James Marlon - John Crow's Devil

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John Crow's Devil: краткое содержание, описание и аннотация

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, a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting. This is a writer to watch out for.”—Chris Abani, author of
, winner of the Hemingway/PEN Award
“This is the finest and most important first novel I’ve read in years. James’s writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel García Márquez.”—Kaylie Jones, author of
and “Marlon James spins his magical web in this novel and we willingly suspend disbelief, rewarded by the window he opens to Jamaica (and a world) rarely portrayed in fiction.”—Elizabeth Nunez, author of
winner of the American Book Award
This stunning debut novel tells the story of a biblical struggle in a remote Jamaican village in 1957. With language as taut as classic works by Cormac McCarthy, and a richness reminiscent of early Toni Morrison, Marlon James reveals his unique narrative command that will firmly establish his place as one of today's freshest, most talented young writers.
In the village of Gibbeah-where certain women fly and certain men protect secrets with their lives-magic coexists with religion, and good and evil are never as they seem. In this town, a battle is fought between two men of God. The story begins when a drunkard named Hector Bligh (the "Rum Preacher") is dragged from his pulpit by a man calling himself "Apostle" York. Handsome and brash, York demands a fire-and-brimstone church, but sets in motion a phenomenal and deadly struggle for the soul of Gibbeah itself.
is a novel about religious mania, redemption, sexual obsession, and the eternal struggle inside all of us between the righteous and the wicked.

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“Jesus,” Clarence said again, and watched the Apostle shake. Clarence grabbed the lamp from the table beside the bed and removed the shade. He swung high and clobbered the Apostle in the face. He struck him again and again, smashing his eye back into his skull, bursting his bottom lip, breaking his nose, and cracking the back of his head. The Apostle put up little resistance. Clarence bludgeoned him until his hand fell tired, until the Apostle’s blood consumed him, until York’s skull crushed soft, like a pumpkin. Then he bludgeoned him until the lamp broke. Blood was splattered all over Clarence’s skin. It was a new baptism.

“Jesus,” he said.

THE BEGINNING

The Apostle had not been seen in two days. The rest of The Five believed Clarence when he said that York wanted to rest and not be disturbed, but were surprised when he did not show up for the School of Boy Prophets, given his special interest in children. The village was surprised as well. Clarence knew what was coming. He bolted the door and laid the Apostle in the bathtub filled with water. The water was bloody, soaking the Apostle’s body with crimson. His beautiful face was gone. Clarence wanted to die, but he wanted to live as well. The Five would most certainly kill him once they found out. But he was already dying.

Perhaps he and the Apostle could stay in the room forever. York had known him for who he truly was, and there was nothing to go back to now but lies. He heard a murmur in the wind. As Clarence looked out the window, he saw the crowd, the people of Gibbeah, gathered outside the house. He went to the bathroom. Any minute now The Five would kick down the door and kill him for what he had done. Clarence climbed into the tub, laid on top of the Apostle, the only living thing he ever loved, and embraced him. The Apostle sank underneath crimson water and Clarence sank underneath too.

The people wanted answers. It was not like the Apostle to leave his flock unattended for two days. Tony Curtis stood at the gate while Brother Patrick went toward the door. Just then a woman screamed. The crowd panicked and several fled. On the gate landed a dove, right beside Tony Curtis, who also ran, yelping in terror.

But not everyone left. There were a few who remembered that a dove was a bird of promise, not judgment. The dove flew and they followed his flight, running along Brillo Road until they came to the fence, which was covered in greenery. The river roared as the bird flew over to the other side. Through the spaces between leaves they saw the other side as well. They saw judgment and redemption, rescue and damnation, despair and hope.

She was dressed in a long, light blue dress and men’s work boots laced up to her calves. She wore a wide straw hat that blocked the glare of the sun, but not the view of her face. As the wind whipped itself up and her dress blew like waves, the Widow raised her right hand and pointed two fingers.

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