Joseph McElroy - Women and Men

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Women and Men: краткое содержание, описание и аннотация

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Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.
McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.
A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

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They go away, and approaching what I hoped would not go away, I’ve known the great obstacle, which is to be not remembered, to be almost on the tip of someone’s tongue, no more, though that’s a beginning for you.

The evening’s visitors, the program people, came up the long corridor, and there’s my Mayn in the rear chatting with the Austrian wife of the car dealer who turns and waits a beat as if to say to her, You O.K., dear? and in the forefront comes a former missionary in a sweater, he knows me and I say, "Putting in your time?" and he, "Aren’t we all?" eyes rolling upward, but when I say, "But mine’s being paid for by taxpayers," he steps on, as if he’s thinking for the first time today, turns back toward me and I don’t know which of the sweatered former missionaries he is and so don’t know what of me he remembers, and say before he can say anything which is doubtful anyway, "In my father’s retirement compound no rooms are rent-free," and he turns to greet you, and you stop to shake a hand, grip an arm, say a name.

And that obstacle, that being forgotten, I got to go down after it till you pass through the last nothing between you and the ground and find a footing. Everything you find here, Jim, I have seen with both eyes for myself. So I remember the Y camp that let me in for two weeks one summer because I knew a lifeguard at a beach in the Bronx I’d never swum at; they let me into the Y camp even after I had trouble in school thanks to Ruth Heard, I mean really thanks, and it was the first time she was fired; and when I left camp to go home I wondered where she was and remembered the pine needles on the ground beyond the screen of the cabin where dew and early sun whispered to me, Jim — yet, more, I had in my head a watery place way under a float out in the lake supported on all sides by fuel drums so you had to dive down through the anchorage lines and come up into the cool tomb of air, empty drums smelling of mineral echo and containing inside them someone’s private motor faraway outboard, bike, chainsaw; and while the drums and slimy ropes were good obstacles to your being discovered, you heard the guys shouting far away. One day a black kid with reddish hair came up in there gasping like whispering his mistake, and we just breathed at each other and I didn’t tell him the air pocket was getting smaller and smaller and the drums was timed to go off at seventeen hundred hours, but then I did, and he said, "Shee-it, man." But then he got to believing the way I believed it, and we would swim in there from different directions under water like as much as twenty-five yards thinking seriously for the first time of saving energy even creating your own, and two kids who went to parochial school and I would dive off the float and get up on it again, one of them must have had an idea because one afternoon just before seventeen hundred hours he came back up under there in the center in our air space and couldn’t believe it when he saw us and looked from one to the other, back and forth, but I whispered that the air pocket was getting less and less and we had to get out of there, and he got scared of us, I saw his teeth, his white eyelashes, the water and shadow gave us speckled skin — I never thought of that — he was treading water like he had a cop running after him and he was grinning at me and over his shoulder at the red-headed black kid and I said there was only air for two minutes for two guys and what would that be for three guys and the kid said so quick it was like breathing in, Forty seconds for three, thirty for four, and the red-headed black kid and I reached for him and he started screaming and we pushed him down, down under and toward the ropes — why did we? — but we didn’t hear anything after that and on the train home when the two weeks were up I kept thinking the place would forget me. Just some crazy place? Because I knew I wasn’t coming back and anyway the float would be gone.

What happened to that kid? Tried to get the two of us in his sights. He got homesick that very night, because when he got pretty well drowned he passed through a vacancy of the lake and saw only the connection of it with home and never slept again.

The float, though, gone for good? The place able to forget? I met my red-headed black associate once long afterward — my clock says almost eleven and I can’t lay my hand on a fresh carbon — met him at a city pool more full of kids than water, a pool with a good and unexpected shape and high and low diving boards and a Chinese kid (said to be thirty faking his age) who was thrown out for pounding the high board while the rest of us yelled at him to go off, then leaning sideways suddenly at board’s bend to pitch himself a good ten feet over to land on the low board which was free for that moment and landing in such a way that, though he practically snapped the low, he vectored all the curves of this force into a floating straight-out swan that held but did not let go all the joined curves of his act: until then he hit the water, and as he entered with a slice the growth he had been compounding of force for a million split-seconds that held us fascinated and sent the sound of the elevated train passing into an ear of sound so we were deafened by the sight of the diver, took hold of him: and, while he went in straight, once in he was swerved so hard left forward right left, that his body was swung under the surface by that unspent tangle of poles — it was another mind’s hook that sent him then with energy you would have sworn he did not have smashing silently suddenly six feet to his left with a gravity of force into the pool wall — cong! I could hear it. Ruth Heard who I met on the street the one and only time and she was not alone said I would have if I’d been under water.

When he was pulled out, looking like an old man who had been far away while time had stood still here — and ejected — I met my former camp associate who said, "Hey man, what about that kid we—" but he looked over his shoulder and our thoughts collided. He looked me in the face, and just as three kids yelled in my ear so not even my girlfriend’s father could have thought he heard what I said, I said, "It was a good spot and they’ll never find it," and he said, "What?" then nodded once slowly, up and down; "Right, I got it." For we had that place right with us, between us, we knew the camp wasn’t there no more.

You get out of me more, you see. You said again that you would check out colloids. My dad sees only one thing when he looks at me now — the cage in front. He will never get to see my cell, but. . and he doesn’t see what I was sent up for but if he maybe accepts it he never liked me writing the Fire Department to remove my name from consideration. I had been put forward without my consent by friends of the family and I could not go that route, a letter to which there was no answer. My sister I will say sees more than one thing looking at me — now married to a ticket taker on the New Haven in a black hat who I think of as a cop, basically, who has put her in a pre-dyed pink ranch unit by the Thruway where she can see his place of work pass twice a day and he hers even to knowing if the garage door is down or up, though if down, not whether she has made her every-other-monthly secret trip beyond the Connecticut line (no doubt mined) to see a once-loved relation in his storied seventeen-hundred-bathroomed redoubt, first arranging for the kids to go home with friends after school, mum’s the word, shopping for Dad’s birthday — oh, in New Haven, Hartford, Boston. . Montreal! Newfoundland! — while in this way she hides her true trip some miles westward and hides that once-favored relation of hers more than his exile hides him.

Now give her credit, though she can’t slip past the metal-detector threshold an old license plate of hers specially requested by the brother sentenced among other things to drive no more, she when she sees him unlike their father (who is also, granted, embarrassed, which is maybe good for my father to feel, you know) sees two things — not one, like the old man in his bleached T-shirt and his mouth. But she can’t see her two at once, and I can only forgive her; and the two are: me her brother the foregone once-loved relation; and second (but not in order) her man in black she sees — in my eyes sees him reflected, Jim, behind her on his suburban local moving past power poles like picket fences flickering disapproval but much worse than disapproval at her through me, my eyes — or try this for size, he’s standing just behind her mad brother (me) just before Brother seats himself on his side of the Visitors Room table, and seeing through me as thank my stars she alone has always done with the light of love, she instead, like the Visitors Room is a museum, finds her husband there, he in real black not my correctional green, in a silver-buttoned uniform coat over my prison-issue green short sleeves, and in his silver-number-plated conductor’s hat above my long-lobed brainy ears and short, fair hair, and his clean lip under my utility infielder’s mustache, but is he in black or in blue? it’s been so long I wouldn’t know, and you got to ask yourself as you said, Jim, speaking of trusting your memory, Did I ever know this thing I claim to have forgotten, rest my soul?

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