Joseph McElroy - Women and Men

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Women and Men: краткое содержание, описание и аннотация

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

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Yet if it does not exist, then it presents no obstacle to escaping. I shared this with the old scientist-man whose lady companion came from Cincinnati thirty years ago but came to believe she was in New Jersey half the time and he replied to my letter that he thought her delusion was her way of being part of his early life. He whose work is clouds and winds, the newer rains and the particles of power in our atmosphere that may still have the wrong names, is all for my plan to exploit the potential of this place. But I sent you the F.E.P. as an opening cover to carry the real Moon rock of C.U. but I see it all about me, the Foley Economic Plan, and find that planning to build a home you may start by seeing you already got one built.

I am someone you have told your friends about, I hope. I see someone take up a letter of mine off your mahogany table, maybe your kitchen sink; your window sill, car seat, motel carpet, beach towel, or out of the wastebasket where you have saved (smile) other exposes of life’s stacked-up words including (remember?) your little brother’s who when you told him he didn’t have to thank you for helping him frame a scenery flat for a high school play said to you his admired elder bro what you said you never forgot, "The rest is silence"; or my letter comes out of your coat pocket while someone’s standing next to you; or I’m in your mind and you are in prison while snoring away first thing in the morning next to your wife, do you have a wife? a future one, a past? maybe seeing yourself on one or other screen of long historic time. So here is my news article, get in get out you said, the larger frame of history is nowhere, which is how there can be an opening in what is already open as hell I told the anti-Castro Cuban (who looked at me weirdly), but the opening I meant isn’t some escape he no doubt plans but the one snoring along a thruway through Old States, New States, to be totaled soundlessly when we all run together, for is not history’s frame everywhere? Charlie and Carlos I know say hello. They know we correspond. The guards in their slots send best, having heard from Juan that a Chilean prison cleared out all their beat-up inmates the day of an OAS human-rights team visit and put the guards in the cells, but in this joint there wouldn’t be enough guards to pull it off, but they have their daydreams like you who I had this sense in a dream last night do not ever recall your dreams, so you move ahead imagining there’s none to recall, or could the South American gentleman have told me this about you? — except how would he know? by the very fluid bond I have called "colloid"? — which, had I broached it to that girl-sensationalizer of life inside, I would never have shown was part and parcel of the Foley Economic Plan since it includes the fuller use of our esteemed visitors as well — and was that anti-Castro inmate right to wonder about you? but he could not know you as I do — I asked what he thought of the man who got bombed in Washington last September, he said Letelier wasn’t far enough left to matter — like, upper-middle-class semi-guilty husband with extra-love on his mind — but it did not sound true to me, for I have read about the man since the car bomb blew his legs off under the car, and I have asked our Chilean, who knew him and I could tell respected his energy but would not speak of him — also in the Eyes of my fellow inmate the Cuban supposedly anti-Castroite I have seen Escape, for he weighs time here against the blind light out there of mere explosion. Won’t stand up in court, Jim, what I put in writing, what said in person, what you’ve received through being tuned towards me and what you’ve added, for we make our contribution I mine here and you who might here and there say it all in your own way better — so much for Foley.

rent

Rent a city, if you were rich enough.

Now use it. Take occupancy. Put things into it. Run it. Look at it. Keep it from others if you wish. Sublet it. Inflate it and paddle it. But if you sound funny here as if you don’t mean what you say, remember to be serious. Be objective.

He saw through the changing charm of his six-year-old daughter into the future, and he wondered what he had learned. He saw ahead to when they would come early to the park to get the best choice of bikes. But this time and last time he was renting just one bike. His daughter was learning. This time and last time they had come early to get ahead of the crowd in case other children were learning in the parking lot.

But as for getting the best choice, he saw that at that hour you couldn’t tell for sure which bikes were better. A hundred bikes were standing against each other in the rental shed near the boat pond, and they all looked pretty good. Collectively they looked quite new.

At that hour to reach in and pull out the bike you thought you wanted was hardly more difficult than to see one bike clearly from where you stood outside the door of the long shed. Jammed together to economize on space, the bikes fit together in a loose, extensive lock.

He had a Raleigh Grand Prix at home and he bicycled to work when he felt like it. But he wasn’t going to ride his bike thirty blocks to the park when he had Sarah with him because he wouldn’t carry her on it in traffic, not even on a Sunday. Now Sarah wanted her own bike, and he would buy her her own when she learned to ride. But that bike she didn’t yet have she wouldn’t be able to ride except when they went away for a weekend or she was out of town during the summer. She was too young to ride from the apartment to the park.

Last Sunday Sarah had told the man she wanted training wheels. He’d said training wheels wouldn’t help. Sarah went along with that. When they took the bike across to the parking lot Sarah was ready to ride. He thought she had a city child’s sense that the time was now and might not last. People might be too busy. The park might fill up with traffic. The bikes might not be for rent any more.

When she had begun, he’d given her long, running pushes, and each time she and the bike had keeled over because she stopped pedaling. She would be about to cry, then anger drove her onward, she said he stopped pushing — or pushed her so she fell. Two Puerto Rican kids passing through sat on the curb of the island that went most of the length of the parking lot. They laughed when Sarah fell, and she cried out mumbling somewhat incoherently, "You don’t even have a bike." Which embarrassed him, while the boys only shrugged to each other and sat waiting for the next development.

The next time she went down she got up and kicked her bike. He righted it for her. She flung it away from her and it clanked to the pavement.

"Damn you," he said.

The boys were laughing again.

But his anger and their laughter seemed to help her take their laughter as applause. She smiled at last. O.K., the thing was funny. Yet he knew she wouldn’t use it to clown. For she meant to ride. With his help she raised the bike and he gave her a long, bending, trotting push that left him panting and wanting a cigarette.

But there she was — up — leaving the last wobble behind her— accelerating — taking the upper turn at the end of the island, pedaling alone back along the far, slightly downgrade side, pedaling a little faster.

This time her turn was wide but no one was in the way.

She was coming toward him and the boys. She called that she couldn’t stop, and the boys started laughing again. He wanted to tell her to put on the brakes — when he realized he was thinking of hand brakes. The boys stood up and got out of the way, and Sarah went over onto the curb of the island just as he remembered the right words and said them: "Pedal backwards."

But she had not fallen; she found herself standing on one foot and supporting the bike naturally.

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