Joseph McElroy - Women and Men

No sin for Range to say Sarah might get out among people more than she did, for if anemia was anemia, blues didn’t help anemia, and though no longer called in after Sarah’s death, Range did offer to grandfather Alexander the morning after charges had not been preferred against Jim, against Bob, or against Anne-Marie Vandevere (the remarkably impassive one of the lot) the confidential opinion that Jim would land on his feet, the doctor had liked him ever since Jim had in his opinion quite possibly saved the young German girl who had been out of sight down in the meadow between the cemetery and the race track when she had been struck in the temple by the good doctor’s unseen golf ball that had sliced and sailed — took off and seemed to travel further than would a good shot, although there’s an illusion — through trees and into downhill sky, and all Jim saw was one girl in one meadow fall, drop, drop sideways, almost as if cleverly pouncing on something unknown there in the grasses: Jim had run to her, found her gagging, sensed her whole struggle, gone into her mouth with his fingers; had gotten her tongue forward, had started raising her hips, pressed some life into her (she seemed in a concussive shock) so that when the doctor, in search of his ball, came in view looking down to the right of the golf course and beyond this far end of the cemetery, the intent motion of the boy straddling the girl and the swift, sturdy approach through the field of that Ira Lee, the Indian kid (part-Indian? full-blooded halfbreed!) lacked any visible response from the girl lying in the field who was then, as if in death, the cause of Ira striking Jim across the side of the head for Jim went on trying, that is to revive the girl, and in fact never stopped although the doctor’s shout and Ira’s second thought saved Jim from a second blow; but judging from the examination at the hospital, she could have been in trouble if not found soon — she was a refugee, but not a German Jew — and Ira’s presence there never got explained any more than Jim’s, who came out the rescuer, but he never said how he came there, a fairly boring place to be, and this was long before his mother died — all in all, an impressive performance, the doctor emphasized to Alexander; that boy’s all right—

— an isolated incident of irresponsibility giving Anne-Marie the key to Bob’s pickup so she could get inside and wait, where presently Italo-American emotion found Dutch-settler property enclosed beautifully in the cab but not locked in, which inevitably if not fatally caused that scene to beget and to overflow into and to slide sideways curving into (out of nowhere) a next:

while Jim, from obstacle through obstacle rushing through his high school building at twin speeds too fast, too slow outward, unsure what’s wayside and what’s way, how much to love his mother gone, how deeply to give his father thought, how much weight the motion he had experienced above the smudged Windrow, New Jersey, lens guarding the earth-colored corrugations of a continent of South America donated by — he forgot — how much to blame his grandmother Margaret for being the East Far Eastern Princess who in her turn couldn’t tell him quite where she was Margaret or how she was her own mother or what was so and what wasn’t and so he had thought, hell, he didn’t want any more of that story stuff, he’d close that out and about time: and there in one place was coach telling him to get off the glass, then finding stuff coming out of his mouth about it being Jim’s girl (but only the one he knew about) that he hadn’t first thought about, re: Jim; and there in another was an absolutely pooped Mr. Quirk (Jim’s summer employer’s brother) who had only three in his Solid class and had been ordered to remove the otherwise much-laughed-at sign over his door "let no one ignorant of geometry enter here"; and there in another place whizzing by was the tall young legislative principal Thompson Fulkerand, columnar, firm as stone, exactly half-bald, and the equally tall, majestically material Pearl W. Myles, and they ain’t talking about the weather but it’s bad whatever it is, there’s the eye in the back of Fulkerand’s head for half an instant jolting Jim as he bounds by so fast only the word "criminal" in no doubt "Well I’m not a criminal, Miss Myles" or "It’s criminal what’s done to gain favor with the student body" gets into the strong, fast, angry boy’s head; there’s the occasional, laughable seventh sense in Jim that at least for the time being he, or the world-altering episode he’s in, is insane; there’s Mel’s all-too-brief obit for his wife, black-edged oblong on the second page a stone’s throw from the masthead, that Jim was not asked about but, after the fact, when asked by Alexander (in Mel’s presence, for Alexander did that) if Mel’s piece seemed O.K. with him, Jim called it "short and sweet" and never spoke of it again — locked it in; and there’s the order in which people came to Brad’s Day: there’s Alexander, his shined shoe-toes sticking out while he peruses a book about Indian music and smells very faintly of peanut butter he keeps in his shop; there’s Brad, so set apart by his own hand, his own act, of legs, neck, head, stomach, voice, playing hookey some might say; elsewhere, though same room, there’s Mel reporting a chance today of a hurricane originating astoundingly along the mid-Atlantic coast, and Margaret, shocked she said at Mel, then ovaling her mouth, though she didn’t ring true, while that weather reporter’s hand made a rare trip to the small of Brad’s or anyone’s back; and then, blink, there’s the sound heard at a distance but not a close-up, an illustration of which Pearl Myles from on gentle high asked for as part of her tall kindness to Jim and the family; and always there, central and invisible, is Brad sometimes swimming, the way any swimmer will use the floor for training and support, though not much on breathing, though ‘twas heavy:

