Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Finch was surprised. “He did that work as an amateur?”

Gary didn’t know which version of Alfred made him angrier: the spiteful old tyrant who’d made a brilliant discovery in the basement and cheated himself out of a fortune, or the clueless basement amateur who’d unwittingly replicated the work of real chemists, spent scarce family money to file and maintain a vaguely worded patent, and was now being tossed a scrap from the table of Earl Eberle. Both versions incensed him.

Perhaps it was best, after all, that the old man had ignored Gary’s advice and taken the money.

“My dad has Parkinson’s,” Denise said.

“Oh, I’m very sorry.”

“Well, and we were wondering if you might include him in the testing of your — product.”

“Conceivably,” Finch said. “We’d have to ask Curly. I do like the human-interest aspect. Does your dad live around here?”

“He’s in St. Jude.”

Finch frowned. “It won’t work if you can’t get him to Schwenksville twice a week for at least six months.”

“Not a problem,” Denise said, turning to Gary. “Right?”

Gary was hating everything about this conversation. Health health, female female, nice nice, easy easy. He didn’t answer.

“How is he mentally?” Finch said.

Denise opened her mouth, but at first no words came out.

“He’s fine,” she said, rallying. “Just — fine.”

“No dementia?”

Denise pursed her lips and shook her head. “No. He gets a little confused sometimes, but — no.”

“The confusion could be from his meds,” Finch said, “in which case it’s fixable. But Lewy-body dementia is beyond the purview of Phase Two testing. So is Alzheimer’s.”

“He’s pretty sharp,” Denise said.

“Well, if he’s able to follow basic instructions, and he’s willing to travel east in January, Curly might try to include him. It would make a good story.”

Finch produced a business card, warmly shook Denise’s hand, less warmly shook Gary’s, and moved into the mob surrounding Daffy Anderson.

Gary followed her and caught her by the elbow. She turned around, startled.

“Listen, Merilee,” he said in a low voice, as if to say, Let’s be realistic now, we adults can dispense with the nicey-nice crap . “I’m glad you think my dad’s a ‘good story.’ And it’s very generous of you to give him five thousand dollars. But I believe you need us more than we need you.”

Finch waved to somebody and held up one finger; she would be there in one second. “Actually,” she said to Gary, “we don’t need you at all. So I’m not sure what you’re saying.”

“My family wants to buy five thousand shares of your offering.”

Finch laughed like an executive with an eighty-hour work week. “So does everybody in this room,” she said. “That’s why we have investment bankers. If you’ll excuse me—”

She broke free and got away. Gary, in the crush of bodies, was having trouble breathing. He was furious with himself for having begged , furious for having let Denise attend this road show, furious for being a Lambert. He strode toward the nearest exit without waiting for Denise, who hurried after him.

Between the Four Seasons and the neighboring office tower was a corporate courtyard so lavishly planted and flawlessly maintained that it might have been pixels in a cybershopping paradise. The two Lamberts were crossing the courtyard when Gary’s anger found a fault through which to vent itself. He said, “I don’t know where the hell you think Dad’s going to stay if he comes out here.”

“Partly with you, partly with me,” Denise said.

“You’re never home,” he said. “And Dad’s on record as not wanting to be at my house for more than forty-eight hours.”

“This wouldn’t be like last Christmas,” Denise said. “Trust me. The impression I got on Saturday—”

“Plus how’s he going to get out to Schwenksville twice a week?”

“Gary, what are you saying? Do you not want this to happen?”

Two office workers, seeing angry parties bearing down, stood up and vacated a marble bench. Denise perched on the bench and folded her arms intransigently. Gary paced in a tight circle, his hands on his hips.

“For the last ten years,” he said, “Dad has done nothing to take care of himself. He’s sat in that fucking blue chair and wallowed in self-pity. I don’t know why you think he’s suddenly going to start—”

“Well, but if he thought there might actually be a cure—”

“What, so he can be depressed for an extra five years and die miserable at eighty-five instead of eighty? That’s going to make all the difference?”

“Maybe he’s depressed because he’s sick.”

“I’m sorry, but that is bullshit, Denise. That is a crock. The man has been depressed since before he even retired. He was depressed when he was still in perfect health.”

A low fountain was murmuring nearby, generating medium-strength privacy. A small unaffiliated cloud had wandered into the quadrant of private-sphere sky defined by the encompassing rooflines. The light was coastal and diffuse.

“What would you do,” Denise said, “if you had Mom nagging you seven days a week, telling you to get out of the house, watching every move you make, and acting like the kind of chair you sit in is a moral issue? The more she tells him to get up, the more he sits there. The more he sits there, the more she—”

“Denise, you’re living in fantasyland.”

She looked at Gary with hatred. “Don’t patronize me. It’s just as much a fantasy to act like Dad’s some worn-out old machine. He’s a person, Gary. He has an interior life. And he’s nice to me, at least—”

“Well, he ain’t so nice to me,” Gary said. “And he’s an abusive selfish bully to Mom. And I say if he wants to sit in that chair and sleep his life away, that’s just fine. I love that idea. I’m one-thousand-percent a fan of that idea. But first let’s yank that chair out of a three-floor house that’s falling apart and losing value. Let’s get Mom some kind of quality of life. Just do that, and he can sit in his chair and feel sorry for himself until the cows come home.”

“She loves that house. That house is her quality of life.”

“Well, she’s in a fantasyland, too! A lot of good it does her to love the house when she’s got to keep an eye on the old man twenty-four hours a day.”

Denise crossed her eyes and blew a wisp of hair off her forehead. “You’re the one in a fantasy,” she said. “You seem to think they’re going to be happy living in a two-room apartment in a city where the only people they know are you and me. And do you know who that’s convenient for? For you .”

He threw his hands in the air. “So it’s convenient for me! I’m sick of worrying about that house in St. Jude. I’m sick of making trips out there. I’m sick of hearing how miserable Mom is. A situation that’s convenient for you and me is better than a situation that’s convenient for nobody . Mom’s living with a guy who’s a physical wreck. He’s had it , he’s through , finito, end of story, take a charge against earnings. And still she’s got this idea that if he would only try harder, everything would be fine and life would be just like it used to be. Well, I got news for everybody: it ain’t ever gonna be the way it used to be .”

“You don’t even want him to get better.”

“Denise.” Gary clutched his eyes. “They had five years before he even got sick. And what did he do? He watched the local news and waited for Mom to cook his meals. This is the real world we’re living in. And I want them out of that house—”

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