Andrea Canobbio - Three Light-Years

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Three Light-Years: краткое содержание, описание и аннотация

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A quietly devastating novel about the pain of hidden secrets and the cost of surrendered love. Cecilia and Claudio are doctors at the same hospital. They eat lunch together, sharing conversation and confidences. Each is recovering from a relationship that has ended but is not yet over: she is a vulnerable young woman with a complicated family situation and two small children; he continues to live in the same building with his senile mother and his ex-wife and her new family. Though they are drawn together magnetically, life has taught them to treat that attraction with suspicion.
But a chance encounter with Cecilia’s sister, Silvia, shifts the precarious balance of the relationship between the two doctors. Claudio begins to see the difficulties inherent in his approach toward life — his weary “Why not?” rather than indicating a hunger for life and experiences, is simply a default setting; saying no would require an energy and focus he lacks. And just when Cecilia comes to the realization that she loves Claudio and is ready to commit to a genuine relationship, fate steps in once again.
In lucid, melancholy prose, supplely rendered into English by Anne Milano Appel, Andrea Canobbio sketches a fable of love poisoned by indecision and ambivalence in Three Light-Years, laying bare the dangers of playing it safe when it comes to matters of the heart.

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With no more energy left, she dragged herself to the car, put the shopping bags in the trunk, opened all four windows, and waited in the shade until the temperature in the car came down a few degrees. All of a sudden it struck her that she had bungled something after all, because that morning she’d forgotten to fill out a report for a suspected TB case. Couldn’t she call? Yes, but she might as well go back inside.

It was much cooler in the hospital’s basement, even though there was no air-conditioning. She filled out the form while her colleagues asked her why she had come back, why she hadn’t called. By the time she left the ER, her legs were moving of their own volition and they certainly weren’t headed out the hospital’s door. She didn’t want to stop, but even if she had wanted to, it was too late, because the moment she stepped out of the elevator and the moment she reached Pediatrics and the moment she knocked at the door, she knew very well that the doctors’ lounge was the place she wanted to go, to be, to stay. The shy internist was waiting for her, without knowing it, he never knew anything, that man, blessed in his innocence.

* * *

She awoke in the night seized by the darkest anxiety; she wasn’t in love with the shy internist, she didn’t want to begin a relationship, being with him that afternoon, kissing him, letting herself be undressed in the car like a teenager had been a mistake, a terribly selfish outburst, she was an irresponsible fool and instead of discouraging him, as she should have, she had led him on. Even more distressing because she knew very well that she’d enjoyed it. She couldn’t sleep anymore, sitting cross-legged in the middle of the bed; she got up an hour before the alarm went off, paced back and forth in the kitchen so as not to wake the children. She ate two packets of mascarpone spread on rice cakes.

The anxiety continued throughout the morning, even working didn’t help, even throwing herself into examining patients, with a full waiting room and not a single moment to think. If a day like that didn’t do the trick, not even opium would save her. When she was able to speak with Viberti at lunch, as she apologized and told him there was no justification for it, as she asked him to forgive her and explained that it had been inexcusable, she felt a slight relief that consoled her until the afternoon. Later she pretended to be exhausted, putting on a little performance for her mother and the children. Her exhaustion was nothing new, even when she didn’t complain about it they could read it in her eyes.

She went to bed early, and after dozing for less than an hour she woke up and began crying softly. Almost immediately, retracing the day’s events, she found a deep, dark well that swallowed her up. She remembered sitting on a bench, while wandering through the park like a sleepwalker. Sitting alone on a park bench was perhaps one of the saddest things a human being could do. She remembered thinking, as she sat on the bench, that if she continued walking along the river in the same direction, she would come to the circular clearing where, three years ago, she and Luca used to go when they needed privacy so they could argue, isolating their resentment and anger so it wouldn’t infect the children. She recalled Luca’s words to her, those expressing horror and contempt. She recalled them one by one. The way he shouted them at her. Then she took pity on herself and fell asleep.

* * *

(It’s nice to imagine her every now and then sunk in a deep, dreamless sleep. To imagine her in a state of unconsciousness, oblivious to herself, relaxed. Before resuming the story I’ll lower the volume of the outside world to a minimum, shut everything out, draw the curtains. Because Cecilia is always lit up, and she dazzles me.)

