Jonathan Franzen - Strong Motion - A Novel

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Strong Motion : A Novel: краткое содержание, описание и аннотация

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Jonathan Franzen is the author of three novels: The Corrections, The Twenty-Seventh City, and Strong Motion. He has been named one of the Granta 20 Best Novelists under 40 and is a frequent contributor to The New Yorker and Harper’s. In Strong Motion, Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first earthquake kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes’ cause complicate everything.
“Bold, layered. Mr. Franzen lavishes vigorous, expansive prose not only on the big moments of sexual and emotional upheaval, but also on various sideshows and subthemes. An affirmation of Franzen’s fierce imagination and distinctive seriocomic voice. his will be a career to watch.”
— Josh Rubins, "Ingenious. Strong Motion is more than a novel with a compelling plot and a genuine romance (complete with hghly charged love scenes); Franzen also writes a fluid prose that registers the observations of his wickedly sharp eye.”
— Douglas Seibold, “Complicated and absorbing with a fair mix of intrigue, social commentary and humor laced with a tinge of malice.”
— Anne Gowen, “Strong Motion is a roller coaster thriller. Franzen captures with unnerving exactness what it feels like to be young, disaffected and outside mainstream America. There is an uncannily perceptive emotional truth to this book, and it strikes with the flinty anger of an early-sixties protest song.”
— Will Dana, “Franzen is one of the most extraordinary writers around. Strong Motion shows all the brilliance of The Twenty-Seventh City.”
— Laura Shapiro, “Lyrical, dramatic and, above all, fearless. Reading Strong Motion, one is not in the hands of a writer as a fine jeweler or a simple storyteller. Rather, we’re in the presence of a great American moralist in the tradition of Dreiser, Twain or Sinclair Lewis.”
— Ephraim Paul, “With this work, Franzen confidently assumes a position as one of the brightest lights of American letters. Part thriller, part comedy of manners, Strong Motion is full of suspense.”
— Alicia Metcalf Miller, “Wry, meticulously realistic, and good.”
— “Franzen’s dark vision of an ailing society has the same power as Don DeLillo’s, but less of the numbing pessimism.”
— “Base and startling as a right to the jaw. [Franzen] is a writer of almost frightening talent and promise.”
— Margaria Fichtner,

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“Did you get to go to these islands?”

“I thought geophysics would get me outdoors, compared to math or something. Six years later I’ve hardly left this room.”

“You’re very lucky.”

“You think so.” She squeezed the cable release.

“You’ve got something you’re really good at, and it’s really interesting, and it doesn’t hurt anybody.”

“When you look at it that way. I guess. It has its frustrations.”

“I wish I could be an academic.”

“Who said you can’t?”

“I wish I could be anything .”

“Who said you can’t?”

“I hate this country. I hate the piggishness. Everywhere I look I see pigs.”

The glance Renée gave Louis in the blue light was tentative, or sad; distanced, like a mother’s. “They’re not all pigs,” she said. “Think about the people who make the subways run. Think about nurses. Mailmen. Lobbyists for good causes. They’re not all pigs.”

“But I can’t be those people. They just seem pitiful to me. They seem like dupes. Things are so fucked up it seems pathetic to try to be a useful citizen. Like if you’re going to play the game why not go all the way and sell out completely. But if you’re too disgusted to sell out, the only other options are to escape or try to tear things down. And I can’t even escape into academics, because I had to watch my father be a professor. Every marxist I know has a life where it’s think by day and drink by night. How could I choose a thing like that? I watch your fingers and your eyes and I feel so envious. You’re in this position where you’re really good at what you do. But I’m here and I can’t imagine moving.”

“We’re going to have to do something about you.”

“An island. An island.”

Strong golden light lit the rooftops of Boston and formed a clear, free space in the air above them, an arena enclosed in the east by a shell of evening maritime mist and within which, to a distance of miles, were visible with perfect clarity billboards and green trees and overpasses on fire with the hour, and minor clouds the color and shape of moles. Jets above Nahant hung with no discernible movement in the blue-gray firmament to which their own engines bled contributions. On Lansdowne Street the faithful were entering the shadow of the temple, marching in a hush past carts selling icons and inspirational literature, past the worn façades of the shrines along the way, with their pre-game specials, their big dollar signs and tiny.95s.

