Joseph McElroy - Women and Men

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Women and Men: краткое содержание, описание и аннотация

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

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I followed them into the information room. The orbital charts were being given out. Then we went upstairs — the contractors’ handouts — half promo, half straight dope, two halves slanting away in a curve not quite routine, information dividing itself, its future, its source’s future multiplying its trite labor.

The silence next to Mayn shifts emphasis but is silence still. She murmurs. He stammers in several languages he hasn’t heard himself speak, and the sounds are familiar. Can Mayn feel activity in the elbow that’s on him like a thing coming to life? There’s her lovable circulation, he would swear; it’s her blood flowing along his hairs — he’s with her all right — hell, that’s what you always hear but he’d had it for a moment, "one-with," they said — they’re one, he’s sure they’re one — is that good? They have a plate for newlyweds to stand on where four western states meet, corner to corner. He tastes nicotine saliva seeping down, rejected by now-dead brain cells as their last wish. He ought to go into the new but fragile motel bathroom all done in green and throw up, but he would have to try too hard and two-thirds of him feels good and what if he tilted some relatively fresh and unused void capacity out by mistake, but he’s got a cap of rock-wool insulation up in the attic he paid to have it blown in before that house was winterized for divorce, keeps the heat from escaping — his once friendly former wife’s, his no longer growing kids’—and he stared into the Florida motel mirror until he was sickeningly dissolved to be transferred to another bathroom of another color, he sees yellow but it’s no particular prophecy, he’s been in yellow Johns before, and he goes on seeing the wall beyond the foot of the bed, the wall through which he’s assumed he might be having a dream which he can’t walk out on like a shadow under a door.

He’s got this feeling he’s said too much as well although the girl’s not going to remember it. Take a shower in the morning, have a cup of coffee, wash down the scrambled eggs, grits before they take hold. His wife Joy would let him go on about how he believed in anarchy for children and then would throw it up at him later as if some prediction of his had come cruelly true, while neither child is close to being as dislegalized as the father, nor at this time close period. The elbow stirs and slides, leaving a hand, like a substitute or residue. And he might run his tongue into the forks of her fingers, to finish between her thumb and forefinger: old, deep southern-hemisphere’s wrinkled mind stirs on top of the submerged mount: wind rises from the right direction: mature sea male among shore smells he makes not much distinction between the young and old sea mares, he sneezes, he observes them all, he doesn’t have to do anything (isn’t that him?), he feels them unfolding all round him and he’s the center of a wind from all quarters, he hears the voice naming the hustler the Chilean was intermittently with then in December — December 7th — at Apollo 17—just three days after Allende’s UN protest — and can’t see why the Voice of America man when he phoned him two weeks later didn’t know which Chilean — well, the Chilean who (forget that snake Spence) spoke of future blood cooled under a new skin and of future communication without words but between whom? between survivors so grotesquely fitted into the new atmosphere that who then would want to survive? Except naturally the survivors, who in turn at a plateau of zero gravity would never think to take up the option of the wish to die and such thoughts as all these were— as if the Chilean had heard Mayn often think — whether with Joy or alone. And Mayn contemplates the wall but looks into it, not through. He hasn’t been dreaming: light from the parking area has found a Venetian slat stuck open, and on this wall opposite the foot of the bed a framed color shot reduced to black and white by the night is of a towering Saturn in the A-frame doorway of the scaleless exterior of what’s touted as the biggest pile on Earth, so big a pile Mayn obligingly fits Chartres and other cathedrals and their orbits into it while also transferring St. Peter’s perilously into orbit where it is at last safe unless it collides with astral debris, but since he’s tired now, could he be thrust back along the particles of his own shadow to that future he came from where on metal plates persons two by two are being transferred by frequency to space settlements where upon arrival they will find themselves participating in a population-control project which Mayn knew of in advance? One more eccentric proposition (like Allende’s "We are the victims of virtually imperceptible activities, usually disguised with words that extol the sovereignty of my country" — paranoid, right? fatal-sounding was more like it, Mayn knew — fatal paranoia, then? — but the paranoid in this case was not the victim).

The man with the bandanna, she’s saying, had a hole. Yes. You know that operation? People know all the operations nowadays. That’s right. .‘case they take out the wrong lung, et cetera. Yes. A thumping starts — and the chance that it’s their door breathes him more toward sleep. Is the Earth perhaps undergoing long-term separation trauma? Is that it? Yes, I think so. What did you say, Jim? What did you think?

She’s waking up, he feels inside his body. But Mayn isn’t happy with that mobile home that keeps passing like a Wide Load up the highway or some mind of his vacantly overhead is it every ninety minutes? no he is in orbit around it. He never got around to giving the firing-squad order. Turned out the squad was formed in a circle and those facing it were a larger circle and so on, and the squad leader had to discuss this before any order could be given. And all he can get out of the incoming messages is what he was once ready to have but now needs to see through, in honor of the Chilean: for the — laryngectomy, the girl says — for the motel’s words about itself are not worth using, too easy, not funny, not the thing: "Jettison all worldly cares, splashdown transcontinental load in Space Coast motel pools at strictly suborbital rates, your motel launch pad puts you in perfect orbit around the sun" — but the Chilean knew there was more to it than techno ahoy ha! and Mayn and the Chilean were messages to each other unknown to the bearers. But in addition Mayn still missed a point: two shapes slid together and looked congruent and he had trouble identifying them.

He reaches for the ceiling: his uncle or his father (he’s getting too old to have a father) said (heart to heart), "Shoot, kid" — so his shoulder tips the girl’s residual hand off him — he, Mayn, part Indian-country where he could kill Spence, erase him out of mind, and he Mayn is not a killer, believe Mayn, he isn’t a killer, or not yet, though his future nature is all here, the votes are in and he was elected hands down, yet to a new life he always had in him, no chameleon sweat of a Spence-hustler just old Mayn a non-toxic monster (patterned on earlier earthling-newsgatherers) doing the job as coach said, "but you know something? — that old meteorologist in the Village is second cousin to a Navajo." And Mayn hears himself slur, "There goes Skylab again, why’s it have to come over every ninety minutes?" "Skylab passes over the same spot on Earth only once every seventy-one orbits," is the answer and she says this while simultaneously asking if he is awake, God it’s only three-twenty and he goes Mmhmm, and she asks if he will be seeing her again up in New York sometime (the "sometime" hedging her), and he replies, Mmhmm, which is not the sound of the void (send out for sandwiches), and which is the sound of another creature to the north and not the brou-ha-ha bellow of a sea lion in the other Chile that’s way to the south — cordillera country, my man — a Darwin South that he never quite (he Mayn) got to except to hear the rains falling upward from the Pole (and he suspects that a whole lot of other people who say they’ve been there really haven’t) — but what the hell did Mayn’s "quite" mean? but no sequence to speak of for he’s tired of his insistent soul threatening to bore him and needs to migrate to another belt, says, "Mmhmm" again to the girl’s "Well if you’re here for Skylab because of this Chilean economist you met at Apollo 17 in December" (surely she’s only pretending to be awake) "who did you say he was? Mackenna you found out his name was? That’s South America for you. Then what were you doing at the launch in December?"

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