For as we breathe, so shall we move, but upon moving, we go on of force breathing—

— on the move? the interrogator tries out idiomatically echoing in warped unison Mel’s "on the move?" at the bedroom doorway and Jim had abruptly quarter-turned to catch his father in the corner of his eye, then continued laying out every bit of his clothing on the bed beside a suitcase and a largest-size old khaki scout knapsack, he had three pairs of narrow khakis, he had five white T-shirts, he had four pairs of colored boxer shorts and two white jockey, he had three pairs of washed denim jeans, one of them Army-Navy store bell-bottoms, he had a maroon V-neck sweater raveled at one wrist, a yellow cashmere sweater (you said sweater) his aunt sent him from Boston that he never wore, and a tight-fitting scratchy, very warm blue-black turtleneck Navy sweater that Margaret had just last week brought him from the City; he had a washable seersucker jacket that he could wear certain evenings this coming summer if he had to, and for shirts he had a fine-red-white-and-blue-checked button-down, a blue Oxford button-down, a white tab-collar shirt with a light-brown stripe, and a regular white button-down; he looked at the closet and around at his open bureau drawers and answered his father: "Yeah, seeing what I got." His father had had a (his "warm weather") haircut, which enlarged his square head and broad-chinned face. Behind Mel, or around him, the sound of frying was audible, for Brad was a capable cook and, flicking the pan butter with a (with "his") spatula up over the yolk and unsettled white, would fry himself an egg in the afternoon and sandwich it between two slices of Tip Top bread, the egg of which Jim now smelt, and saying Brad made him hungry and was there any peanut butter left which he knew there was, he stepped around his father who sort of got out of the doorway. In the morning there’s Brad looking at Jim when Jim comes in for a fast glass of milk, Brad slowly chewing a mouthful of cereal in the quiet of the sunny kitchen so sounds like Braddie’s got nuts in his cereal or bones — whole animals, for God’s sake — while looking, looking, looking, munch, munch at his big brother (How ya doin’, Brad, you glutton!) and less fugitive and meaningless and exactly not to be turned away from, the dark red wool skirt (her mom did weaving as a hobby) of Anne-Marie Vandevere sitting on his right in the pickup truck (how did he drive it so many times right in town?), the cloth tight across her thighs and knees and lap you could tap like a drum but there must be a tunnel underneath right up because of the cloth not hanging down the way it sometimes did, he’s not sure how much he’s going to get this afternoon? why no practice that afternoon? — either it’s very late or it’s Sunday — and he’s eating an apple or something sweeter, he can’t quite recall, not what Anne-Marie thought or said about his mother’s drowning though he didn’t go out with her till just after, and not worth recalling, obstacle upon obstacle, but it’s his life, he feels years later, and there it was in all its minor trivia as vivid as fact in suspension ("Suspense," said Ted, "but did Anne-Marie ever say anything?" — and both men, aware of the Chilean journalista between them who smiled at her drink, knew the difference between saying that about an adult and, here, of Anne-Marie—"Oh she often spoke, and she’d have thought it out and she’d begin by saying, ‘You know. .’ and you listened.").