Jonathan Franzen - Strong Motion - A Novel

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Strong Motion : A Novel: краткое содержание, описание и аннотация

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Jonathan Franzen is the author of three novels: The Corrections, The Twenty-Seventh City, and Strong Motion. He has been named one of the Granta 20 Best Novelists under 40 and is a frequent contributor to The New Yorker and Harper’s. In Strong Motion, Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first earthquake kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes’ cause complicate everything.
“Bold, layered. Mr. Franzen lavishes vigorous, expansive prose not only on the big moments of sexual and emotional upheaval, but also on various sideshows and subthemes. An affirmation of Franzen’s fierce imagination and distinctive seriocomic voice. his will be a career to watch.”
— Josh Rubins, "Ingenious. Strong Motion is more than a novel with a compelling plot and a genuine romance (complete with hghly charged love scenes); Franzen also writes a fluid prose that registers the observations of his wickedly sharp eye.”
— Douglas Seibold, “Complicated and absorbing with a fair mix of intrigue, social commentary and humor laced with a tinge of malice.”
— Anne Gowen, “Strong Motion is a roller coaster thriller. Franzen captures with unnerving exactness what it feels like to be young, disaffected and outside mainstream America. There is an uncannily perceptive emotional truth to this book, and it strikes with the flinty anger of an early-sixties protest song.”
— Will Dana, “Franzen is one of the most extraordinary writers around. Strong Motion shows all the brilliance of The Twenty-Seventh City.”
— Laura Shapiro, “Lyrical, dramatic and, above all, fearless. Reading Strong Motion, one is not in the hands of a writer as a fine jeweler or a simple storyteller. Rather, we’re in the presence of a great American moralist in the tradition of Dreiser, Twain or Sinclair Lewis.”
— Ephraim Paul, “With this work, Franzen confidently assumes a position as one of the brightest lights of American letters. Part thriller, part comedy of manners, Strong Motion is full of suspense.”
— Alicia Metcalf Miller, “Wry, meticulously realistic, and good.”
— “Franzen’s dark vision of an ailing society has the same power as Don DeLillo’s, but less of the numbing pessimism.”
— “Base and startling as a right to the jaw. [Franzen] is a writer of almost frightening talent and promise.”
— Margaria Fichtner,

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Geraldine Briggs smiled uncomfortably and coughed a little.

A man with dentures like carp teeth stood up and unfolded a clipping. It was an editorial from the Ipswich Chronicle . The editorial was a thanksgiving that explicitly invoked the Judeo-Christian god and thanked him that property damage in the recent earthquake had been minor. The editorial noted that Rita’s famous Pyramid, so much in the news in recent years, had not protected her when push came to shove; damage on the Kernaghan estate (still slight) had been among the most severe. The man folded up the clipping. He said that he had taken two of Rita’s workshops. He said Rita had never maintained that the Pyramid offered eternal life in the present existence. That was not the point. It was this man’s personal view that the Pyramid had in fact served to concentrate the earth forces in the neighborhood—

“Yes,” said Geraldine Briggs. “Yes perhaps. Other stories?” A woman rose to describe an occasion on which Rita had cried upon hearing of the death of a young person.

Another woman rose and told of Rita’s refusal to accept money from a person ill able to afford a workshop.

Another woman rose and spoke of her friendship with Rita during the Ming Dynasty.

It was not clear what sort of story besides Mr. Aldren’s would have pleased Geraldine Briggs; certainly few of these stories did. But having opened the door, she was powerless to close it. The anecdotes poured out, ranging from the sentimental to the borderline insane, and their accreting weight slowly unmanned Louis, uncrossing his arms and bowing his shoulders, until finally he went and sat down by his father. His father seemed to be having a grand time, tossing his head back in delight, feasting on the dismal confessions as though they were popcorn. He went so far as to frown at Geraldine Briggs when, for the third time, she said, “Well, if there are no more. ” She paused. It finally seemed as if there really might be no more. “If there are no more stories I think we’ll—” But yet again she was forced to stop, because Melanie had sprung to her feet.

Melanie smiled prettily, twisting her head around to meet as many eyes as possible, leaning back to catch a few more. The only ones she avoided were her family’s.

“I knew Rita Kernaghan, too,” she said. “And I wanted to tell you all that I firmly believe she’s already reincarnated! I believe she’s now. a parakeet! Isn’t that marvelous?” She clasped her hands in front of her and swung them like a happy girl. “I just wanted to tell you all how marvelous I think it is that she’s a parakeet now, how simply marvelous. That’s all I have to say!” With an unfortunate little wiggle of her bottom, and with one hand on her hat to keep it on, she dropped back down between her protectors, Mr. Aldren and Mr. Tabscott. The protectors traded smirks. The drab crowd, with dawning outrage, turned to Geraldine Briggs for guidance, but she appeared to have something urgent to say to the pianist. Eileen and Peter were whispering and nodding, maturely pretending not to have particularly noticed what Melanie said. The crowd began to murmur: Honor the dead! Honor the dead!

