Toni Morrison - Paradise

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Paradise: краткое содержание, описание и аннотация

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"They shoot the white girl first. With the rest they can take their time." So begins this visionary work from a storyteller. Toni Morrison's first novel since she was awarded the Nobel Prize for Literature, Paradise opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.
In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation of race, religion, gender, and a far-off past that is ever present.

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A customer stopping by would have noticed little change. May have wondered why the garden was as yet untilled, or who had scratched sorrow on the Cadillac's trunk. May even have wondered why the old woman who answered the knock did not cover her awful eyes with dark glasses; or what on earth the younger ones had done with their hair. A neighbor would notice more-a sense of surfeit; the charged air of the house, its foreign feel and a markedly different look in the tenants' eyes-sociable and connecting when they spoke to you, otherwise they were still and appraising. But if a friend came by, her initial alarm at the sight of the young women might be muted by their adult manner; how calmly themselves they seemed. And Connie-how straight-backed and handsome she looked. How well that familiar dress became her. As she slid into the driver's seat, a basket with a parcel on top beside her, it would annoy her at first being unable to say exactly what was absent. As she drew closer to home and drove down Central Avenue, her gaze might fall on Sweetie Fleetwood's house, Pat Best's house, or she might notice one of the Poole boys or Menus on his way to Ace's. Then she might realize what was missing: unlike some people in Ruby, the Convent women were no longer haunted. Or hunted either, she might have added. But there she would have been wrong.

LONE

The way was narrow, the turn sharp, but she managed to get the Oldsmobile off the dirt and onto the tarmac without knocking the sign down completely. Earlier, on the way in, with the darkness and the single headlight, Lone couldn't prevent the bumper from scraping it, and now, leaving the Convent, its post leaned and the sign-early melones-was about to fall. "Can't spell worth poot," she murmured. The one wrapped in a sheet, most likely. Not much schooling there. But "Early" was correct, and not just the letters. July not over, and the Convent garden had melons already ripe for picking. Like their heads. Smooth outside, sweet inside, but Lord, were they thick. None of them would listen. Said Connie was busy, refused to call her and didn't believe a word Lone said. After driving out there in the middle of the night to tell them, warn them, she watched in helpless fury as they yawned and smiled. Now she had to figure out what else to do, otherwise the melons that got split would be their bald heads.

The night air was hot and the rain she had been smelling was far but still coming, which is what she'd thought two hours ago, when, hoping to harvest mandrake while it was still dry, she padded around the streambank near the Oven. Had she not been, she never would have heard the men or discovered the devilment they were cooking.

Clouds hid the nightsky's best jewelry but the road to Ruby was familiar as a collection plate. She squinted nevertheless, in case something or somebody scampered up ahead-beyond the Oldsmobile's single headlight. It could be possum, raccoon, white-tail deer, or even an angry woman since it was women who walked this road. Only women. Never men. For more than twenty years Lone had watched them. Back and forth, back and forth: crying women, staring women, scowling, lip-biting women or women just plain lost. Out here in a red and gold land cut through now and then with black rock or a swatch of green; out here under skies so star-packed it was disgraceful; out here where the wind handled you like a man, women dragged their sorrow up and down the road between Ruby and the Convent. They were the only pedestrians. Sweetie Fleetwood had walked it, Billie Delia too. And the girl called Seneca. Another called Mavis. Arnette, too, and more than once. And not just these days. They had walked this road from the very first. Soane Morgan, for instance, and once, when she was young, Connie as well. Many of the walkers Lone had seen; others she learned about. But the men never walked the road; they drove it, although sometimes their destination was the same as the women's: Sargeant, K. D., Roger, Menus. And the good Deacon himself a couple of decades back. Well, if she did not get somebody to fix the fan belt and plug the oil pan, she would be walking it too, provided there was anyplace left worth traveling to.

If ever there was a time for speeding, this was it, but the condition of the car precluded that. In 1965 the wipers, the air-conditioning, the radio worked. Now a fierce heater was the only element reminiscent of the Oldsmobile's original power. In 1968, after it had had two owners, Deek and then Soane Morgan, Soane asked her if she could use it. Lone screamed her joy. Finally, at seventy-nine, unlicensed but feisty, she was going to learn to drive and have her own car too. No more hitching up the wagon, no more brakes squealing in her yard at all hours, summoning her to emergencies that weren't or to standbys that turned into crises. She could follow her own mind, check on the mothers when she wished; tool on up to the house in her own car and, most important, leave when she wanted to. But the gift came too late.

