Richard Ford - Independence Day

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The Pulitzer-Prize Winning novel for 1996.In this visionary sequel to
, Richard Ford deepens his portrait of one of the most unforgettable characters in American fiction, and in so doing gives us an indelible portrait of America. Frank Bascombe, in the aftermath of his divorce and the ruin of his career, has entered an "Existence Period," selling real estate in Haddam, New Jersey, and mastering the high-wire act of normalcy. But over one Fourth of July weekend, Frank is called into sudden, bewildering engagement with life.
is a moving, peerlessly funny odyssey through America and through the layered consciousness of one of its most compelling literary incarnations, conducted by a novelist of astonishing empathy and perception.

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“What’s that for, Little League?” Paul says, still disapproving and unavailable, done in by his simple failure to gain the Hall of Fame on the first try, though in no time we’ll be inside, soaking up the full wonderment: cruising its exhibits, roaming its pavilions, ogling Lou Gehrig’s vanity license plate, the Say-Hey Kid’s actual glove, Ted Williams’s illustrated strike zone and the United Emirates baseball stamp display, while chuckling at Bud and Lou doing “Who’s on First” (again) — just the way we did it back in Springfield, only much, much better.

“It’s Doubleday Field,” I say, warmly admiring it. “Those brochures I sent you explained the whole deal. It’s where the Hall of Fame game’s played when the new inductees are enshrined in August.” I try to think of who’ll be ushered in next month, but can’t think of any baseball name but Babe Ruth. “It holds ten thousand people, was built in 1939 by the WPA when the country was on its knees and the government was helping to find jobs, which would be nice if it’d do today.”

Paul, however, is staring at three public batting cages that are just outside the grandstand wall and from which we both can hear a sharp Coke-bottle poink of aluminum meeting horsehide. A small black kid employing a Joe Morgan elbow-trigger stance is at the plate and making repeated, withering contact in what is probably the “fast” cage. It occurs to me, as I’m sure it occurs to Paul, that it is Mr. New Hampshire Basketball again, lording it over everybody in yet another sport, in another town, and that he and his dad are on the same well-intentioned father-son circuit as we two and are having much more fun. Here, though, he’s Mr. New Hampshire Baseball .

Though of course it’s not. This kid has buddies, white and black, hanging on the cage rungs outside, jeering and insulting in a comradely way, encouraging him to miss so they can jump in and take their big-time cuts. One of these is a skinny, bad-posture Hacky Sack punk from yesterday — one of the lowlifes I imagined Paul bonding with last night over cheese fries and burgers. They seem much older than Paul now, and I’m certain he wouldn’t know how to address them (unless they communicated by barking).

We walk a ways down the widening alley to the point behind the old brick buildings on Main, where it turns into the Doubleday Field parking lot and where several men — men my age — dressed in new-looking big-league uniforms are departing cars with their gloves and bats, hurrying on noisy cleats toward the open grandstand tunnel, as though they were showing up late for a twin bill. Two teams’ uniforms are in evidence: the flashy yellow and unappetizing green of the Oakland A’s, and the more conservative red, white and blue of the Atlantas. I look for a number or a face I recognize from my years in the press box — somebody who’d be flattered to be remembered — but no one looks familiar.

In fact, two “A’s” who pass right by us— R. Begtzos and J. Bergman stitched to their backs — have sizable Milwaukee goiters and seam-splitting butts, which argue against their having played anytime in recent memory.

“I’m clueless,” Paul says. His own outfit is no more appetizing than Bergman’s and Begtzos’s.

“It’s an important part of the whole Cooperstown experience to take a look inside here.” I begin moving us toward the tunnel behind the “players.” “It’s supposed to be good luck.” (This I’ve made up on the spot. But his euphoria has now burned off like ether, and I’m back to conflict-containment drills and getting through our last hours as friendly enemies.)

“I’ve got a train to catch,” he says, following along.

“You’ll make it,” I say, less friendly myself. “I’ve got plans of my own.”

When we walk through to the end of the tunnel we could easily stroll straight out onto the field where the players are, or else turn and climb steep old concrete steps into the grandstand. Paul shies off from the field as though warned against it and takes the steps. But to me it’s irresistible to walk a few yards into the open air, cross the gravel warning track and simply stand on the grass where two teams, ersatz Braves and ersatz A’s, are playing catch and limbering stiff, achy joints. Gloves are popping, bats cracking, voices sailing off into the bright air, shouting, “I could catch it if I could see it,” or “My leg won’t bend that way anymore,” or “Watch it, watch it, watch it.”

Un-uniformed, I venture far enough that I can see up to the blue sky from within my shadow and all the way out to the right-field fence, where the numbers spell “312,” and bleacher seats and treetops and neighborhood rooflines are beyond, and above that a shining MOBIL sign revolves like a radar dish. Heavy, capless men in uniforms sit in the grass below the fence palings, or lie back staring up, taking in moments of deliverance, carefree and obscure. I have no idea what’s up here, only that I would love to be them for a moment, complete with a suit and no son.

Paul sits alone on an old grandstand bench, affecting timeless boredom, his Walkman earphones clutching his neck, his chin on a pipe railing. Little is afoot here, the place being mostly empty. A few kids his age are far up in the drafty back rows, cackling and cracking wise. A scattering of chatty wives are below in the reserved seats — women in pantsuits and breezy sundresses, sitting in pairs and threes, viewing the field and players, laughing occasionally, extolling a good catch or merely occupying themselves with the neutral subjects they each are at ease with. And happily — happy as linnets in a warm and gentle wind, with nothing better to do than twitter.

“What’d the bartender say to the mule when he ordered a beer?” I say, coming down the row of seats. I feel I have to break new ground again.

He turns his eyes to me disparagingly without moving his chin off the pipe rail. This won’t be funny, his look indicates. His “insect” tattoo is visible. An insult. “Clueless,” he says again to be rude.

“‘I’m sorry, sir, what seems to be bothering you?’” I sit beside him, wanted or unwanted, and muse off down the first-base line in silence. A tiny, antique man in a bright white shirt, shoes and trousers is pushing a chalk wheel down the base path. He stops midway and looks where he’s been in estimation of his trueness, then resumes toward the sack. I raise my camera and take his picture, then squeeze one off at the field and the players seemingly readying themselves to play, and finally one of the sky with the flag raised but motionless above the “390” sign in center.

“What good is it to come to some beautiful place?” Paul says broodily, his chin still resting on the green pipe, his heavy, downy-haired legs splayed so as to reveal a scar on his knee, a long and pink and still scabby thing of unknown origin.

“The basic idea, I guess, is you’ll remember it later and be a lot happier.” I could add, “So if you’ve got some useless or bad memories this’d be a great place to start off-loading them.” But what I mean is obvious.

Paul gives me the old dead-eye and shuffles his Reeboks. The hatless ballplayers who have been running sprints and stretching in the outfield are walking in together now, some with their caps on backward, some with arms on each other’s shoulders, a couple actually walking backward and clowning it up. “Come ahnnn, Joe Louis!” one of the wives shouts, getting her sports and heroes confused. The other wives all laugh. “Don’t yell like that at Fred,” one says, “you’ll scare him to death.”

“I’m sick of not liking stuff,” Paul says, seeming not to care. “I’m ready for a big change.”

News not unwelcome, since a move to Haddam may be on his horizon. “You’re just getting started,” I say. “You’ll find a lot of things to like.”

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