Louis was looking at his father, who in turn was looking at his wife. Once the surprise had faded there was nothing ramused or affectionate or even angry in Bob’s expression. It was pure disappointed disapproval. And, as such, an expression that only love could sponsor. He would have looked exactly the same if Melanie had said, “I’m being unfaithful. That’s all I have to say!”

The pianist had struck up a New Age melody, cosmic and burbling. “PEOPLE!” Geraldine Briggs shouted. “People, people, people. We have now heard BOTH sides, the glad and the unenlightened. So let us now go forth into the world with GLADDENED HEARTS AND SOBERED MINDS. REMEMBER THE ENVELOPES. AMEN!”

The drab men and women rose. As they headed for the refreshments they slowed and walked in half circles around Melanie like sullen, beaten hounds. She smiled and nodded to them all as she chatted with Messrs. Tabscott and Aldren and Stoorhuys, these favored hounds crowding around her. Soon Louis and his father were the only people still sitting.

“Sweeting-Aldren?” Louis said.

“Nature’s helpers. Herbicides, pigments, textiles.”

“Mom has something to do with them now?”

“You could put it that way.”

“She was so rude.”

“Don’t judge her, Lou. There’s no reason for you to trust me on this, but please don’t judge her. Will you do me that favor?” Coquettish was the only word for the way in which Melanie was accepting an ordinary cup of coffee from Mr. Stoorhuys, pretending to be tempted against her better judgment. “I thought I was going to scream ,” she went on to Mr. Aldren. For one brief moment, in the unblinking intentness of the smile Mr. Aldren had trained on her, the smiling wolf behind the smiling dog showed through, the cruel and hungry animal biding its time. He said, “You’re free for lunch, I assume.” To which Melanie replied, “I think I can squeeze you in.”

“Look at her,” Bob said. “Have you ever seen her so happy? You don’t know how long she’s had to wait. Hard to begrudge her a couple happy hours.”

“Yeah, although—”

Bob looked straight ahead at the empty lectern. “I’m asking you not to judge her.”

3

From the memorial service Louis drove his father to a cheap hamburger - фото 5

From the memorial service Louis drove his father to a cheap hamburger restaurant in Harvard Square, a place with the air of a selfconscious institution, and it was there, in a booth near the door, that he was introduced to a figure that took away what little appetite he had. His father named the figure while holding the top half of his hamburger bun in his palm like a calculator and spreading mustard on it. The figure was 22 million dollars. It corresponded to Louis’s mother’s new approximate net worth.

Scarves and coat sleeves were brushing his head as various lunch hours were exhausted and the restaurant emptied out. Cold air blew in through the busy doors. He asked what his mother was going to do with so much money.

His father looked a little bum-like in his ancient suit, with its narrow lapels overlapping as he hunched over his hamburger. “I don’t know,” he said.

Louis asked if they were going to stay in the house in Evanston.

“Where else would we go?” his father said.

Was he thinking of retiring?

“When I’m sixty-five,” his father said.

Unequal to the asking of more questions, Louis watched in silence as his father cleaned both their plates and paid the check with a ten-dollar bill, leaving a tip of dimes and quarters.

It was midaftemoon when he got back to WSNE. The clouds were darkening further, deepening and collecting themselves for serious nighttime rain, and in the studios it might already have been midnight. All the lights were burning, the building’s various circulatory systems humming audibly, the phones in the advertising department as silent as always. Through the Studio A window he could see the afternoon announcer, an alcoholic-looking veteran named Bud Evans whose few cobwebs of hair were painstakingly arranged over his chapped, bald scalp. He was gazing uneasily over the boom mike at his guest, a gentleman with golden shoulder-length locks and a Hawaiian shirt. For five or six seconds neither spoke. It was like a pensive lull in conversation, except that they were on the air and the lull was being broadcast. Still feeling carsick, Louis went to the men’s room and leaned over the urinal with his forehead pressing into tile. His urine broke up a tarry wad of tobacco shreds. Moving like a person with a hangover, he sat down at the terminal in his cubicle and began to enter commercial logs. He did this for three hours, which at the wage he earned netted him somewhat under twelve dollars, assuming he eventually got paid. When he left Waltham, rain was dropping out of a sky the color of a TV set’s afterglow. On Clarendon Hill he went straight to the bathroom and vomited a clear ropy liquid into the beige toilet.

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