Just as she became truly auto mobile, nobody wanted her craft. After having infuriated the hooved and terrified the clawed, having churned columns of red dust up and down tractor trails for weeks, she had no place to go. Her patients let her poke and peep, but for the delivery they traveled hours (if they could make it) to the hospital in Demby, for the cool hands of whitemen. Now, at eighty-six, in spite of her never-fail reputation (which was to say she never lost a mother, as Fairy once had), they refused her their swollen bellies, their shrieks and grabbing hands. Laughed at her clean bellybands, her drops of mother's urine. Poured her pepper tea in the toilet. It did not matter that she had curled up on their sofas to rock irritable children, nodded in their kitchens after braiding their daughters' hair, planted herbs in their gardens and given good counsel for the past twenty-five years and for fifty more in Haven before being sent for. No matter she taught them how to comb their breasts to set the milk flowing; what to do with the afterbirth; what direction the knife under the mattress should point. No matter she searched the county to get them the kind of dirt they wanted to eat. No matter she had gotten in the bed with them, pressing the soles of her feet to theirs, helping them push, push! Or massaged their stomachs with sweet oil for hours. No matter at all. She had been good enough to bring them into the world, and when she and Fairy were summoned to continue that work in the new place, Ruby, the mothers sat back in their chairs, spread their knees and breathed with relief. Now that Fairy was dead, leaving one midwife for a population that needed and prided itself on families as large as neighborhoods, the mothers took their wombs away from her. But Lone believed that there was more to it than the fashion for maternity wards. She had delivered the Fleetwood babies and each of the defectives had stained her reputation as if she had made the babies, not simply delivered them. The suspicion that she was bad luck and the comforts of the Demby hospital combined to deprive her of the work for which she was trained. One of the mothers told her that she couldn't help loving the week of rest, the serving tray, the thermometer, the blood pressure tests; was crazy about the doze of daytime and the pain pills; but mostly she said she loved how people kept asking her how she felt.

None of that was available to her if she delivered at home. There she'd be fixing the family's breakfast the second or third day and worrying about the quality of the cow's milk as well as her own. Others must have felt the same-the luxury of sleep and being away from home, the newborn taken each night for somebody else's care. And the fathers-well, Lone suspected they, too, were happier with closed doors, waiting in the hall, being in a place where other men were in charge instead of some toothless woman gumming gum to keep her gums strong. "Don't mistake the fathers' thanks," Fairy had warned her. "Men scared of us, always will be. To them we're death's handmaiden standing as between them and the children their wives carry." During those times, Fairy said, the midwife is the interference, the one giving orders, on whose secret skill so much depended, and the dependency irritated them. Especially here in this place where they had come to multiply in peace. Fairy was right as usual, but Lone had another liability. It was said she could read minds, a gift from something that, whatever it was, was not God, and which she had used as early as two, when she positioned herself to be found in the yard when her mother was dead in the bed. Lone denied it; she believed everybody knew what other people were thinking. They just avoided the obvious. Yet she did know something more profound than Morgan memory or Pat Best's history book. She knew what neither memory nor history can say or record: the "trick" of life and its "reason." In any case, her livelihood over (she had been called on twice in the last eight years), Lone was dependent on the generosity of congregations and neighbors. She spent her time gathering medicinal herbs, flitting from one church to another to receive a Helping Hand collection, and surveying the fields, which invited her not because they were open but because they were full of secrets. Like the carful of skeletons she'd found a few months ago. If she had been paying attention to her own mind instead of gossip, she would have investigated the Lenten buzzards as soon as they appeared-two years ago at spring thaw, March of 1974. But because they were seen right when the Morgans and Fleetwoods had announced the wedding, people were confused about whether the marriage was summoning the buzzards or protecting the town from them. Now everybody knew they had been attracted to a family feast of people lost in a blizzard. Arkansas plates. Harper Jury's label on some cough medicine. They loved each other, the family did. Even with the disturbance of birds of prey, you could tell they were embracing as they slept deeper and deeper into that deep cold.

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