Joseph McElroy - Women and Men

The view plunged out to the left. The air hummed with space past and future, hummed like haze over the velvet of valley, the quiet land where there would be people. Listen, it all lived apart from her but she was in it and it didn’t need to be aware of her, its unheard gongs, a noon siren she absolutely knew was about to go off, the crows, the agitated speed like another sound she didn’t put her finger on, and then some cheerful greetings she imagined from memory between two women across a street was it? — no, between a vegetable garden, no, some rows of cultivated raspberries and an upper window of a sunny house, all preserved in a concentrated drop of distance, and she wanted to call to her husband, him, Hey turn around and look at me, Dobbie, but she called out, "Remember Austria? how we heard the farmgirls talking way down the valley?"

He was already half-turned, as she held this last branch bent before she stepped clear, and she held that bough’s pressure for a moment seeing what he would do, if he would look at her. She had a small rock in her other hand.

He was breathing shallow and fast and seemed to be in trouble, but he was moved, she could see, he was sagging, but he was feeling something. She felt the pull and knew she needed to, to be once more absorbed by him, but he needed help, but his beard now how did you neither leave it on nor shave it off, to be once more absorbed by what? Why, by his mouth of course.

She waited for him to do something; he didn’t turn far enough to see her. She was the explorer, not he, she was between herself and him. He said, so she couldn’t see his lips move even, "They said you can hear what you can see."

He meant in Austria, in the southern mountains.

"Do you have a pain?" she called to him, his breathing fast and shallow.

Absorbed also by his eyes once. And now his eyes turned nearly toward her, she knew she was in the corner of one. This threatened to irritate her, and she and her husband each waited for the other to do something, while she held the branch bent back so it pressed tight at her palm and she leaned against it, and as if with the catapult force of her branch lobbed her stone at him, which got bigger as it went away from her toward him.

Her husband Dobbie, who was wont to sing while climbing and to draw her after him as if he was the one who was the powerhouse, now dropped to the ground. If you can sit, the thought came to her, why stand; if you can lie down, why sit? He sat profile to her on a rock, so she felt he did not want to look at her and knew she would not move free of the bent branch until he did look at her, not knowing how close the stone had come to his ear though it was he who had made her just miss.

Hold everything. If he won’t look, fine; let him not look. He’s got thoughts, too, out here in mountain light whatever mountain light is, light’s light unless you’re doing stained glass or into taking pictures or you’re trying to get to the end of a field, get back to the house get through the chores before night falls and the corn sprouts under you in the dark. So hold everything. Cut.

Okay, let him not look, if something would happen if he did.

Slide back down the mountain to bed, or did we reach the deep pond at the summit and on the pond’s dark surface an observation tower floating and on the top platform the people who came up in that car are singing the breathtaking beauty of their view while as for us instead of driving off in their parked car we can’t stop as we reach the summit but skid past the signs, elevation above sea level, arrow to the restrooms, and pelt down the far side half a mile down and more, where there is also a bed waiting unless it has been brought to us where we are, where we’re dropping.

But cut. Back to bed. The bed — a long shot — can be anywhere since the lights are out anyway; the bed could be anywhere, you think for a moment: a double bed alone on the Mexican plateau guarded by starving jaguarundi, or under the roof of a small, charming wood-frame garden house in San Francisco up the steep, bay ward slope of Telegraph Hill, a beach hotel in Libya, April in Lima, except no, the cool, white, rough, clean-laundered sheet material in which the featherbed-like comforter gets buttoned in, that weighed them comfily down, is Austria, the cowbell clunking, no, please, tinkling, up the midnight meadow rising so steeply close past their second-floor bedroom it was the mountain in an adjacent dream, not the one they were on, and by the light of that bell there was Dobbie’s welt where a childhood friend had knifed him in the shoulder blade after Dobbie said his friend’s parents were ignorant as the day was long. He and she laughed about his ten-year-old language, for I will give my parents the business but you leave them alone, got that?

She put a fingertip on the bare welt and proceeded to press, because she wanted to talk to him she guessed. But he was the one who spoke as if she’d pressed a button and out came her name: "Freya?" he said, still facing away from her lying on his side and sounding in the dark room a grainy threat of inquiry that another woman would have taken for his being awake and thinking (if not ready for anything). But she wanted to talk. She wanted to ask why he had not once looked at her (she could swear) during dinner with the two from Philadelphia who had come all the way to Austria to the Carinthian Mountains an hour from Italy, an hour from Yugoslavia, to meet a couple from New York and they, first the woman, it was on the tip of her tongue, then the man, then she again, then he again, then both, had averred that they knew that name from somewhere, until Dobbie got the Philadelphia couple off onto the question whether the schnitzel, that in all its delicate thinness there was less of every time they looked at their plates, was veal or in fact pork, which he then had led into the question whether Wiener in Wienerschnitzel ever meant "Vienna" to hungry Americans (not to be confused with Vienna sausage) and when it was remarked that Vienna was more famous for other things, he coolly went on to speculate that many Americans might think that Wiener in Wiener schnitzel meant "wiener" as in hot dog or frankfurter, which could, though not necessarily, be pork, until the woman, who put the last piece of her schnitzel into her mouth and was deeply tanned under her makeup, became deeply moved or certainly erupted in ecstasy — ecstasy— announcing there and then because it had come to her the profession of Dob-bie’s famous parents.

And so now in the darkness of the bedroom he didn’t reply to his wife Freya that of course he had looked at her, of course he had (he didn’t reply — for what would be the point? he knew he hadn’t — as if he’d been afraid to).

But his quiet was not now drowsiness. She pressed the welt and spoke into the curly hair over his neck, but not what she absolutely had to speak about but — she didn’t believe it — how concerned she was and wouldn’t he see a doctor, well not here, that is not down in St. Veit, but when they got home, for this afternoon further up the mountain he hadn’t been himself at the moment when they’d heard the buzzing sound of a motor and she’d said, A motorcycle, and he’d said, That’s no bike, that’s a chain saw, she had seen he was ready to keel over into those Austrian raspberry bushes they’d found; yet "You weren’t having a heart attack exactly," she said, and she was grimly entertained now saying all this stuff which was not what she’d set out to say, "and it wasn’t what smokers get" — "how could it be? he murmured hoarsely—"and though you’re not overweight it might be high blood pressure, it might be anything. You were—" words came—"spinning into yourself, you know; you seized up, it wasn’t asthma, I don’t say it wasn’t the climb, but you were—" the words came—"transfixed, and I thought there he’s going to fall into the raspberry bushes and never be seen again" — "hopefully," came the droll murmur.