Inside the gate Renée made a small green offering to the Jimmy Fund and its fight against cancer in children and showed no embarrassment when her more cynical companion reacted with a double take. A white charge of light was visible through the portal above them, and as they walked up the stairs the whiteness grew into a green field and thirty thousand fans, all with the skin tones of actors. Suited men were raking dirt. Royals and Red Sox in their dugouts. Keen smells of cigarettes and mustard. Henry Rudman’s seats, halfway up the third-base line and ten rows back, were more than adequate. On either side of them, Rudmanesque individuals exuding pleasure were folding back their scorecards. At seven-thirty, when everyone in Fenway stood, Renée’s eyes darted warily, and Louis, unable for once to change the channel, gritted his teeth and suffered through the hymn.

Few things bring happiness like good seats do. The Somervillians sat with their arms around each other’s shoulders, Renée as rapt and radiant as Louis had ever seen her. She’d brought her baseball glove and she kept her hand in it. Earlier in the day they’d played catch, and he’d learned that she could sting his fingers, right through leather, with her throws.

For five innings the score remained 1–1. There was a fatness, a fullness, a pleasing lack of abstractness to the motion of the ball as it sprang off a bat and hissed through the infield grass, found the center of the third baseman’s glove and received fresh kinetic energy and overtook the runner at first base. Louis later had no trouble understanding why he’d been so slow to see the other thing going on in front of him, the thing three rows down and a few seats to his left.

It was the hand he noticed first. A large, red male hand. With an intentness verging on urgency it was kneading a bare female shoulder, and the tanned neck above it, and the area behind her ear, and the ear itself, taking the skin and flesh in its fingers, taking for the purpose of having. Returning to the shoulder. Advancing in snake-like contractions under the narrow strap of her black dress, knuckles nudging the strap slowly out over the smooth globe of the shoulder and down the arm a little, palps of fingers indenting the skin there, palm molding and squeezing and possessing. Idly, with the hand she wasn’t using to hold her beer, the girl pulled the strap back onto her shoulder. She shook her dark mane back and twisted around in her seat, chancing to look straight at Louis. She was twenty and soft and tough, the kind of equine and unintrospective beauty that star outfielders go for. The hand gathered her in again, her hair and shoulders and attention, and dipped under the back of her dress and stayed there. Only then did Louis realize the hand belonged to a fifty-year-old man whose face he knew.

Renée was hunched forward, chewing a nail. The tag of her T-shirt stood up on her freckled neck. Apparently things were happening on the field, things good for the Royals and bad for the Sox. Louis followed the hand’s creeping progress under the black fabric and around under bimbo’s arm and saw the fingertips halt as close to her breast as propriety allowed, maybe even a centimeter closer. Bimbo whispered into her companion’s ear, mouth lingering, lips dragging across his cheek and meeting his. The obscene red hand squeezed her and released her. The plate umpire roared and punched a batter out. The pigs cheered. The organist noodled. Dimly Louis saw his graying girlfriend’s smile fade and her mouth open: “What’s wrong?

“Is something wrong?"

“Won’t you tell me what’s wrong?”

He made his hand a pistol, braced his wrist and took a bead on the man’s head. “CEO of Sweeting-Aldren. Right there.”

Conceivably despite the cheering these words had carried into Mr. Aldren’s ears; he swung around and briefly scanned all the seats less good than his own, allowing his pouchy and inflamed face and narrow eyes to make their impression on Renée.

“Slime ball,” Louis said, his arm recoiling from the shot he’d let fly.

“I guess I see what you mean.”

“Check out his pinky ring.”

His own hands were cold and white, all his blood boxed up in his heart and temples. Not even a Sox rally and a screaming eighth inning could pry his eyes from the spectacle of fondlement unfolding three rows down. Maybe to her credit, maybe from dim-wittedness, the girl seemed oblivious to the liberties the hand was taking and to the confident, possessing leer that Aldren trained alternately on her and on the players at their feet. She was following the game. And it was not implausible, Louis thought, that she would retain partial possession of herself later on as well, when Aldren took her off to some overfurnished room to penetrate her warm orifices in privacy, the same privacy in which even now, in all probability, his other effluents were being pumped into the yielding earth.

“He sure can’t keep his hands off her,” Renée observed.

“It’s more like she can’t keep his hands off her.”

“But listen.” She touched Louis’s face and made him look at her. “Don’t be so angry. I don’t like it when you’re angry.”

“I can’t help it.”

“I wish you’d try, if only for my sake.”

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