Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“About fifteen years ago.”

“I don’t mean to criticize,” Enid said, “but it’s a terrible habit for your health. It’s bad for your skin, and frankly, it’s not a pleasant smell for others.”

Denise, with a sigh, washed her hands and began to brown the flour for the sauerkraut gravy. “If you’re going to come and live with me,” she said, “we need to get some things clear.”

“I said I wasn’t criticizing.”

“One thing we need to be clear about is that I’m having a hard time. For example, I didn’t quit the Generator. I was fired.”

“Fired?”

“Yes. Unfortunately. Do you want to know why?”

“No!”

“Are you sure?”

“Yes!”

Denise, smiling, stirred more bacon grease into the bottom of the Dutch oven.

“Denise, I promise you,” her mother said, “we will not be in your way. You just show me where the supermarket is, and how to use your washer, and then you can come and go as you please. I know you have your own life. I don’t want to disrupt anything. If I could see any other way to get Dad into that program, believe me, I would do it. But Gary never invited us, and I don’t think Caroline would want us anyway.”

The bacon fat and the browned ribs and the boiling kraut smelled good. The dish, as prepared in this kitchen, bore little relation to the high-art version that she’d plated for a thousand strangers. The Generator’s ribs and the Generator’s monkfish had more in common than the Generator’s ribs and these homemade ribs had. You thought you knew what food was, you thought it was elemental. You forgot how much restaurant there was in restaurant food and how much home was in homemade.

She said to her mother: “Why aren’t you telling me the story of Norma Greene?”

“Well, you got so angry with me last time,” Enid said.

“I was mainly mad at Gary.”

“My only concern is that you not be hurt like Norma was. I want to see you happy and settled.”

“Mom, I’m never going to get married again.”

“You don’t know that.”

“Yes, in fact, I do know that.”

“Life is full of surprises. You’re still very young and very darling.”

Denise put more bacon fat into the pot; there was no reason to hold back now. She said, “Are you listening to me? I’m quite certain that I will never get married again.”

But a car door had slammed in the street and Enid was running into the dining room to part the sheer curtains.

“Oh, it’s Gary,” she said, disappointed. “Just Gary.”

Gary breezed into the kitchen with the railroad memorabilia that he’d bought at the Museum of Transport. Obviously refreshed by a morning to himself, he was happy to indulge Enid by pinning the Christ baby to the Advent calendar; and, as quickly as that, Enid’s sympathies shifted away from her daughter and back to her son. She crowed about the beautiful job that Gary done in the downstairs shower and what a huge improvement the stool there represented. Denise miserably finished the dinner preparations, assembled a light lunch, and washed a mountain of dishes while the sky in the windows turned fully gray.

After lunch she went to her room, which Enid had finally redecorated into near-perfect anonymity, and wrapped presents. (She’d bought clothes for everyone; she knew what people liked to wear.) She uncrumpled the Kleenex that contained thirty sunny caplets of Mexican A and considered wrapping them up as a gift for Enid, but she had to respect the limits of her promise to Gary. She balled the caplets back into the Kleenex, slipped out of her room and down the stairs, and stuffed the drug into the freshly vacated twenty-fourth pocket of the Advent calendar. Everybody else was in the basement. She was able to glide back upstairs and shut herself in her room as if she’d never left.

When she was young, when Enid’s mother had browned the ribs in the kitchen and Gary and Chip had brought home their unbelievably beautiful girlfriends and everybody’s idea of a good time was to buy Denise a lot of presents, this had been the longest afternoon of the year. An obscure natural law had forbidden whole-family gatherings before nightfall; people had scattered to wait in separate rooms. Sometimes, as a teenager, Chip had taken mercy on the last child in the house and played chess or Monopoly with her. When she got a little older, he’d brought her along to the mall with his girlfriend of the moment. There was no greater bliss for her at ten and twelve than to be so included: to take instruction from Chip in the evils of late capitalism, to gather couturial data on the girlfriend, to study the length of the girlfriend’s bangs and the height of her heels, to be left alone for an hour at the bookstore, and then to look back, from the top of the hill above the mall, on the silent slow choreography of traffic in the faltering light.

Even now it was the longest afternoon. Snowflakes a shade darker than the snow-colored sky had begun to fall in quantity. Their chill found its way past the storm windows, it skirted the flows and masses of furnace-heated air from the registers, it came right at your neck. Denise, afraid of getting sick, lay down and pulled a blanket over herself.

She slept hard, with no dreams, and awoke — where? what time? what day? — to angry voices. Snow had webbed the corners of the windows and frosted the swamp white oak. There was light in the sky but not for long.

Al, Gary went to ALL that trouble

I never asked him to!

Well, can’t you try it at least once? After all the work he did yesterday?

I am entitled to a bath if I want to take a bath .

Dad, it’s only a matter of time before you fall on the stairs and break your neck!

I am not asking anyone for help .

You’re damn right you’re not! Because I have forbidden Mom— forbidden her — to go anywhere near that bathtub—

Al, please, just try the shower

Mom, forget it, let him break his neck, we’d all be better off

Gary

The voices were coming closer as the contretemps moved up the stairs. Denise heard her father’s heavy tread pass her door. She put her glasses on and opened the door just as Enid, slow on her bad hip, reached the top of the stairs. “Denise, what are you doing?”

“I took a nap.”

“Go talk to your father. Tell him it’s important that he try the shower that Gary did so much work on. He’ll listen to you .”

The depth of her sleep and the manner of her awakening had put Denise out of phase with external reality; the scene in the hall and the scene in the hall windows had faint antimatter shadows; sounds were at once too loud and barely audible. “Why—” she said. “Why are we making an issue of this today?”

“Because Gary’s leaving tomorrow and I want him to see if the shower’s going to work for Dad.”

“And tell me again what’s wrong with the bath?”

“He gets stuck. And he’s so bad on the stairs.”

Denise closed her eyes, but this substantially worsened the phase-sync problem. She opened them.

“Oh, plus, and Denise,” Enid said, “you haven’t worked with him on his exercises yet like you promised!”

“Right. I’ll do that.”

“Do it now, before he gets cleaned up. Here, I’ll get you the sheet from Dr. Hedgpeth.”

Enid limped back down the stairs, and Denise raised her voice. “Dad?”

No answer.

Enid came halfway up the stairs and pushed through the rails of the banister a violet sheet of paper (“mobility is golden”) on which stick figures illustrated seven stretching exercises. “Really teach him,” she said. “He gets impatient with me, but he’ll listen to you. Dr. Hedgpeth keeps asking if Dad’s doing his exercises. It’s very important that he really learn these. I had no idea you were sleeping all this time.”

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