Toni Morrison - Paradise

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Paradise: краткое содержание, описание и аннотация

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"They shoot the white girl first. With the rest they can take their time." So begins this visionary work from a storyteller. Toni Morrison's first novel since she was awarded the Nobel Prize for Literature, Paradise opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.
In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation of race, religion, gender, and a far-off past that is ever present.

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So, Lone thought, the fangs and the tail are somewhere else. Out yonder all slithery in a house full of women. Not women locked safely away from men; but worse, women who chose themselves for company, which is to say not a convent but a coven. Lone shook her head and adjusted her Doublemint. She was listening only halfheartedly to the words, trying to divine the thoughts behind them. Some of it she got right away. Sargeant, she knew, would be nodding at every shred of gossip, chewing on the rag end of truth and wondering aloud why this deliberately beautiful town governed by responsible men couldn't remain so: stable, prosperous, with no talk-back young people. Why would they want to leave and raise families (and customers) elsewhere? But he would be thinking how much less his outlay would be if he owned the Convent land, and how, if the women are gone from there, he would be in a better position to own it. Everyone knew he had already visited the Convent-to "warn" them, which is to say he offered to buy the place, and when the response was an incomprehensible stare, he told the old woman to "think carefully" and that "other things could happen to lower the price." Wisdom Poole would be looking for a reason to explain why he had no control anymore over his brothers and sisters. To explain how it happened that those who used to worship him, listen to him, were now strays trying to be on their own. The shooting last year between Brood and Apollo was over Billie Delia and would be enough reason for him to go gallivanting off for the pleasure of throwing some women in the road. Billie Delia was friendly with those women, made one of his younger brothers drive her out there, and it was after that that the trouble between Apollo and Brood turned dangerous. Neither one had followed Wisdom's orders to never speak to or look at that girl again. The result was biblical-a man lying in wait to slaughter his brother. As for the Fleetwoods, Arnold and Jeff, well, they'd been wanting to blame somebody for Sweetie's children for a long time. Maybe it was the midwife's fault, maybe it was the government's fault, but the midwife could only be disemployed and the government was not accountable, and although Lone had delivered some of Jeff's sick children long before the first woman arrived, they wouldn't let a little thing like that keep them from finding fault anywhere but in their own blood. Or Sweetie's.

Menus, well, he'd be ripe for a raid on anybody. Spending those weeks out there drying out, you'd think he'd be grateful. Those women must have witnessed some things, seen some things he didn't want ranging around in anybody's mind in case they fell out of their mouths. Or maybe it was just to erase the shame he felt at having let Harper and the others talk him out of marrying that woman he brought home. That pretty redbone girl they told him was not good enough for him; said she was more like a fast woman than a bride. He let out like he drank because of what Vietnam had done to him, but Lone thought the pretty redbone girl's loss was more to the point. He hadn't had the courage to leave and go on and live with her someplace else. Chose instead both to submit to his father's rule and charge him a neat price for it: undisturbed acceptance of his affliction. Getting rid of some unattached women who had wiped up after him, washed his drawers, removed his vomit, listened to his curses as well as his sobs might convince him for a while that he was truly a man unpolluted by his mother's weakness, worthy of his father's patience and that he was right to let the redbone go. Lone could not count how many times she had sat in New Zion and heard his father, Harper, begin to testify, begin to examine his own sins and end up going on about loose women who could keep you from knowing who, what and where your children are. He'd married a Blackhorse woman, Catherine, and worried her into nervous digestion carrying on about what she was doing and who she was seeing and this and that, and was she properly instructing their daughter, Kate. Kate got married as fast as she could just to get out from under his hand. His first wife, Menus' mother, Martha, must have given him a bad time. So bad he never let their only son forget it. Then there was K.D., the family man. Talking about how strange one of those Convent girls was and how he knew it right away soon as he saw her get off the bus. Ha ha. He's a daddy now of a four-month-old son with all its fingers and toes and who knows maybe a full brain too courtesy of the doctor willing to treat black folks in Demby. So he and Arnette both sniffed their noses at Lone, and however happy Arnette must be now and willing to pass her earlier "mistake" off on the Convent women's tricking her, K.D. would have another grudge. The girl whose name he now scandalized he had stalked for years till she threw him out the door. Take a whole lot of healthy babies to make him forget that. He's a Morgan, after all, and they haven't forgotten a thing since 1755.

Lone understood these private thoughts and some of what Steward's and Deacon's motive might be: neither one put up with what he couldn't control. But she could not have imagined Steward's rancor-his bile at the thought that his grandnephew (maybe?) had surely been hurt or destroyed in that place. It was a floating blister in his bloodstream, which neither shrank nor came to a head. Nor could she have imagined how deep in the meat of his brain stem lay the memory of how close his brother came to breaking up his marriage to Soane. How off the course Deek slid when he was looking in those poison and poisoning eyes. For months the two of them had met secretly, for months Deek was distracted, making mistakes and just suppose the hussy had gotten pregnant? Had a mixed-up child? Steward seethed at the thought of that barely averted betrayal of all they owed and promised the Old Fathers. But a narrowly escaped treason against the fathers' law, the law of continuance and multiplication, was overwhelmed by the permanent threat to his cherished view of himself and his brother. The women in the Convent were for him a flaunting parody of the nineteen Negro ladies of his and his brother's youthful memory and perfect understanding. They were the degradation of that moment they'd shared of sunlit skin and verbena. They, with their mindless giggling, outraged the dulcet tones, the tinkling in the merry and welcoming laughter of the nineteen ladies who, scheduled to live forever in pastel shaded dreams, were now doomed to extinction by this new and obscene breed of female. He could not abide them for sullying his personal history with their streetwalkers' clothes and whores' appetites; mocking and desecrating the vision that carried him and his brother through a war, that imbued their marriages and strengthened their efforts to build a town where the vision could flourish. He would never forgive them that and he would not tolerate this loss of charity. Nor did Lone know the glacier that was Deacon Morgan's pride.

Its hidden bulk, its accretion and unmovability. She knew about his long ago relationship with Consolata. But she could not have fathomed his personal shame or understood how important it was to erase both the shame and the kind of woman he believed was its source. An uncontrollable, gnawing woman who had bitten his lip just to lap the blood it shed; a beautiful, golden-skinned, outside woman with mossgreen eyes that tried to trap a man, close him up in a cellar room with liquor to enfeeble him so they could do carnal things, unnatural things in the dark; a SalomT from whom he had escaped just in time or she would have had his head on a dinner plate. That ravenous groundfucking woman who had not left his life but had weaseled her way into Soane's affections and, he suspected, had plied her with evil potions to make her less loving than she used to be and it was not the eternal grieving for their sons that froze her but the mess she was swallowing still, given to her by the woman whose very name she herself had made into a joke and a travesty of what a woman should be. Lone didn't, couldn't, know all, but she knew enough and the flashlights had revealed the equipment: handcuffs glinted, rope coiled and she did not have to guess what else they had. Stepping softly, she made her way along the edge of the stream toward her car. "Thy will. Thy will," she whispered, convinced that what she had heard and surmised was no idleness. The men had not come there merely to rehearse. Like boot camp recruits, like invaders preparing for slaughter, they were there to rave, to heat the blood or turn it icicle cold the better to execute the mission. One thing in particular she had quickly understood: the only voice not singing belonged to the one conducting the choir.

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