Jonathan Franzen - Strong Motion - A Novel

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Strong Motion : A Novel: краткое содержание, описание и аннотация

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Jonathan Franzen is the author of three novels: The Corrections, The Twenty-Seventh City, and Strong Motion. He has been named one of the Granta 20 Best Novelists under 40 and is a frequent contributor to The New Yorker and Harper’s. In Strong Motion, Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first earthquake kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes’ cause complicate everything.
“Bold, layered. Mr. Franzen lavishes vigorous, expansive prose not only on the big moments of sexual and emotional upheaval, but also on various sideshows and subthemes. An affirmation of Franzen’s fierce imagination and distinctive seriocomic voice. his will be a career to watch.”
— Josh Rubins, "Ingenious. Strong Motion is more than a novel with a compelling plot and a genuine romance (complete with hghly charged love scenes); Franzen also writes a fluid prose that registers the observations of his wickedly sharp eye.”
— Douglas Seibold, “Complicated and absorbing with a fair mix of intrigue, social commentary and humor laced with a tinge of malice.”
— Anne Gowen, “Strong Motion is a roller coaster thriller. Franzen captures with unnerving exactness what it feels like to be young, disaffected and outside mainstream America. There is an uncannily perceptive emotional truth to this book, and it strikes with the flinty anger of an early-sixties protest song.”
— Will Dana, “Franzen is one of the most extraordinary writers around. Strong Motion shows all the brilliance of The Twenty-Seventh City.”
— Laura Shapiro, “Lyrical, dramatic and, above all, fearless. Reading Strong Motion, one is not in the hands of a writer as a fine jeweler or a simple storyteller. Rather, we’re in the presence of a great American moralist in the tradition of Dreiser, Twain or Sinclair Lewis.”
— Ephraim Paul, “With this work, Franzen confidently assumes a position as one of the brightest lights of American letters. Part thriller, part comedy of manners, Strong Motion is full of suspense.”
— Alicia Metcalf Miller, “Wry, meticulously realistic, and good.”
— “Franzen’s dark vision of an ailing society has the same power as Don DeLillo’s, but less of the numbing pessimism.”
— “Base and startling as a right to the jaw. [Franzen] is a writer of almost frightening talent and promise.”
— Margaria Fichtner,

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Eileen and Peter were married four days after Christmas. Shortly beforehand, Louis learned that his parents no longer lived together. This circumstance had come to light one night when Eileen called Melanie at eleven-thirty and spoke instead to a stranger, a man. Melanie had rented out her house on Argilla Road and taken an apartment in Back Bay, a not-inexpensive one with a view of the Public Gardens. She crisply explained to Eileen that the man was a high-school friend of hers, and did not elaborate. Subsequent prying on Eileen’s part yielded the man’s name (Albert Anderson), his line of work (radiation oncology), and his marital status (widower).

Melanie had raised no objection when Eileen and Peter decided to have Christmas in their apartment on Marlborough Street. Bob flew in from Evanston and stayed in their extra room, and Melanie and Louis and Renée came over on Christmas morning, Melanie with thousands of dollars’ worth of clothing gifts for everyone. She and Bob evidently had some kind of understanding that allowed them to be polite to each other in public.

Whatever the understanding was, it broke down at the wedding three days later. Louis was with Eileen in the church parlor when she caught sight of Melanie. “She promised me,” Eileen said, blood draining from her face. “She promised me she wouldn’t wear that.”

The offending outfit consisted of a backless green velvet cocktail dress of a cut such as makes men’s jaws drop, a pair of green lizard-skin pumps, and a necklace of platinum and emeralds designed for wear in bank vaults only. Melanie smiled prettily at Eileen and gave a little shrug. Eileen erupted in tears while two of her bridesmaids held Kleenexes beneath her eyes to save her makeup. The entire wedding party heard the fight her parents had in the cloakroom, or at least heard the female side:

“I will not! I will not!”

“And who do you think’s paying for this wedding?”

“To tell you the truth, Bob, I don’t give a damn what you think.”

