Michael Rizza - Cartilage and Skin

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Cartilage and Skin is a dark literary thriller about a loner named Dr. Parker. He leaves his city apartment on an indefinite quest, not for love or friendship, but for “a drop of potency.” Yet he is quickly beset by obstacles. Through a series of bad decisions, he ends up being stalked by a violent madman and scrutinized by the law for a crime he claims he did not commit.
Meanwhile, he finds himself becoming involved with a kind, generous divorced woman named Vanessa Somerset. She seems to him receptive, if not eager, to love. Little does she know, because he does not tell her, that he is on the run, his life is in shambles, and an absurd horror lurks close by, ready crash down on them.

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“Well, you’ve got to hope.”

“So, risks are bad?” I asked.

“No, you’ve got to take them.” She slid closer and leaned against my arm.

We slipped into a moment of silence and drank our wine. While I was somewhat alarmed by Vanessa’s unexpected intimacy, she simply seemed to be relaxing against me, with her head resting upon my shoulder. After a while, I thought she might fall asleep. From my seat on the couch, I began to inspect my apartment. The remote control was on top of the television, instead of beside the couch where I ordinarily kept it. Nothing else seemed disturbed, even though I suspected that all my drawers and cabinets had been opened. I wondered about the nightstand that had once carefully concealed behind its back panel, in a secret crevice, my character study and the bizarre photographs of W. McTeal exposing his hard, bare, rotund belly and his sleepy penis, in attitudes that often appeared confused or indifferent, and in pregnant postures mostly of full-frontal birth or penetrable submission, knees on the mattress and ass to the camera. But I had burned everything, so even if the investigators had discovered my hiding place, they could’ve scarcely guessed what it’d once housed.

Several paces from the front door, the religious poem “Footprints” was still framed upon the wall, with my father’s letter safely inside.

From my seat, I quietly searched everything a second time

As Vanessa breathed, I felt her body gently press against me and then ease, press and ease, her rhythm so constant and soothing that I imagined myself — perhaps somewhere in the future, in a different city, in a different room, and on a different couch — being able to fall asleep next to her. Just as I began to wonder if she were awake, she raised her glass to her lips.

In the silence, I could hear the sounds of the building. The floor overhead creaked beneath someone’s footsteps, a television played through the wall, and the wind gathering in the alley outside my window found its passage obstructed and, thus, moaned its way up the walls, into the cracks and hollows of the stonework. But these details didn’t matter.

Vanessa reached forward to get the wine bottle from the coffee table and refill our glasses. She then settled against me again.

As the silence ensued, I sensed it beginning to change, so it was no longer just silence — but something like peace. And for the first time in my adult life, I had a momentary glimmer of what it meant to be ordinary. For so many years, the burden of anxiety, relentless introspection, and disengagement from the world had governed my behavior and rendered me a social cripple. But now, next to Vanessa, I saw the possibility of ease and comfort. The question, of course, was could I ever light vanilla candles on my own or take a long bath or smoke a cigar on a summer night, without feeling self-conscious, as though I were being watched and judged, with the verdict always coming back the same: You are not permitted to enjoy simple pleasures because your solitude is your condemnation, and your own body is the source of your discomfort, and, thus, you are sentenced to loneliness and absurdity; until the day you die, your every attempt at satisfaction, never mind love, will only heap upon you further reasons for guilt and shame .

But now, Vanessa Somerset was quietly leaning against me, without any urgency, awkwardness, or compulsion to speak. Outside, the snow could smother all the parked cars in high drifts and bury my narrow street, and the night could extend itself hour by hour. Meanwhile, Vanessa wouldn’t care. She was a grown woman, comfortable with herself and responsible for her choices. Remembering her little Janis in the picture frame, I tried to imagine the trials and sorrows that Vanessa had endured. She was a strong, tender woman. Her divorce now presented itself in a new light, for the death of the child, let alone its infirmities, had surely strained the marriage. For both her and her husband, it must have been difficult to keep on loving in the wake of lost hopes and under the grim constraints of crippled life.

Sip by sip, we drank our wine, and now that my attention was no longer diverted by looking for signs of the investigation, I grew more conscious of the living creature beside me. The top of her head touched my neck, and her blonde hair gave off a faint trace of coconut. Her right arm was caught between our bodies; the fingertips of her trapped hand played gently, though almost immobile, upon my thigh. In her other hand, she held the wineglass near her chest. Her slender forearm, lightly downed, appeared out of the black sleeve; a blue vein forked upon the back of her hand and faded at the ridge of her knuckles. Below the hollow of her throat, where the low collar of her top bordered her flesh, was a thin white line, slightly sunken, in her skin, apparently an old scar.

“What’s this?” I asked, and I saw my hand rising above the swell of her breast and my index finger extending toward the mark.

Vanessa briefly rubbed the spot with her thumb.

“I was canoeing with my brother in a lake. When we came back to the dock, he got out first. He took both of the oars, and for a joke, he gave the canoe a shove. I remember his foot coming up and pushing the side of the canoe. I got scared. I don’t know why. I guess I thought it was a mean thing to do, because he was standing there and laughing when I started to drift away from the dock. So I jumped out.”

Vanessa rubbed her chest again.

“Or I fell out. The metal point of the canoe got me here.”

“Was it bad?” I asked.

“He wouldn’t sit with me on the school bus either,” she added, and it took me a moment to see the connection between her thoughts.

Vanessa pulled her legs up onto the couch, her bent knees hanging over the edge, the weight of her body resting more fully against me, and the fingers of her trapped hand now holding onto my thigh.

While her body appeared to shed every hint of tension and to dissolve itself further into comfort, I felt my muscles tighten, so I was sitting bolt upright and rigid, with my blood — heated by her soft proximity — starting to rush and pulse in my every extremity. Even though she must have noticed my excitement, she remained unfazed, as though she were already long acquainted with the wild palpitations of my heart.

After she finished her wine, she held the glass beneath her chin.

Looking down over her forehead, I could see her dark lashes flick once and then rest for a while. Yet, from my position above her, I wasn’t certain if her eyes were shut, although I imagined that I saw a thin glimmer of one of her pupils reflected in the inner lens of her glasses.

While we sat wordlessly together, each passing moment did nothing to ease my nerves. Rather than become accustomed to her touch, rather than let go of my mind and allow myself to enjoy the intimacy, I felt my body grow more knotted and hard, as though the tenderness of this woman was causing a mass of calcified nubs to sprout up under my skin. And the more conscious I became, the less likely seemed the possibility of yielding.

She stirred, as if just to take one deeper breath, and when she resettled, with a soft exhale — I was able to feel, through the fabric of my shirt, the emerald stud of her earring pressed against my shoulder.

At last, I broke away by reaching for the wine bottle and pouring the remainder into our glasses.

“We’ve kicked it,” she said somewhat dreamily.

“That’s the last bottle.”

“Perhaps that’s for the best.” A contented, happy tone played through her words, even when she straightened up and added, “I’ve got to pee.”

At the moment, little did I know that these would be the last words I’d ever hear from Vanessa Somerset.

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