Amitav Ghosh - The Hungry Tide

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Off the easternmost coast of India lies the immense archipelago of tiny islands known as the Sundarbans. Life here is precarious, ruled by the unforgiving tides and the constant threat of attack by Bengal tigers. Into this place of vengeful beauty come two seekers from different worlds, whose lives collide with tragic consequences.
The settlers of the remote Sundarbans believe that anyone without a pure heart who ventures into the watery island labyrinth will never return. With the arrival of two outsiders from the modern world, the delicate balance of small community life uneasily shifts. Piya Roy is a marine biologist, of Indian descent but stubbornly American, in search of a rare dolphin. Kanai Dutt is an urbane Delhi businessman, here to retrieve the journal of his uncle who died mysteriously in a local political uprising. When Piya hires an illiterate but proud local fisherman to guide her through the crocodile-infested backwaters, Kanai becomes her translator. From this moment, the tide begins to turn.
A contemporary story of adventure and romance, identity and history,
travels deep into one of the most fascinating regions on earth, where the treacherous forces of nature and human folly threaten to destroy a way of life.

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Of course, no one paid any attention; neither the planners nor the laat shaheb had the time to listen. Mr. Piddington, after all, was nothing but a lowly shipping inspector and he stood very low in the Ingrej scale of caste. People began to whisper that he was, well, he was a man so mental, who could blame him if there was a little gondogol in his mind; wasn’t he the one who’d once been heard to say that storms were “wonderful meteors”?

So the work went on and the port was built. Its streets and strand were laid out, its hotels and houses were painted and made ready, and everything went exactly as planned. One day, with much noise and drum beating the viceroy planted his feet on the Matla’s flanks and gave the town its new name, Port Canning.

Piddington-shaheb was not invited to the ceremony. On the streets of Kolkata, people laughed and sniggered now when they saw him pass by: Oh, there goes that old matal Piddington. Wasn’t he the one who kept bothering the laat shaheb about his new port? Hadn’t he made a prediction of some kind, staking his reputation?

Wait, said Piddington, wait — I said fifteen years.

The Matla took pity on this matal. Fifteen years was a long time and Mr. Piddington had already suffered enough. It let him wait one year, and then one more, and yet another, until five long years had gone by. And then one day, in the year 1867, it rose as if to a challenge and hurled itself upon Canning. In a matter of hours the town was all but gone; only the bleached skeleton remained.

The destruction came about just as Mr. Piddington had said it would: it was caused not by some great tufaan but by a relatively minor storm. Nor was it the storm’s winds that wrecked the city: it was a wave, a surge. In 1871, four years after the Matla’s uprising, the port was formally abandoned. The port that was to be one of the reigning queens of the eastern oceans, a rival to Bombay, Singapore and Hong Kong, became instead the Matla’s vassal — Canning.

“BUT AS ALWAYS with Nirmal,” said Kanai, “the last word was reserved for Rilke.”

He put his hand on his heart and recited aloud:

“But, oh, how strange the streets of the City of Pain …

Oh, how an angel could stamp out their market of comforts,

with the church nearby, bought ready-made, clean,

shut, and disappointed as a post office on Sunday.

“So now you know,” said Kanai, as Piya began to laugh. “That is what Canning has been ever since that day in 1867 when the Matla stamped out the laat’s handiwork: a Sunday post office.”

A KILLING

THE MEGHA ’S CABINS were each outfitted with a raised platform that could be used as a bunk. By piling blankets, pillows and sheets on this ledge, Kanai was able to make himself a bed that was reasonably comfortable, although far from luxurious. He was fast asleep when he was woken by the sound of voices, both near and distant. Reaching for his flashlight, he shone the beam on his watch and discovered it was 3 A.M. The voices of Horen and his grandson were now clearly audible on the upper deck, joined in excited speculation.

Kanai had gone to sleep in a lungi and vest, and now, as he pushed his blankets aside, he was surprised to find a distinct chill in the air. He decided to wrap a blanket around himself before stepping out of his cabin. Horen and his grandson were close by, leaning on the rails and watching the shore.

“What’s happened?” said Kanai.

“It’s not clear,” came the answer, “but something seems to be going on in the village.”

The flood tide had set in some hours before, and with the boat anchored in midstream there was now close to a mile of water between them and the shore. The night was advanced enough for cottony clouds of mist to have arisen from the water’s surface: although much thinner than the dense fog of dawn, it had still obscured the outlines of the shore. Through this shimmering screen, glowing points of orange flame could be seen moving quickly here and there, as if to suggest that people were running along the shore with burning torches. The villagers’ voices could be heard in the distance, despite the mist’s muffling effect. Even Horen and his grandson were at a loss to think of a reason why so many people would bestir themselves so energetically at this time of night.

Kanai felt a touch on his elbow and turned to see Piya standing beside him, rubbing her knuckles in her eyes. “What’s up?”

“We’re all wondering.”

“Let’s ask Fokir.”

Kanai went to the bhotbhoti’s stern, with Piya following close behind, and shone his flashlight into the boat below. Fokir was awake, sitting huddled in the center of his boat with a blanket draped around his shoulders. He held up an arm to shield his face and Kanai switched off the beam before leaning over to speak to him.

“Does he know what’s going on?” Piya inquired.

“No. But he’s going to take his boat across to find out. He says we can go with him if we like.”

“Sure.”

They climbed in, and Horen came to join them, leaving his grandson in charge of the bhotbhoti.

It took some fifteen minutes to cross over, and as they approached the shore it became clear that the commotion had a distinct focus: it seemed a crowd was congregating around that part of the village where Horen’s relatives lived. As the shore neared, the voices and shouts rose in volume until they had fused into a pulsing, angry sound.

The noise inspired a peculiar dread in Kanai, and he said, on an impulse, “Piya, I don’t know if we should go any farther.”

“Why not?”

“Do you know what those voices remind me of?” said Kanai.

“A crowd?”

“A mob is what I would call it — an angry mob.”

“A mob?” said Piya. “In a small village?”

“I know, it’s the last thing you’d expect,” said Kanai. “But if I were just to listen to my ears, I’d say it was a riot, and I’ve been in riots where people were killed. I have a feeling we’re heading into something like that.”

Narrowing her eyes, Piya scanned the shimmering mist. “Let’s just take a look.”

Although the tide had peaked some hours before, the water was still high and Fokir had no trouble pushing his boat’s prow beyond the river’s muddy edge. Ahead lay a slope of damp earth, shaded with mangroves and carpeted with roots and seedlings. Fokir had steered the boat close to the point where the crowd had gathered, and beyond the shadow of the embankment the mist was lit by the orange glow of the massed torches.

Kanai and Piya were picking their way through the mangroves when Horen waved them to a stop. He took the flashlight out of Kanai’s hand and shone it down at his feet. Going over to join him, Kanai and Piya saw that the beam had settled on a mark in the ground. The earth here was neither dry nor wet but pliable, like clay, and it had preserved a stencil-like impression. Neither Kanai nor Piya had any doubt of what it was: the prints were as clearly marked as those of a kitten daubed on a kitchen floor — only many times larger. The shape was so sharply defined that they could see the very texture of the circular pads and the marks made by the retracted claws. Then Horen shone the beam ahead, and they saw a trail of similar depressions, leading up toward the embankment from the shore. From the trajectory of the marks it was easy to plot the animal’s path: it had crossed over from the forested bank on the far shore of the river and had touched land at almost the same point as their boat.

Piya said, “It must have passed within sight of the Megha.

“I suppose so — but since we were all asleep, it was in no danger of being spotted.”

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