Herta Müller - The Appointment

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From the winner of the IMPAC Award and the Nobel Prize, a fierce novel about a young Romanian woman's discovery of betrayal in the most intimate reaches of her life.
"I've been summoned. Thursday, ten sharp." Thus begins one day in the life of a young clothing-factory worker during Ceaucescu's totalitarian regime. She has been questioned before; this time, she believes, will be worse. Her crime? Sewing notes into the linings of men's suits bound for Italy. "Marry me," the notes say, with her name and address. Anything to get out of the country.
As she rides the tram to her interrogation, her thoughts stray to her friend Lilli, shot trying to flee to Hungary, to her grandparents, deported after her first husband informed on them, to Major Albu, her interrogator, who begins each session with a wet kiss on her fingers, and to Paul, her lover, her one source of trust, despite his constant drunkenness. In her distraction, she misses her stop to find herself on an unfamiliar street. And what she discovers there makes her fear of the appointment pale by comparison.
Herta Müller pitilessly renders the humiliating terrors of a crushing regime. Bone-spare and intense,
confirms her standing as one of Europe's greatest writers.

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How do you mean, I asked.

I’ll beat him until he squeaks like a mouse.

Some people cry out when you beat them, so it’s clear when they’ve had enough. But others just go silent, and then you go on hitting them till they’re dead. I was afraid that Paul was working himself up to a state of blindness, and I said:

The thing to do with someone who steals clothes is strip him naked and run him through the factory, then he’ll be even smaller than a mouse, and you won’t be guilty of anything.

It could be anybody. If it turns out to be one of the old fellows, or some rickety kid with ears bigger than his feet, I’ll take him outside for a little chat.

There are enough clothes around, just think if someone had stolen your precious skin, Paul’s workmates said. I heard your nipples caught cold yesterday. All soaped up and waiting and not a masseuse in sight.

Paul laughed along with the others. He preferred the few jokers to the silent herd with their sluggish tongues and dead eyes. But the difference between them was of no help to Paul in finding out the thief. Either the man made no mistakes, or else Paul didn’t notice them. Even Paul’s set of spare clothes, which, like everybody else, he kept in a tool cabinet just for this possibility, had disappeared after the shower.

Socialism sends its workers forth into the world unclad, Paul said in the factory. Every week or so it’s as if you were born anew. It keeps you young.

When the jokers showed up in the morning, they greeted him with:

Naked morning.

When they were eating they said:

Enjoy your naked meal.

Before they left for home:

Have a naked evening.

At the Party meeting the distinction between jokers and sheep no longer applied, said Paul. There, everybody sat in the second to last row, just like a wooden fence. The sweat was dripping off their temples, their hair was stuck to their skulls, and you couldn’t tell whether it was from the sun or fear. In order to avoid appearing as if they wanted to speak, they never moved their hands from their laps, just kept them there, dirty, hard, and motionless against their knees. The curtains at the front of the assembly hall were drawn shut, so that the presidium and the first rows of chairs were in shadow, but these seats were empty, except for Paul. He had to stand there and deliver public self-criticism for his quip, then sit down by himself in one of the shadowy rows on a seat that creaked even when you breathed. And he had to breathe in deeply, because even the air seemed to shrink back before him.

Paul said that when he joined the Party he was still a kid, a tenth-grader from the mechanical engineering school. Paul’s mother said:

In this country you can be as smart as a whip but without a red book all you can do is stand on your beak and fart in the dust like a partridge.

She was a village girl who’d left her turnips for a life in the city. She moved into heavy industry, where there were five times as many men as women. With the lower half of her body she joined the Party, learning the ABC’s of communism lying on her back in various beds.

Molded and crowned, said Paul. Well, what choice did she have, all she knew how to do was hoe, sew, reap, backstitch a little with the sewing machine, dance, and milk ewes. Her political praxis stopped at the foot of the bed, yet she understood exactly at what age a well-endowed girl should stop changing men. She never lost that instinct, and when she was a hairsbreadth away from losing more than she stood to gain, she married Paul’s father, a Hero of Socialist Labor. She became faithful, and faithful she remained. Her husband wanted to teach her the language of the Party. Her brain was intelligent, but her tongue was much too loose for a language devoid of smell and taste, hearing and sight. No matter what Paul’s father recited to her, the words in her mouth sounded like a parody: In our strength lies progress.

Not so loud, he said.

Then it sounded feeble.

A little louder and it sounded affected.

You’re talking about the cause, he said. You have to keep yourself out of it.

How’s that, she asked, aren’t I also part of our strength.

You can talk like that when you’re bringing the sheep down from the mountain into the valley. At Party meetings just keep your trap shut.

The training lasted an entire January. Paul’s mother said she’d rather clear all the snow off the mountain than talk this jargon. Her husband gave up.

Although Paul hadn’t said a word to anybody, after only three days people in the factory knew I’d moved into his place in the leaning tower. His mother found out just as quickly. She sent her son a letter that was written in a shaky hand and riddled with mistakes. It began:

Light of my life, my own flesh and blood.

It went on: There are girls who are like flowers or angels. But you, my son, are wrapping yourself in a rag that everyone’s already used to wipe themselves. This woman loves neither you nor her country. She will poison your heart. Do not let her cross my threshold. You are throwing your life into the dirt. I beg you, my child, finish with her.

She hadn’t written Your mother beneath the kisses but her own signature, practiced and ornate, as if she were a more refined, more cultured lady. Paul was convinced that someone had dictated the letter. The terms of endearment she normally used were as familiar to him as her handwriting.

And what about that signature.

Oh, that’s hers, said Paul.

His father had taught her how to sign things, and it came as easily to her as darning socks or milking ewes. Paul’s father believed the signature reflected the man, that people can learn more from your signature than from your eyes. His wife rarely had to write, but she often had to sign forms in the factory, so after that unsuccessful January he at least taught her how to sign things with a flourish, using newspaper edges for practice. That letter is why to this day I’ve never met Paul’s mother. A year after his father died, when she stopped wearing black, she sent Paul a letter with her picture. It shows a woman with permed hair, and a round face a little bloated with age, giving a kindly impression. A retired machine fitter, sitting in a café for the first time after her year of mourning, eating cake. Short sleeves, baggy skin around the elbows. On her wrist she’s wearing a man’s watch, and holding a small spoon using all five fingers. Her left hand is pressing her handbag tight in her lap.

Paul tells the story of how at one meeting she didn’t keep her trap shut and raised her hand to complain about a draft in the hall.

Men have it good, she said, they put on two pairs of long trousers and don’t catch cold, but you know that wind blows right up our coozies. Everybody laughed, but she just looked at them wide-eyed and then corrected herself:

As I was saying, that wind blows right up our private affairs.

On the way home after the meeting, Paul’s father hit her, saying:

Don’t you understand that you’re making a fool of me as well.

He gave vent to his rage on the street, he couldn’t put it off. Maybe this was because he knew that by the time they got home he would no longer have the nerve to hit her, and after that he never hit her again. From then on she was nicknamed Private Affairs, and inside the factory the name stuck until the day she retired.

Before Paul and I got married, the chief engineer called him in and said:

You’ve really landed one there. That lady thinks you’re one of her Marcellos. You’ve still got time to pull out.

I couldn’t have cared less what the man said. But Paul over-did it with his answer, which, like most appropriate responses, was too risky:

I wanted to marry Stalin’s daughter, but unfortunately she’s already spoken for.

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