* * *

She remembered every detail, the birth, the first days, the first months, and the memories were hers alone, no one would ever steal them from her. She was watching their heads close together, as they lay on their bellies in front of the TV, who knows what they were saying, they were giggling. She had seen those heads come out of her own belly (maybe she thought she’d seen them, maybe she had felt them so intensely that she was able to see them with every cell in her body, if not with her eyes), and she remembered every detail, and no one could ever erase those memories. The girl hadn’t had any hair, the boy a lot of dark fuzz which he’d lost in the first few months, but the heads were their heads and they had passed through her, how she didn’t know, they’d had to stitch her up. That’s how living things passed from one condition to another, that’s how living things split apart and one thing gave birth to another. Memories that were hers alone, that she preserved, even those that were ridiculous, grotesque, shameful. Why had she been so ashamed? While she was giving birth, she wasn’t at all ashamed to have the nurses and doctors see her vagina, but the fact that she felt like shitting and might really have shit in the labor room, that certainly was embarrassing. She’d said, “I’m very sorry,” and they’d all smiled reassuringly. She’d never spoken to Luca about it; during the birth he’d stood nearby, apparently nervous, but never on the verge of fainting. She didn’t say “apparently” nervous to be mean — all she remembered of him was a figure there by the bed, and she knew very well that the presence of a figure was important enough. Then she remembered him afterward, very happy, beaming.

Fathers can afford to beam after the birth; mothers are a bit spent, though still happy about the baby and greatly relieved. That wasn’t being mean either; the fact that fathers don’t have to experience the pain of childbirth is written in the natural order of things. Because of this, the shy internist, for instance, would have fathered ten children if he could have. And that, on the other hand, really was being mean.

But she wasn’t angry with him. It wasn’t Viberti’s fault that what had happened had happened. The fault was hers alone. She was glad she’d realized it right away and had told him so. She’d been the one to go looking for him, she’d turned him on, and that was inexcusable. She was extremely ashamed of what she’d done. She’d done it because she was unprepared, taken by surprise, she’d never wanted to admit to herself that she was attracted to him. On the whole, in those months, it hadn’t been easy to admit that she needed the opposite sex, or sex itself (the odd moments when she happened to think about it). She’d needed to believe that she should and could do without it. Moments of that hour spent with Viberti came back to her that evening as well, sitting on the couch, watching the children watch a DVD. She’d lost control, she’d been attracted to him, but it wasn’t a solution to her problems. She cared about Viberti, she didn’t want to lose him, but they had to be just friends. If she had liked him a lot or if she had been crazy about him, or if he’d swept her off her feet — then there would be no question about it. That meant she wasn’t in love with him. She was attracted to him and was fond of him. Better to drop it.

“How many months have you lived since you came on earth?”

Michela giggled. “Listen to him! The expression is ‘come into the world.’”

“Since you came into the world.”

“Or ‘were born.’”

“How many months?”

“That’s easy,” Cecilia cut in, “just multiply twelve by twelve.”

“A hundred and forty-four,” Mattia said instantly.

“You already knew the answer,” Michela said.

“No, it’s a trick, they taught it to us today. You have to think of the numbers as squares and rectangles.”

She recalled every detail, especially the growing reasons to be proud, the gallery of maternal trophies. The smile when they recognized you. Holding their head erect. When their reflexes proved to be functioning (she’d tried out what she learned from books on them, the Moro reflex, the sucking reflex, the triple retraction). Having the pediatrician pronounce her healthy, pronounce him healthy (and before that, the rating at the moment of birth — she remembered a father who protested because his son hadn’t gotten 10/10—a 9/10 for Mattia and Michela, the perfect score, because in life there must always be room for improvement). Not fitful, sleeping at night (but if they wake up at night, calling out without being demanding, in a polite voice). In the early months, small feats: how the dog goes, bowwow; clapping their hands; playing peekaboo. And nodding yes and no, even if they have no idea what it means. And then, later on, managing to get dressed by themselves (but still needing a little help). Starting to remember things they’ve done with you, remembering things that you don’t remember but that for him or for her were important. Asking you to repeat stories always using the same words. And besides that, learning the text of Matilda the Fast Turtle by heart and surprising you one day by reciting it perfectly, pretending they’ve learned to read.

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