Jonathan Franzen - The Corrections

Suzie Sterling’s father, Ed, had given Suzie and Denise several lifts into Manhattan before the night in August when Denise was biking home and almost rode right into him where he stood, by his BMW, smoking a Dunhill and hoping that she might come by alone. Ed Sterling was an entertainment lawyer. He pleaded inability to live without Denise. She hid her (borrowed) bike in some bushes by the road. That the bike was stolen by the time she came back for it the next day, and that she swore to its owner that she’d chained it to the usual post, ought to have given her fair warning of the territory she was entering. But she was excited by what she did to Sterling, by the dramatic hydraulic physiology of his desire, and when she returned to school in September she decided that a liberal-arts college did not compare well to a kitchen. She didn’t see the point of working hard on papers that only a professor ever saw; she wanted an audience. She also resented that the college was making her feel guilty about her privileges while granting certain lucky identity groups plenary indulgences from guilt. She felt guilty enough already, thank you. Almost every Sunday she took the cheap slow proletarian combo of SEPTA and New Jersey Transit to New York. She put up with Ed Sterling’s paranoid one-way telephone communications and his last-minute postponements and his chronic distraction and his jaw-taxing performance anxieties and her own shame at being taken to cheap ethnic restaurants in Woodside and Elmhurst and Jackson Heights so as not to be seen by anyone Sterling knew (because, as he told her often — running both hands through his mink-thick hair — he knew everybody in Manhattan). While her lover teetered closer to utter freakout and inability to see her anymore, Denise ate Uruguayan T-bones, Sino-Colombian tamales, thumbnail crayfish in red Thai curry, and alder-smoked Russian eels. Beauty or excellence, as typified for her by memorable food, could redeem almost any humiliation. But she never stopped feeling guilty about the bike. Her insistence that she’d chained it to the usual post.

The third time she got involved with a man twice her age, she married him. She was determined not to be a squishy liberal. She’d quit school and worked to save money for a year, had taken six months in France and Italy, and had returned to Philly to cook at a thronged fish-and-pasta place off Catharine Street. As soon as she’d picked up some skills, she offered her services at Café Louche, which was then the most exciting place in town. Emile Berger hired her on the spot, on the basis of her knife work and her looks. Within a week, he was complaining to her about the borderline competence of every person in his kitchen except her and him.

Arrogant, ironic, devoted Emile became her asylum. She felt infinitely adult with him. He said he’d had enough of marriage his first time around, but he obligingly took Denise to Atlantic City and (in the words of the Barbera D’Alba she’d been drunk on when she proposed to him) made an honest woman of her . At Café Louche they worked like partners, experience flowing from his head into hers. They sneered at their pretentious old rival, Le Bec-Fin. They impulse-bought a three-story town house on Federal Street, in a mixed black and white and Vietnamese neighborhood near the Italian Market. They talked about flavor the way Marxists talked about revolution.

When Emile had finally taught her everything he would ever teach her, she tried to teach him a thing or two — like, let’s freshen up the menu, how about, let’s maybe try that with a vegetable stock and a little bit of cumin, how about — and ran smack into that wall of irony and ironclad opinion that she’d loved as long as she was on the happy side of it. She felt more skilled and ambitious and hungry than her white-haired husband. She felt as if, while working and sleeping and working and sleeping, she’d aged so rapidly that she’d passed Emile and caught up with her parents. Her circumscribed world of round-the-clock domestic and workplace togetherness seemed to her identical to her parents’ universe of two. She had old-person aches in her young hips and knees and feet. She had scarred old-person hands, she had a dry old-person vagina, she had old-person prejudices and old-person politics, she had an old-person dislike of young people and their consumer electronics and their diction. She said to herself: “I’m too young to be so old.” Whereupon her banished guilt came screaming back up out of its cave on vengeful wings, because Emile was as devoted to her as ever, as faithful to his unchanging self, and she was the one who’d insisted they get married.

By amicable agreement she left his kitchen and signed on with a competitor, Ardennes, which needed a sous-chef and which, in her opinion, was superior to Café Louche in all things except the art of being excellent without seeming to try. (Unperspiring virtuosity was undeniably Emile’s great gift.)

At Ardennes she conceived a desire to strangle the young woman who prepped and held down garde manger . The woman, Becky Hemerling, was a culinary-institute grad with wavy blond hair and a petite flat body and fair skin that turned scarlet in the kitchen heat. Everything about Becky Hemerling sickened Denise — her C.I.A. education (Denise was an autodidact snob), her overfamiliarity with more senior cooks (especially with Denise), her vocal adoration of Jodie Foster, the stupid fish-and-bicycle texts on her T-shirts, her overuse of the word “fucking” as an intensifier, her self-conscious lesbian “solidarity” with the “latinos” and “Asians” in the kitchen, her generalizations about “right-wingers” and “Kansas” and “Peoria,” her facility with phrases like “men and women of color,” the whole bright aura of entitlement that came of basking in the approval of educators who wished that they could be as marginalized and victimized and free of guilt as she was. What is this person doing in my kitchen? Denise wondered. Cooks were not supposed to be political. Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it. Denise suspected that Becky Hemerling had chosen the cooking life to make a political point: to be one tough chick, to hold her own with the guys. Denise loathed this motivation all the more for harboring a speck of it herself. Hemerling had a way of looking at her that suggested that she (Hemerling) knew her better than she knew herself — an insinuation at once infuriating and impossible to refute. Lying awake beside Emile at night, Denise imagined squeezing Hemerling’s neck until her blue, blue eyes bugged out. She imagined pressing her thumbs into Hemerling’s windpipe until it cracked.

Then one night she fell asleep and dreamed that she was strangling Becky and that Becky didn’t mind. Becky’s blue eyes, in fact, invited further liberties. The strangler’s hands relaxed and traveled up along Becky’s jawline and past her ears to the soft skin of her temples. Becky’s lips parted and her eyes fell shut, as if in bliss, as the strangler stretched her legs out on her legs and her arms out on her arms …

Denise couldn’t remember being sorrier to wake from a dream.

“If you can have this feeling in a dream,” she said to herself, “it must be possible to have it in reality.”

As her marriage foundered — as she became for Emile one more flashy trend-chasing crowd-pleaser from Ardennes, and as he became for her the parent she betrayed with every word she spoke or swallowed — she took comfort in the idea that her trouble with Emile was his gender. This idea dulled the edge of her guilt. It got her through the terrible Announcement she had to make, it got Emile out the door, it propelled her through an incredibly awkward first date with Becky Hemerling. She glommed on to the belief that she was gay, she held it close and thereby spared herself just enough guilt that she could let Emile be the one to leave the house, she could live with buying him out and staying, she could allow him that moral advantage.