Andrea Canobbio - Three Light-Years

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Three Light-Years: краткое содержание, описание и аннотация

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A quietly devastating novel about the pain of hidden secrets and the cost of surrendered love. Cecilia and Claudio are doctors at the same hospital. They eat lunch together, sharing conversation and confidences. Each is recovering from a relationship that has ended but is not yet over: she is a vulnerable young woman with a complicated family situation and two small children; he continues to live in the same building with his senile mother and his ex-wife and her new family. Though they are drawn together magnetically, life has taught them to treat that attraction with suspicion.
But a chance encounter with Cecilia’s sister, Silvia, shifts the precarious balance of the relationship between the two doctors. Claudio begins to see the difficulties inherent in his approach toward life — his weary “Why not?” rather than indicating a hunger for life and experiences, is simply a default setting; saying no would require an energy and focus he lacks. And just when Cecilia comes to the realization that she loves Claudio and is ready to commit to a genuine relationship, fate steps in once again.
In lucid, melancholy prose, supplely rendered into English by Anne Milano Appel, Andrea Canobbio sketches a fable of love poisoned by indecision and ambivalence in Three Light-Years, laying bare the dangers of playing it safe when it comes to matters of the heart.

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But she changed the subject: “Sometimes I wonder why I studied medicine, why I chose this profession. Do you ever feel like that?”

“Always. Not every single day, but often.”

“Was it because of your father?”

“Because of my father?”

“You told me he died when you were little.”

“Not really little, I was fourteen … Why would you think I did it for him? He didn’t think very highly of doctors.”

“You told me he died of a malignant lymphogranuloma.”

“I don’t remember telling you that.”

“A few months ago, remember that man…”

“Sure, now I remember. But my father died in ’75.”

He began to feel a strange crawling sensation in the pit of his stomach.

“We talked about it because you told me that back then they were incurable, for the most part. Today they would have saved him.”

“I think so. But what does it have to do with my decision to study medicine?”

“To save him, to be able to save him in the future.” She broke off, gesturing as she tried to explain. “I mean, to save him in your mind.”

“Oh. Well, could be.”

The thing that surprised him — he realized later, on his way home — was that the woman had thought of him. That she had reflected on the matter for days, trying to find an explanation for him, to come up with a story that explained him.

Every so often he imagined his father dying in his parents’ old bedroom. The precise moment. Since that time he’d had occasion to witness the deaths of numerous patients. “Death rattle,” an appalling term, a frantic tumble down the final slope, “you’ve taken a turn for the worse.” He hadn’t been present when his father drew his last breath, because during the long months of the illness he’d been gone a lot, encouraged by his mother to stay away, to take his mind off things. Marta wanted the boy to remember his father healthy, but there wasn’t much to remember.

As if reading his mind, Cecilia asked, “Was it a long illness?”

“Yes, quite a few months, but I don’t remember it clearly, I must have repressed it.” He paused. “No, I don’t think I became a doctor because of that. I wanted to follow in someone else’s footsteps, a friend of my father’s I’m very close to.”

Cecilia had never met Stefano Mercuri, but she’d heard about him at the hospital, and had read some of his articles.

“And you, why did you become a doctor?”

“I don’t know. I really don’t know. When I was younger I wanted to swim.”

“Oh, yes, you told me.”

She stared at his coffee cup resting on the counter the way she’d stared at the Scénic’s fallen keys on the ground a year ago.

Viberti touched her shoulder lightly. “Thank you for following me to talk to me. I’m happy when you talk to me.”

Cecilia smiled. “I didn’t follow you.”

* * *

On the morning of Monday, June 3, Viberti wakes up drenched in the relentless light of day and feels an intense desire for fog. Still, he knows that even if it were November he’d have no hope of being satisfied, since these days the fog isn’t what it used to be. The climate has changed, the pollution level has changed, the city has changed. When he was a boy, on his way to school at eight in the morning, he would sometimes be afraid of getting lost. He couldn’t see a thing ten steps in front of him. Figures would emerge suddenly, as if out of the blue, hazy and featureless and chilled. He’d never again encounter such dismal figures, irritated and fearful, and not only because of the fog. Actually, fog and fear weren’t necessarily related in this memory, which was a reassuring, or maybe just nostalgic one; in the fog you could hide, pretend not to see anything and turn the corner. When he got home, Mercuri, the Communist, would often be there. You could discuss things with Mercuri and try to understand what was happening, partly because, unlike other adults, he had no ready-made answers he passed off as “experience,” and his misgivings made things easier to grasp. Reflecting on Mercuri’s misgivings and what politics were like in the seventies and on politics in general, he gets up and, standing in front of the mirror, remembers that he has to go to a critical union meeting that day: the hospital administrator is out of control, somebody has to stop him.

In the late afternoon he settles into the pediatricians’ lounge to fill out a self-evaluation form. The sun cuts diagonally across the long blue table and Viberti sits in the most shaded corner, away from the whitish glare. He spent the weekend at Mercuri’s and fell asleep on the beach, getting a sunburn. For three days he thought of nothing but Cecilia; the visit to his old friend made him feel his solitude more painfully (perhaps because Mercuri was alone all his life and has now solved the problem by marrying his housekeeper). He’d like to confess his tenacious obsession to the older man, or better yet he’d like to have him meet Cecilia, introduce her to him and receive his blessing. He’d like to hear him say: “She seems like an excellent doctor.” Why is it so important to him that Cecilia be an excellent doctor?

Today he saw her again at lunch and it calmed him. They joked about his sunburn. Seeing her every day is absurd and comforting. The self-evaluation poses a difficulty. There’s a question, the last one, which last year he wasn’t able to answer: How do you rate the overall level of your performance? It’s a bit like when you go to the United States and they make you fill out that green card where you have to declare that you are not a terrorist, a murderer, or a thief. The year before, Antonio and Giulia had suggested he write: Fair, but I can always improve . They were joking, but he took them seriously and responded in just those words. Then he regretted it, because the personnel office probably thought he was being sarcastic. So today he goes straight to the final question and without thinking twice writes Fair , the answer he’ll continue to give in the years to come, until the last self-evaluation before his retirement.

He turns the pages and starts the questionnaire from the beginning. The door opens and Cecilia comes in. The doctors’ lounge, as it did a year ago, now becomes the scene of future memories, at least as long as the minds in question are able to retain and recall them.

Cecilia isn’t wearing her doctor’s coat. Time shifts gear, all the moments spent with this woman race by too swiftly, she is too quick to appear and disappear.

“I thought you’d left.”

“I’d forgotten a TB case report.”

“And you came back specially?”

Cecilia goes over to the window. Outside, the wide tree-lined boulevard is teeming with rush-hour traffic, and beyond it lies the river with two solitary rowers paddling, and beyond the river the green woods of a hill that rises steeply, houses set among the trees.

“Is something wrong?”

Cecilia shrugs. Something’s wrong, but what? She turns, looks into his eyes, goes over to him, maybe it was him she was looking for, maybe she wants to talk to him.

She sits down beside him. The collar of her blouse is a little crooked, Viberti would like to straighten it but he restrains himself.

“The sunburn looks worse, you should put some lotion on it.”

“Yes, I can feel myself burning.”

Cecilia lifts her arm, straightens the collar of his white coat. What a coincidence! He’s about to tell her, “Your collar is a little crooked too, let me fix it for you,” but she doesn’t lower her arm. She slides her fingers to the lapel, just above the pocket. She seems to want to take one of his pens or maybe the stethoscope that Viberti still has around his neck. It’s unclear whether that arm is a bridge about to unite them or the measure of a distance keeping them apart.

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