Amitav Ghosh - The Shadow Lines
Здесь есть возможность читать онлайн «Amitav Ghosh - The Shadow Lines» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2011, Издательство: John Murray, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.
- Название:The Shadow Lines
- Автор:
- Издательство:John Murray
- Жанр:
- Год:2011
- ISBN:нет данных
- Рейтинг книги:3 / 5. Голосов: 1
-
Избранное:Добавить в избранное
- Отзывы:
-
Ваша оценка:
- 60
- 1
- 2
- 3
- 4
- 5
The Shadow Lines: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Shadow Lines»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
The Shadow Lines — читать онлайн бесплатно полную книгу (весь текст) целиком
Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Shadow Lines», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.
Интервал:
Закладка:
But the city of Srinagar erupted with joy. People danced on the streets, there were innumerable thanksgiving meetings, and Muslims, Hindus and Sikhs marched together in demonstrations demanding that the conspirators be revealed. For the first, and almost certainly the last, time the celebratory slogan ‘Central Intelligence zindabad!’ rang out on the street of an Indian city.
Within this great festival of joy, there was only one small rumble of warning. In Khulna, a small town in the distant east wing of Pakistan, a demonstration that was marching in protest against the theft of the relic turned violent. Some shops were burnt down and a few people were killed.
When I was reading through that short report for the fifth time, it struck me suddenly, like a slap in the face, that May, Tridib and my grandmother must have left for Dhaka the day before. And then I saw Tridib once again, turning to give me our secret Inca salute for the last time, before he turned to go into the departure lounge at Dum Dum airport.
For a long time after that I could not bring myself to go back to that library. I lay on my bed in my dank hostel room in the university, staring at the furry green patches that had sprouted on the ceiling during the monsoons, wondering how, and why, my father had allowed them to go. It seemed so wanton and senseless — and so uncharacteristic, for he was a realistic, practical, and above all cautious man. He must have known that something was going to happen — I distinctly remembered how he had cut himself short when he saw that I had heard him mention ‘trouble’. I could make no sense of it, and slowly, watching those green shapes crawling across my ceiling, it began to seem to me that he had sent them there on purpose; that he had conspired in Tridib’s death.
But later, when I went back to the library, took down a volume of the newspaper we had subscribed to at that time, and opened it at that date — now branded in my memory — 4 January 1964, I made another discovery. I found that there was not the slightest reference in it to any trouble in East Pakistan, and the barest mention of the events in Kashmir. It was, after all, a Calcutta paper, run by people who believed in the power of distance no less than I did.
There is nothing quite as evocative as an old newspaper. There is something in its urgent contemporaneity — the weather reports, the lists of that day’s engagements in the city, the advertisements for half-remembered films, still crying out in bold print as though it were all happening now , today — and the feeling besides that one may once have handled, if not that very paper, then its exact likeness, its twin, which transports one in time as nothing else can. So, looking at the paper that my father had read that morning, I knew he could not be blamed for ignoring the stirrings of the silence around him: in that paper there was not the slightest hint or augury of the coming carnage; it was replete with the fullness of normalcy. And when I looked back at the editions of 1, 2 and 3 January, they were the same: how could I blame him? He was merely another victim of that seamless silence.
And yet he knew , and they must have known too, all the canny journalists; everybody must have known in some voiceless part of themselves — for events on that scale cannot happen without portents. If they knew, why couldn’t they speak of it? They were speaking of so much else, of the Congress conference, of the impending split in the Communist Party, of wars and revolutions: what is it that makes all those things called ‘politics’ so eloquent and these other unnameable things so silent? Those journalists and historians were, after all, men of intelligence and good intention on the whole, no less than anyone else, and once the riots had started they produced thousands of words of accurate description. But once they were over and there was nothing left to describe they never spoke of it again — while those other events, party splits and party congresses and elections, poured out their eloquence in newspapers and histories for years and years after they were over, as though words could never exhaust their significance. But for these other things we can only use words of description when they happen and then fall silent, for to look for words of any other kind would be to give them meaning, and that is a risk we cannot take any more than we can afford to listen to madness.
So that is why I can only describe at second hand the manner of Tridib’s death: I do not have the words to give it meaning. I do not have the words , and I do not have the strength to listen.
Once the riots started in Khulna the government of East Pakistan lost no time in sending the army there to put down the ‘disturbances’. But it was already too late. One of the headlines of 7 January reads: FOURTEEN DIE IN FRENZY OFF KHULNA.
Over the next few days the riots spread outwards from Khulna into the neighbouring towns and districts and towards Dhaka. Soon Hindu refugees began to pour over the border into India, in trains and on foot. The Pakistani government provided these trains with armed guards and appears to have done what it could to protect them. At some places on the border the trains were stopped by mobs, some of which were heard to chant the slogan ‘Kashmir Day zindabad!’ (perhaps at that very moment, the crowds in Kashmir were shouting ‘Central Intelligence zindabad!’) But there do not appear to have been any serious attacks on the trains. The towns and cities of East Pakistan were now in the grip of a ‘frenzy’ of looting, killing and burning.
In Calcutta, rumours were in the air — especially that familiar old rumour, the harbinger of every serious riot, that the trains from Pakistan were arriving packed with corpses. A few Calcutta dailies printed pictures of weeping, stranded Hindu refugees, along with a few lurid accounts of the events in the east. On 8 and 9 January, with refugees still pouring in, rumours began to flow like floodwaters through the city and angry crowds began to gather at the station.
And so the events followed their own grotesque logic, and on 10 January, the day the cricket Test began in Madras, Calcutta erupted. Mobs went rampaging through the city, killing Muslims and burning and looting their shops and houses.
The police opened fire on mobs in several places and a dusk-to-dawn curfew was imposed on parts of the city. But the scale of the events had already swamped the police. On 11 January the army was called out of Fort William and several battalions were deployed throughout the city. In the next day’s papers, underneath the banner headlines, there are pictures of Sikh soldiers patrolling deserted streets. But in the Moulin Rouge on Park Street, it was business as usual, with a tea dance from 5 to 7 p.m. and a Dinner Dance with Delilah accompanied by the ‘popular Moulin Rouge quintette’.
The next day, with patrol trucks roaring through the streets, the Moulin Rouge advertised a twist competition and jam session to ‘Bongo rhythms’. Perhaps because of the curfew they couldn’t get to the newspaper offices in time to withdraw the advertisement.
‘Stray incidents’ of arson and looting continued, in Dhaka as well as Calcutta, despite the presence of the two armies, for a few days. It took about a week before the papers could declare that ‘normalcy’ had been ‘restored’.
There are no reliable estimates of how many people were killed in the riots of 1964. The number could stretch from several hundred to several thousand; at any rate, not very many less than were killed in the war of 1962.
It is evident from the newspapers that, once the riots started, ‘responsible opinion’ in both India and East Pakistan reacted with an identical sense of horror and outrage. The university communities of both Dhaka and Calcutta took the initiative in doing relief work and organising peace marches; and newspapers on both sides of the border did some fine, humane pieces of reporting. As always, there were innumerable cases of Muslims in East Pakistan giving shelter to Hindus, often at the cost of their own lives, and equally, in India, of Hindus sheltering Muslims. But they were ordinary people, soon forgotten — not for them any Martyr’s Memorials or Eternal Flames.
Читать дальшеИнтервал:
Закладка:
Похожие книги на «The Shadow Lines»
Представляем Вашему вниманию похожие книги на «The Shadow Lines» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.
Обсуждение, отзывы о книге «The Shadow Lines» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.