Pete Hamill - Tabloid City

Okay. He can feel now. Move on. Toward downtown, where the truck driver said he could find a cheap place to stay. Decent fella. Name of Vic. All gray hair and scraggy-ass beard, but big and strong. At the mall parking lot in Virginia, Vic pushed back the passenger seat and lifted me and the wheelchair at the same time, turned us a little to the side so I could see the country go by. I held on tight to the thing under the poncho. The MAC-10. Loaded. The short barrel wedged under my ass now.

Later, it gets dark and the truck driver stops talking about his daughter in college and starts talking about Nam. Some place called Bon Song. Or Bong Son. Where he got shot in the left arm and three of his buddies got killed. A pass home for Vic. Nothing for his buddies except graves. Wanted to know about Iraq. Josh Thompson didn’t say much. Fuck it, the truck driver said. You can still have a life. And Josh said, Yeah. And closed his eyes and faked sleep. Opened his eyes later, saw houses with lights still burning, more malls and truck stops and trucks, all going somewhere, closed them again, then woke up at the entrance to an amazing bridge. Into New York, and Vic dropped him off, said he couldn’t go into the city, had to take another bridge onto Long Island, already late.

— I’m really sorry, soldier, Vic said.

— No, man, you been more than kind.

Vic lifted him and the chair down from the cab, then pointed and said, Down there, soldier. They got cheap hotels. All the way down.

Josh Thompson moves now, past dark bags of trash, pushing the wheels harder, careful not to dislodge the gun shoved under his crotch. Nobody on the wet streets. Traffic grinding along to his left, heading in the opposite direction. Stores closed. No place to buy gloves. Or a blanket.

He thinks: How much bread I got left?

And answers himself: Enough.

Enough to get what I need.

12:12 a.m. Helen Loomis. City room of New York World.

She is finished now with another episode of the daily serial she still calls “Vics and Dicks.” The clock tells her that she must wait another eleven minutes for a cigarette. Then another two hours before heading home. Her eyes glance at the Post as she turns the pages but she reads almost nothing. She removes the reading glasses, folds them, gazes around the deserted city room. The year she turned sixty-five her normal vision actually got better. She needed glasses to read, but the glasses for seeing signs and streets and taxis were folded in the drawer at home. Now in the city room she sees only ghosts. Kempton, pulling on a pipe, referring to some sleazy Brooklyn pol while quoting Plotinus. Gene Grove and Al Aronowitz and Normand Poirier and Don Forst, all of them cracking wise, and Ben Greene pulling plugs on the switchboard. I have so little interest in heaven, she thinks. I’ve lived in it.

She often wonders if Sam sees the same ghosts. He was there too, twenty pounds lighter with brown hair and a Camel bobbing in his lips. He no longer smokes but seems more drained than ever. Sometimes he must look around the city room the way I do, she thinks, and remember other rooms in other buildings, the reporters cursing and laughing, making sexist remarks, and racist jokes, and wisecracks about everybody on the planet, including each other, and, of course, the opposition. Jokes about the Times. And the Daily News. And the Journal-American. I hear them still, she thinks. I see them before they needed glasses. There are the photographers, Louis Liotta, Arty Pomerantz, Barney Stein, Tony Calvacca. Each of them rowdy and sardonic and very goddamned good at what they did. They are rushing to show us copies of photographs that will never make the paper. Still wet from the developer. Look at this one! Bodies in Bath Beach with heads torn open by gangster bullets. A woman with wide dead eyes and a severed breast. A shot of blonde busty Jayne Mansfield’s black hairy crotch, pantyless and winking, as she sits smiling on a steamer trunk on the deck of an ocean liner.

Helen sees them. All gone now, their names mere whispers in the emptiness. Unknown to the young. Foot soldiers in the tabloid wars. Too many are dead now. But even the living are MIA. Living in gated communities in Florida or Arizona. Now the photographers use digital cameras and send their images from computers out of the trunks of cars or from press rooms at political rallies or the press pens above the fields at the ballparks. They never make it to the city room. There are credit lines in the paper now that she can’t match to a face. Now they cover baseball games in new stadiums, but I’m not going. She thinks of the game they cover as scumball. It’s not the game her father loved. Not the game she loved too. The game of Furillo and Robinson, Snider and Reese and Mantle. And Willie Mays. Jesus Christ. Willie Mays… Now it’s scumball, full of steroids and treachery, played by millionaires for millionaires. Played without joy. And we sit here in an emptied world of reporters who almost never come in, using gadgets for stories, sometimes sitting at home, watching events on television, and Googling to cover their asses.

When I was young, there was a comic strip about a guy named Barney Google. He had a horse named… what the hell was the name? Firehouse? Fast Track? Sam would know. He might be the only guy in Manhattan who would know. I’d better Google Barney Google. Now.

She needs to pull on her coat and go down to the street for a Marlboro Light. But first she reads again the newest edition of “Vics and Dicks.” The daily catalog of felonious New Yorkers. Two grafs each. Not a name or a sentence likely to attain immortality.

In Queens, some fat balding unemployed thirty-eight-year-old lout knocked down a seventy-nine-year-old woman at 17–39 Seagirt Boulevard. Grabbed her purse. Shoved her to the sidewalk. Ran. His face immortalized on an overhead video camera. A real tough guy. Meanwhile, out in Bushwick, two employed hookers got in a knife fight on Jefferson Street. One of them was working the wrong turf and a pimp told her to leave and she wouldn’t and the pimp’s hooker started shouting and the knives came out and they both ended up in the emergency ward at Queens General. Slash wounds on arms, hands, and faces. And, of course, under arrest. The pimp home sleeping, or smoking dope.

Up on Fifth Avenue, near 30th Street, a forty-seven-year-old master criminal named Rodriguez, recently laid off at Pathmark, tried to pry open a bodega door with a broom handle. A pedestrian said, “Hey, man,” and the guy walked away. Ten minutes later, he was back, with the broom. He didn’t notice the cop now stationed across the street. He started prying again, and, of course, was locked up. Another unemployed dumbbell tiptoed into a dark room, full of exhausted people, in Lenox Hill Hospital. He started lifting a pocketbook from a sedated patient. Another woman shouted. He knocked her down, breaking her elbow, and ran into the waiting embrace of a cop.

On and on. “Vics and Dicks.” Now it should be “Tales of the Recession.”

Christ, I need a cigarette.

Now.

Helen Loomis pulls on the down coat, fastens the hood, gives Matt Logan a wave, taps her wristwatch, and heads for the elevator.

12:15 a.m. Malik Shahid, aka Malik Watson. Eighth Street and Sixth Avenue. Outside Barnes & Noble.

Lean, his full black beard buried in the collar of a black cloth jacket, he is gazing at the books in the store window without seeing them. Trying to stay dry. He is looking for someone, anyone he can score off. Too early. Too much traffic on the streets. Too many whores and whoremasters. High heels in the rain. He even tried begging on Christopher Street. Holding an empty coffee cup from a diner named Manatus. Saying the word “change.” Humiliated. They went by, the whores and whoremasters. All my age. One old lady dropped a quarter in the cup.