Louis’s timeworn advice to Eileen was “Fuck her. It’s your wedding.” Eileen seemed to understand this; at any rate she stopped crying long enough to exchange vows with Peter. Her best college friend and Peter’s four sisters wore lime-green taffeta bridesmaid’s dresses, while Louis himself, tuxedoed and mildly bewildered, served efficiently and temperately as Peter’s best man. Renée sat with the distaff and continued to be a great hit with Bob Holland. She and Louis had taken dancing lessons in preparation for the reception, which was held in a ballroom at the Copley Plaza. Melanie charmed all corners, outshone the younger women and outdanced everybody, and not many people even noticed the bride’s father sitting at the rear of the room in one of his fifties suits, smashing himself on scotch and imparting philosophy to Louis and Renée. He told them that he’d called Anna Krasner again and told her she was now the only person in the world who could confirm that Sweeting-Aldren had drilled a deep injection well. He’d told her that all the company’s records and all of Renée’s hard evidence had been destroyed. He’d told her that June’s earthquake had left seventy-one people dead. She’d said, “I told you not to call me anymore.”

He drank more scotch and said he still believed his wife would come back to him, in the fullness of time.

Absent from the nuptials, of course, was Peter’s father. The government of St. Kitts-Nevis continued to resist American pressure to extradite the five Sweeting-Aldren executives, and it now appeared the men would never be brought to trial unless they were foolish enough to reenter the country of their own accord. Stoorhuys had gotten wind of his son’s engagement — possibly from The New York Times , which carried the announcement, but more likely from his wife. On Christmas Eve the mailman brought Peter and Eileen an envelope with a Caribbean postmark and a hand-written message on its flap: To Be Opened At Your Wedding And Read Aloud . Peter chucked it in the trash.

In the spring there were two more weddings. The first — that of Howard Chun and Sally Go — took place in New York, and the Pleasant Avenue contingent was not invited. Renée heard about it afterward in the computer room, from Howard’s second groomsman, Terry Snall. Terry said there had been a traditional Chinese banquet for more than two hundred people. He said it had been a very interesting cultural experience for him.

The second wedding, in late April, was actually just an afternoon reception at the Hotel Charles, Alec Bressler and Joyce Edelstein having tied the knot a week earlier in the Middlesex County courthouse. A sizable chunk of Boston’s liberal elite turned out for the reception, plus a few of Alec’s former DJs (who accounted for nearly all of the heavy drinking) and Louis and Renée. Joyce Edelstein twice broke away from well-wishers of her own class to put her arm around Renée and tell her she’d been dying to meet her and wanted to have a long talk; but somehow the conversation never happened.

Alec, however, had news for Louis.

“A new station,” he said, leading him away from Renée. “Is a wedding present from the bride. FM 92.2. She agrees I have no politics, I agree I show profit after fourth quarter. Is an oral agreement we have. Profit means I do music in the daytime. I don’t know music, it all sounds same to my ear. But then I have the nighttime for good programming. So, so, are you ready to work?”

“Me?”

“Music program to start with, also noose work or in-house ads. Your choice. Is only daytime hours, not bad, eh?”

“And a minimum wage and no benefits.”

“So, OK, but only till fourth quarter. Then we see.”

“This is very nice of you, Alec—”

“Not nice. Self-interest!”

“But I’ll have to think about it.”

Alec ducked. “Sink fast. I’m on the air June first.”

The dance band was starting its third set when Louis and Renée left the hotel. It was such a fine day that they had walked to the Square in their party clothes. The sun was setting now, but its warmth still hung in the trees of Cambridge, along with the remains of kites and aluminumized balloons, hopelessly snarled plastic grocery bags, sneakers joined at the laces, tattered sweatshirts and streamers of magnetic tape, and with the trees’ own green leaves. In the countryside north and south of Boston the forests were still gray, but a yellowness commenced in the far suburbs and grew to a pale green as Nature learned for better or worse to trust the warmth of civilization, until finally in the inner suburbs and the city all the foliage was out in force, and it was almost summer.

“Tell me why you even have to think about it,” Renée said.

“Just because I have to.”

“You don’t think you’ve been making copies long enough? You think Alec’s being too nice to you?”

“It means at least another year for you with Snall and Chun.”

“As long as it’s not forever, I don’t care.”

“Still have to think about it.”

“Why won’t you be happy? Why won’t you let yourself?”

“What makes you think I’m not?”

“How can we ever live, if you’re not happy? How can we think about, I don’t know, having a baby or—”

“Baby?”

“Well, just for an example.”

He stopped and stared at Renée. They were on the sidewalk of the Dane Street bridge. “You’d consider having a baby with me?”

“I might,” she said.

“You and me. We do the thing and you get pregnant and we have a baby.”

“Don’t you ever think about it? I could see doing it if we were both happy.”

“Well. Huh!”

“Don’t you ever want to with me? Don’t you ever think about how we could already have one right now? How old she’d be right now? And who she’d look like? Aren’t you ever sorry, even a little bit?”

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