Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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He might have sat there obsessing indefinitely, marshaling evidence against his father, had he not heard a rustling outside the study door. He jumped to his feet and pulled the door open.

Caleb was cross-legged on the floor, studying his catalogue. “Can I talk to you now?”

“Were you sitting out here listening to me?”

“No,” Caleb said. “You said we could talk when you were done. I had a question. I was wondering what room I could put under surveillance.”

Even upside down Gary could see that the prices for the equipment in Caleb’s catalogue — items with brushed-aluminum cases, color LCD screens — were three-and four-figure.

“It’s my new hobby,” Caleb said. “I want to put a room under surveillance. Mom says I can do the kitchen if it’s OK with you.”

“You want to put the kitchen under surveillance as a hobby?”

“Yeah!”

Gary shook his head. He’d had many hobbies when he was a boy, and for a long time it had pained him that his own boys seemed to have none at all. Eventually Caleb had figured out that if he used the word “hobby,” Gary wobby,” Garuld green-light expenditures he otherwise might have forbidden Caroline to make. Thus Caleb’s hobby had been photography until Caroline had bought him an autofocus camera, an SLR with a better zoom telephoto lens than Gary’s own, and a digital point-and-shoot camera. His hobby had been computers until Caroline had bought him a palmtop and a notebook. But now Caleb was nearly twelve, and Gary had been around the block one too many times. His guard was up regarding hobbies. He’d extracted from Caroline a promise not to buy Caleb more equipment of any kind without consulting with him first.

“Surveillance is not a hobby,” he said.

“Dad, yes it is! Mom was the one who suggested it. She said I could start with the kitchen.”

It seemed to Gary another Warning Sign of depression that his thought was: The liquor cabinet is in the kitchen .

“Better let me talk about this with Mom, all right?”

“But the store’s only open till six,” Caleb said.

“You can wait a few days. Don’t tell me you can’t.”

“But I’ve been waiting all afternoon. You said you’d talk to me, and now it’s almost night.”

That it was almost night gave Gary clear title to a drink. The liquor cabinet was in the kitchen. He took a step in its direction. “What equipment exactly are we talking about?”

“Just a camera and a microphone and servo controls.” Caleb thrust the catalogue at Gary. “See, I don’t even need the expensive kind. This one’s just six fifty. Mom said it was OK.”

Time and again Gary had the feeling that there was something disagreeable that his family wanted to forget, something only he insisted on remembering; something requiring only his nod, his go-ahead, to be forgotten. This feeling, too, was a Warning Sign.

“Caleb,” he said, “this sounds like something you’re going to get bored with very soon. It sounds expensive and like you won’t stay interested.”

“No! No!” Caleb said, anguished. “I’m totally interested. Dad, it’s a hobby .”

“You’ve gotten bored, though, pretty quickly with some of the other things we’ve gotten you. Things you also said you were ‘very interested in’ at the time.”

“This is different,” Caleb pleaded. “This time I’m really, truly interested.”

Clearly the boy was prepared to spend any amount of devalued verbal currency to buy his father’s acquiescence.

“Do you see what I’m saying, though?” Gary said. “Do you see the pattern? That things look one way before you buy them and another way afterward? Your feelings change after you buy things. Do you see that?”

Caleb opened his mouth, but before he could utter another plea or complaint, a craftiness flickered in his face.

“I guess,” he said with seeming humility. “I guess I see that.”

“Well, do you think it’s going to happen with this new equipment?” Gary said.

Caleb gave every appearance of giving the question serious thought. “I think this is different,” he said finally.

“Well, OK,” Gary said. “But I want you to remember we had this conversation. I don’t want to see this become just another expensive toy you play with for a week or two and then neglect. You’re going to be a teenager pretty soon, and I want to start seeing a little longer attention span—”

“Gary, that isn’t fair!” Caroline said hotly. She was hobbling from the doorway of the master bedroom, one shoulder hunched and her hand behind her back, applying pressure to the soothing gelpack.

“Hello, Caroline. Didn’t realize you were listening.”

“Caleb is not neglecting things.”

“Right, I’m not,” Caleb said.

“What you don’t understand,” Caroline told Gary, “is that everything’s getting used in this new hobby. That’s what’s so brilliant about it. He’s figured out a way to use all that equipment together in one—”

“Good, well, I’m glad to hear it.”

“He does something creative and you make him feel guilty .”

Once, when Gary had wondered aloud if giving Caleb so many gadgets might be stunting his imagination, Caroline had all but accused him of slandering his son. Among her favorite parenting books was The Technological Imagination: What Today’s Children Have to Teach Their Parents , in which Nancy Claymore, Ph.D., contrasting the “tired paradigm” of Gifted Child as Socially Isolated Genius with the “wired paradigm” of Gifted Child as Creatively Connected Consumer, argued that electronic toys would soon be so cheap and widespread that a child’s imagination would no longer be exercised in crayon drawings and made-up stories but in the synthesis and exploitation of existing technologies — an idea that Gary found both persuasive and depressing. When he was a boy not much younger than Caleb, his hobby had been building models with Popsicle sticks.

“Does this mean we can go to the store now?” Caleb said.

“No, Caleb, not tonight, it’s almost six,” Caroline said.

Caleb stamped his foot. “This always happens! I wait and wait, and then it gets too late.”

“We’ll rent a movie,” Caroline said. “We’ll get whatever movie you want.”

“I don’t want a movie. I want to do surveillance.”

“It’s not going to happen,” Gary said. “So start dealing with it.”

Caleb went to his room and slammed the door. Gary followed and flung it open. “That’s enough now,” he said. “We don’t slam doors in this house.”

“You slam doors!”

“I don’t want to hear another word from you.”

“You slam doors!”

“Do you want to spend the whole week in your room?”

Caleb replied by crossing his eyes and sucking his lips into his mouth: not another word.

Gary let his gaze drift into corners of the boy’s room that he ordinarily took care not to look at. Neglected in piles, like the loot in a thief’s apartment, was new photographic and computer and video equipment with an aggregate retail value possibly exceeding the annual salary of Gary’s secretary at CenTrust. Such a riot of luxury in the lair of an eleven-year-old! Various chemicals that molecular floodgates had been holding back all afternoon burst loose and flooded Gary’s neural pathways. A cascade of reactions initiated by Factor 6 relaxed his tear valves and sent a wave of nausea down his vagus: a “sense” that he survived from day to day by distracting himself from underground truths that day by day grew more compelling and decisive. The truth that he was going to die. That heaping your tomb with treasure wouldn’t save you.

The light in the windows was failing rapidly.

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