Stephen Dixon - 30 Pieces of a Novel

They take walks together around the ship, kiss on the deck if it’s warm enough out there, play Chinese checkers in the saloon; in her cabin, where she takes him to see her wardrobe and jewelry box again, she says, “You once said I was fat; well, see that I’m not,” though he doesn’t remember ever saying anything about it, and she stands straight and places his hands on her breasts through the blouse and says, “Hard, yes, not fat; no part of me is except what all in my family were born with, my derriere,” and when he tries unbuttoning her blouse she grabs his hand and bites it and laughs and says, “You’d get much worse if you had gone farther without my noticing it,” and he thinks, What’s she going to do, bite me again, slap my face? and says, “Sorry,” and takes her hand and kisses it and moves it to his crotch, and she says, “No, not now, and perhaps not later. I’m sure you’ll want me to say it’s hard like my chest, and I’m not saying the day will never come for this, but only maybe.” “When?” and she says, “I’ll write down your address in New York and if I go there I’m sure I’ll see you. It’s not that I don’t want to myself sometimes. You’re a nice boy. But then I’d have to tell my husband and I don’t want to hurt him. You can understand that. But if I do feel a thrashing craving with you the next two days, then we’ll do something at the most convenient place feasible, if there is one, okay?” and he thinks she’s warming up to him; he really feels there’s a good chance she’ll do it; she was earnest then and her kisses have become more frequent and passionate and longer, not just mashing her mouth into his and pulling his hair back till it hurts but going “Whew!” after, “That was nice, I was overcome,” and she did let him touch her breasts, big full ones, soft; he doesn’t know what she’s talking about “hard.” He’d like to just pounce on her on her bunk and try to force her, pull all her bottom clothes off quickly and start rubbing and kissing, but she’d scream bloody murder and probably punch him and do serious biting and then order him out and avoid him the rest of the trip, though he doesn’t think she’d report him. No, go slow, be a little puppy, that’s the way she wants it done, at her own pace, and the last night probably — a goodbye gift, she might call it. And then she won’t exchange addresses. She’ll say something like “We did what overcame us but shouldn’t have, but I won’t apologize. If we meet again, then we meet — it’s all written before as to what happens — and perhaps we can continue then, but only perhaps.”

At the captain’s dinner the last night everyone can sit where he wants, and he sits beside her at her table and out of desperation whispers into her ear, “Really, I’m in love with you, deep down to the deepest part of me, it’s not just sex, but it’s about that too. You look beautiful tonight, but you’re always beautiful. Please let’s make love later, the stars say so,” and she says, “Oh, do they? You are tapped into them today? I’ve had my influence; I feel good about that. Well, we’ll see, my young friend, we’ll see, because I too think you look handsome tonight,” and he whispers, “You mean there’s hope? I’m only asking. I won’t pout or anything and I’ll be totally understanding if you end up by saying no,” and she takes his hand out from under the table, brings it to her mouth, and kisses it and says, “Yes, I would be encouraged,” and someone at the table says, “Oh, my goodness,” and she says, “We are only special shipmate friends, nothing more to us.”

There’s a passenger variety show after dinner, drinks still compliments of the captain, and people say to her, “Belly dance, please belly dance for us,” and she says no and they start chanting, “Belly dance, belly dance, please, please,” and she says, “All right, but I’m out of practice, and the air temperature isn’t right for it, so perhaps only for a short while,” and goes below and returns in costume and makeup and belly dances to a record she also brought up. Her breasts are larger than he thought or remembers feeling that night, legs longer and slim, while he thought they’d be pudgy; she shows a slightly bloated belly, though — it moves, he supposes, the way it’s supposed to in such a dance and maybe it’s supposed to be that shape, and her buttocks and hips wiggle in what he thinks would be the right ways too, but what does he know? It all looks authentic, but sometimes it seems she’s about to fall. Maybe she drank too much, but at dinner she said she’ll only have one glass of wine: “Don’t let me have a second. Scold me if I even try to; on evenings like this where the sentiment runs so much, one can see oneself getting carried away.” Maybe she has a bottle in her cabin. She’s less attractive to him dancing. In fact she looks ridiculous, her face sort of stupid and at times grotesque, and too many of her steps are just plain clumsy, and her belly’s ugly. She’s no bellydancer, she’s a fake. She’s Austrian, that he can tell by her accent, and maybe married to a Canadian soldier, but that’s all. If she belly dances in Canada, it’s in cheap bars or at costume parties when everyone’s loaded, or something like that. The passengers applaud her loudly, surround her after, want to inspect the jewelry she’s wearing, feel the material of her clothes. “This anklet came from a very rich Lebanese I can’t tell you how many years ago,” she says. “King Farouk, who many people look down upon, and perhaps there’s some truth to it, but he would have given me this brooch after I danced, he said, if I didn’t already own an exact one. Who would have thought such valuable things could be mass-produced.” She looks at him through the crowd and smiles demurely and then closes her eyes and her smile widens and he thinks, So, it’s going to happen, whether he wants to or not. Good, he’s going to take complete advantage of her after all these dry days and give it to her like she’s never got it in her life, and if she thinks he’s too rough or just a flop, who cares? — tomorrow they’ll be so rushed and busy with packing and customs and getting off the ship, he doubts he’ll ever see her. Anyway, it’s been weeks and he suddenly can’t wait, his last a bad-tempered whore in Hamburg who wouldn’t even take her stockings and blouse off.

He put his name on the variety show list as “singer,” and when his name’s called he gets up on the little stage and says he’s going to sing the “never-walk-alone song from Carousel , the only one I know the words to.” The pianist, who’s also a steward, doesn’t know the music to it, so he says, “I won’t be at my best then, which is never that good, but I’ll try to do a semidecent job as an unaccompanied solo. Well, violins and cellos do it — think of Bach — so why not voices? But please, anybody who wants to join in and even drown me out, do.” A couple of people laugh. He thought he was a tenor but he can’t get above certain notes. So he stops partway through and says, “Excuse me, mind if I start again but as a baritone? I think this song was originally for a contralto — deep — so maybe it’s better sung at that range. Anyway, my voice must have changed while I was in Europe — you didn’t know I was so young,” and the same two or three people laugh. The pianist says, “Sure, if you feel you have to go on, but we do have a big lineup still to follow and it’s getting kind of late,” and he says, “So, I actually won’t. I’m making myself into a first-class ass. Better, if you can’t sing, to be voiceless without portholes, right?” and several people say, “Huh?” and nobody laughs, and he says, “Sorry, but I’m not much of a comedian either,” and steps down.