried to run away, but others caught him and they held him down and hit him until the police came. The police didn’t even check to see who had done it. They told everyone to go. The police felt it was all right for this to have been done.

INT.

And then the hospital wouldn’t accept him?

MRS. ODA

The hospital wouldn’t accept him. He was bleeding all over. He wasn’t even awake. He was going in and out. The doctor looked at him, opened the back of the ambulance, looked at him and said that he would not receive him at that hospital, that everyone should know he would not do such a thing for the Oda family. I don’t know. I ask you, how can such a person be a doctor? My husband was taken to another place where there were real doctors, an actual hospital, not like this first one. There he was taken care of. In all the years since, I have never gone to that hospital, not once. I tell my friends, also, do not go there. That is not a good place.

INT.

But the main thing I wanted to ask you about was Sotatsu telling Jiro that he hadn’t done it.

MRS. ODA

We did not believe Jiro. He was always a difficult child, did poorly in school, was always lying. He was a lying child, every time he would say something it was likely to be something a person couldn’t believe. You had to look at everything from three sides and even then it would turn out to be false. So, he gets it in his head he would convince Sotatsu of something. We did not believe him. Also, he picked the worst time to tell anyone about this. In the hospital room when my husband was nearly dying? He did not die, no. But he was almost dying, very close to it. My daughter came from Tokyo, just to see my husband, just because of his injuries. She did not visit Sotatsu. She was there, and she didn’t like it either, what Jiro was doing. We were not alone.

INT.

But he is your son.

MRS. ODA

Yes, he is. He has done better for himself. Now he has a good family. He is no longer the same. But when he remembers that time, I do not think he can be trusted.

Interview 8 ( Mother )

[ Int. note . Mrs. Oda returned specifically to explain her last point. I was woken up by knocking at the door of the house where I was staying. I went downstairs and there she was. She apologized for the sudden visit, but felt there was something that must be cleared up.]

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MRS. ODA

I will tell you a story about Jiro. I will explain why he cannot be trusted, not really at all. He used to have a game where he would pretend that he was a lord and he would have his toys come before him and present him with cases to decide. He thought this was a very amusing game. I do not remember him ever playing it with anyone else, just alone. He would do different voices for the different toys. They did not need to be figures in order to bring a petition. His favorite spoon, for instance, was often coming. First in line, second in line, third in line — they would all argue and jostle, trying to be the first to speak to Jiro, and he would sit on a little stage he had made and argue with them or tell them what was what. Well, it would be like this: Jiro would say, who is this and what have they to say? And the little wooden box would be there in front of the spoon which was in front of the cloth bird and they would all be shouting and saying things and Jiro would hold up his hand for silence. Then there would be some quiet and he would say they would all be taken and killed if they couldn’t speak in turn. Then the box would say, I don’t know what it would say exactly, this was something that went on all the time, hundreds of times. Possibly the box had something it was always asking for, and never getting, I don’t know. But it might say, I don’t like the spot where I am put at night. Often other ones get placed on my head and it’s uncomfortable, and Jiro would say, don’t open your mouth again or I will have you killed, and he would send the box away. Then it was the spoon’s turn. He would say that, would say the same thing every time. No matter what was said to him, he would say that, don’t open your mouth again or I will have you killed. I doubt he even remembers it. This was long ago, even before he went to school.

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