Joseph McElroy - Women and Men

But the future he was literally in. . well she sort of chose not to see and he loved her too far to have to make her see he meant literally this four-dimensional picture that included him that he had hardly more than once or twice stated to anyone — stated to his wife, who almost believed him and was frightened to think he was not speaking out of craziness, and so did not quite believe him, at least quite early in his marriage.

But he could state it all to the South American woman Mayga so persuasively that almost at once she was giving Locus T Transfer of Two Persons into One New Libration-Colonist back to him like a reporter checking respectfully fact upon fact, template to jointed template of radiant, matter-turning force, while she was even lowering her voice (so we pick it up) when Spence had returned to the bar from having taken a call in the hotel lobby (Mayn knew all this without looking up), and Mayn said that though the lingo couldn’t have been there in 1945 or ‘6, he was sure he remembered Locus and some mid-space balancing of forces or powers which he had never in fact had any interest in except as factual-type matter that came like the dream he never had at night, though he had been told it was the memory not the dreams he was missing out on.

Had a lot of people instead to reflect on. So that Larry bicycling his own Manhattan Project north, south, west, then sternly east might bury all his toy suicides as they came into his unhappy head by the side of the road where journeyman suicides are s’posed to be buried even when, hard by a type-green traffic light, the pothole in question won’t any too soon have claimed the axle of a cab whose driver wasn’t lucky enough to carry as standard equipment an instant camera to record the waiting ever-empty insatiable grave:

So that his new friend — the joy of new friends, of a "new friend"! — Jim Mayn, before Lar’ was even thought of — may joke his way through and almost out of an evening with the lady Mayga who will hear him out beyond his staggered jokes designed both to stop the folly of what he’s revealing to her and keep him going to the end, well we remember the terrible fine blade of grass in the voice-over concluding Hollywood’s first atomic-energy movie for this was seen by him his senior year in the Walter Reade theater in ‘47, so powerful an ending that the audience were perfectly evenly divided two by two and one to one between those who were physically transfixed and paralyzed and those who were only mentally and did not hear themselves chewing or obliviously tearing wrappers off candy bars they should not have had left at the end of the first of a double feature, such a single blade of grass as whose atoms alone would power your beloved car (your first car!) from coast to coast of a continent as sentimental as it is adrift from an external point of view. So, scrambling his message a trifle, he nonetheless blew smoke by joking but literally from a cigarette first her way unthinking then in the other three directions thus all four (i.e., of the traditional Indian — and not just Indian! — directions, east west north south), like one of the People ceremonially beginning a journey as he recollected from somewhere as remote as the recent information that one day U-2 planes would see through forest-fire smoke.

The South American woman observed that as for such phenomena of nature or science, it was "one of yours" who had been interested in such only as it might have lain in a person’s experience for a time: but it was she who persisted: Now, the transformer bubble these people stand under before they are turned into frequency and. . recombined, is it? at those distant points of Earth-Moon space—

— Shared.

Sure… at those. .

— libration points—

Yes, those are them, she said. This method of dissolving people, their. . mass, is it?. . how does it affect them when they arrive at the space colony and want to get back to themselves? I mean out of frequency and back to their regular bodies. Are they cleansed? improved? She smiled, but strangely not with doubt. You said two to one, like odds; it’s two to one they do get there or they don’t, or do they get there and then it’s two to one they rema-terialize?

Here was humor, but she clearly did not say to him, Where is this belief of yours coming from?: and he was glad. The kindness stayed back in her eyes ready. She must have known Spence but not that he was always turning a buck with somebody’s contact, and twice he went away and came back to the fine old bar and sat near the curved brass divider that looked like the top of a boat ladder setting off the small service area of the bar: he came back and once slid up onto a stool much closer to Mayn and the South American woman, but that alertness of hers was less than her plain attention to him, which said she would be interested to know more of this actual place or time he was coming from, she gave it a foreign dignity he didn’t resist except to make a diversionary joke here and there as if to say, You don’t have to, you know — and once looked at his gold-banded wristwatch but she must have understood this was less offhand than curiously gallant even though Mayn did not make a habit of looking at his watch when in conversation with anyone, let alone a woman. Even so, the woman he had married sometimes neglected to let him have the credit of his behavior if she plotted, across his eyeball, some brief gateway, a glint that your normal observer would either not see or would have to wait for weeks, or travel, to see, like the sunset green flash.

Like the universe to itself — which, while not We, approaches (always a mile or two too late) the receding idea which proves that We ourselves are neither that universe, nor it us, nor are, very much of the time, that articulating commonalty heretofore capable of accommodating a multiplicity of small-scale units, which, it has occurred to us as we have curved through the bodies of our history a work without a gear, locate us as (no joke, no future joke) what is within Mayn and within the elsewhere-busied Grace Kimball and others as what they don’t know they know about each other and a world, which "there" is outself-growing, too. Hence, a hotel in i960. Hence, speaking out as perpetual insiders collected as a concept, which is that our speech is a hypothetical indicator of the other, likelier, theory of our overall silence. Or we are what is sealed inside these people in order to reach forth, even like fourteen unbroken eggs in the remembered recipe for angel-food cake once, twice, three times magically made by Sarah, mother of Jim Mayn, because unlike much other food it melted.

You are a journalist, Mayn said to the lady, yet you believe what you hear.

She had said that it seemed to her that in his account people were being turned into something communicable.

This was worth laughing about together. Yet she was laughing because the humor was true.

He explained that what "was" taking place at this future time was in two places at once and — and — he was a sane man, a journeyman male who played a bit of basketball, still ran and swam, and worked out on the light striking bag when he remembered to in the clubs of half a dozen cities if not countries, a bit of a social boozer and not averse lately to a social smoke though he had never rolled his own joints nor carried a lid like a pipe smoker; was not a particularly imaginative person, he thought, a newspaperman with hardly a view of history (its coming or its waiting or writing) who had gotten away from his hometown where his family had run a weekly paper until it quit during the War and it would not have lasted even if he lived on beyond high school and college to go in on it with his father who, though he had the same last name as his bride, had married into it—