Rohinton Mistry - Tales From Firozsha Baag

I do it again. This time I open my eyes under water, and stare blindly without seeing, it takes all my will to keep the lids from closing. Then I am slowly able to discern the underwater objects. The drain plug looks different, slightly distorted; there is a hair trapped between the hole and the plug, it waves and dances with the movement of the water. I come up, refresh my lungs, examine quickly the Overwater world of the washroom, and go in again. I do it several times, over and over. The world outside the water I have seen a lot of, it is now time to see what is inside.

The spring session for adult non-swimmers will begin in a few days at the high school. I must not forget the registration date.

The dwindled days of winter are now all but forgotten; they have grown and attained a respectable span. I resume my evening walks, it’s spring, and a vigorous thaw is on. The snowbanks are melting, the sound of water on its gushing, gurgling journey to the drains is beautiful. I plan to buy a book of trees, so I can identify more than the maple as they begin to bloom.

When I return to the building, I wipe my feet energetically on the mat because some people are entering behind me, and I want to set a good example. Then I go to the board with its little plastic letters and numbers. The old man’s apartment is the one on the corner by the stairway, that makes it number 201.1 run down the list, come to 201, but there are no little white plastic letters beside it. Just the empty black rectangle with holes where the letters would be squeezed in. That’s strange. Well, I can introduce myself to him, then ask his name.

However, the lobby is empty. I take the elevator, exit at the second floor, wait for the gutang-khutang. It does not come: the door closes noiselessly, smoothly. Berthe has been at work, or has made sure someone else has PW’S cue has been lubricated out of existence.

But she must have the ears of a cockroach. She is waiting for me. I whistle my way down the corridor. She fixes me with an accusing look. She waits till I stop whistling, then says: “You know the old man died last night.”

I cease groping for my key. She turns to go and I take a step towards her, my hand still in my trouser pocket. “Did you know his name?” I ask, but she leaves without answering.

Then Mother said, the part I like best in the last story is about Grandpa, where he wonders if Grandpa’s spirit is really watching him and blessing him, because you know I really told him that, I told him helping an old suffering person who is near death is the most blessed thing to do, because that person will ever after watch over you from heaven, I told him this when he was disgusted with Grandpas urine-bottle and would not touch it, would not hand it to him even when I was not at home .

Are you sure, said Father, that you really told him this, or you believe you told him because you like the sound of it, you said yourself the other day that he changes and adds and alters things in the stories but he writes it all so beautifully that it seems true, so how can you be sure; this sounds like another theory, said Mother, but I don’t care, he says I told him and I believe now I told him, so even if I did not tell him then it does not matter now .

Don’t you see, said Father, that you are confusing fiction with facts, fiction does not create facts, fiction can come from facts, it can grow out of facts by compounding, transposing, augmenting, diminishing, or altering them in any way; but you must not confuse cause and effect, you must not confuse what really happened with what the story says happened, you must not loose your grasp on reality, that way madness lies .

Then Mother stopped listening because, as she told Father so often, she was not very fond of theories, and she took out her writing pad and started a letter to her son; Father looked over her shoulder, telling her to say how proud they were of him and were waiting for his next book, he also said, leave a little space for me at the end, I want to write a few lines when I put the address on the envelope .

Rohinton Mistry is the author of a collection of short stories, Tales from Firozsha Baag (1987), and three internationally acclaimed novels, Such a Long Journey (1991), A Fine Balance (1995), and Family Matters (2002). His fiction has won many prestigious international awards, including The Giller Prize, the Commonwealth Writers Prize for Best Book, the Governor General’s Award, the Canada-Australia Literary Prize, the SmithBooks/Books in Canada First Novel Award, the Los Angeles Times Book Prize for Fiction, The Royal Society of Literature’s Winifred Holtby Award, and the Kiriyama Pacific Rim Book Prize for Fiction. A Fine Balance was also an Oprah’s Book Club selection.

Born in Bombay in 1952, Rohinton Mistry came to Canada in 1975.