James Marlon - John Crow's Devil

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John Crow's Devil: краткое содержание, описание и аннотация

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, a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting. This is a writer to watch out for.”—Chris Abani, author of
, winner of the Hemingway/PEN Award
“This is the finest and most important first novel I’ve read in years. James’s writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel García Márquez.”—Kaylie Jones, author of
and “Marlon James spins his magical web in this novel and we willingly suspend disbelief, rewarded by the window he opens to Jamaica (and a world) rarely portrayed in fiction.”—Elizabeth Nunez, author of
winner of the American Book Award
This stunning debut novel tells the story of a biblical struggle in a remote Jamaican village in 1957. With language as taut as classic works by Cormac McCarthy, and a richness reminiscent of early Toni Morrison, Marlon James reveals his unique narrative command that will firmly establish his place as one of today's freshest, most talented young writers.
In the village of Gibbeah-where certain women fly and certain men protect secrets with their lives-magic coexists with religion, and good and evil are never as they seem. In this town, a battle is fought between two men of God. The story begins when a drunkard named Hector Bligh (the "Rum Preacher") is dragged from his pulpit by a man calling himself "Apostle" York. Handsome and brash, York demands a fire-and-brimstone church, but sets in motion a phenomenal and deadly struggle for the soul of Gibbeah itself.
is a novel about religious mania, redemption, sexual obsession, and the eternal struggle inside all of us between the righteous and the wicked.

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Her mother came with the smell of vinegar. Country legend had it that if somebody’s blood was on your hands, their ghost lived with you forever.

“Dry-up pokie never stop you from taking man,” Lucinda replied.

You think you good. Only me know say you wicked. Just like you father who don’t stay.

“Is you why him leave.”

You pokie stink. Only evil go in a it and only evil come out of it. The river tell me bout you.

“Yes, yes, me born evil. Me born bad. No your pokie me come out of?”

Bad seed. Bad from the day you born when me try fi kill you. But the birth cord never wrap round you neck tight enough.

“Eehi, and look how cock mouth catch cock. You should a try harder. What you do to me, me come back and do to you. Only me finish the job.”

Lucinda.

“Don’t Lucinda me. My man goin stay with me, you watch. Him not goin run way. Him not goin hate me so much that him sleep with goat instead. Now get out of me kitchen. Nasty nayga bitch.”

Lucinda broke into “Old Rugged Cross,” just in case any other spirit decided to attack her thoughts this morning. The Apostle said nothing should stand in the way of her joy. “Old Rugged Cross”! Two johnnycakes and three strips more of bacon and breakfast would be ready.

She flipped a johnnycake and felt sorry for the Widow. Lucinda was surprised at her own tenderness. Perhaps now that she had won, she could feel compassion. The sympathy the victorious felt for the defeated, the slayer felt for the dead, the Roman for the crucified Christ. The Widow now had nothing. Lucinda had promise. Promise was a pink ray in the morning sky and a silent twinkle on unopened flowers. Promise was the sun peeking through louver windows and kissing her on the cheek. Maybe the Widow would find Christ again. Now that the Rum Preacher was driven from her house, perhaps the Widow would find peace. She would reach out in friendship, though they could never be friends, of course. Lucinda remembered how envy made a monster out of herself; how much worse would it do to a woman who cursed God and lost her man twice?

On the way to Apostle’s house, she almost skipped, but stopped when the orange juice glasses shook. She giggled at the smell of eggs, bacon, and toast, her white man’s breakfast. She would wake the Apostle and call him by his first name. She paused. Lucinda had no idea what his first name was. No matter, this would be a morning of new discoveries. She would wake him up and serve breakfast in bed, and who knows, climb in under sheets that smelt of his sweat and feed him. She knew from cleaning once a week that the doors were always unlocked.

“What you was doing, laying the damn eggs yourself?”

Clarence pulled his pants up and flicked his penis through the fly. Lucinda froze as her own mind attacked her, molested her with information she did not want and could not process. She was a simple woman who concluded simply. Clarence naked. Clarence pulling up him pants.Clarence cocky dangling like a sausage outside him pants. Clarence pulling up him pants but don’t have no brief underneath. Clarence in the Apostle bedroom naked. Clarence pulling up him pants. Clarence cocky dangling like sausage outside him pants. Clarence in the Apostle room and him … him … him picking up him shirt off the floor.

“Well, what you waiting for, blessed assurance? Put down the tray and get out.”

She was a simple woman who concluded simply. She placed the tray on the bed and stood up straight and stiff. Lucinda could not look at him, nor could she bear the sound of the toilet flushing, the inevitable emergence of him, the proof of nothing. Inside her was nothing. She heard her mother chuckle.

“Bitch, at least close the door when you leaving.”

Lucinda ran back to the church. She ran past the kitchen and the mess of egg shells, raw bacon, spilt flour, and squeezed oranges on the counter. She ran all the way upstairs to her room and shut the door. They were waiting for her. In the mirror she saw them: her mother and Night Lucinda, at times two, at times one, all the time laughing like the crackle of lightning.

GOLGOTHA, OR THE INCIDENT

Abba babba a maka desh.

We pray to the living God who is the Father and the Son through the Vicar of God who sits pon the left hand of the Father. The Vicar is the creation of the Son who is one with the Son but also the Father.

Rekelo baba lacosa.

We have come to bring praise to he who is most high. We enter his gates with thanksgiving and his courts with praise. We present ourselves as the living sacrifice entreating the Father to receive the Son of the Son in his most Holy place.

Sikosa rabokok mieshande ribobaba.

The enemy we defeat. Is so prophecy go. The walker in darkness get bring into the light. We thank the Mighty One for victory over the kingdom of spirits. We thank the Father and send the servant of darkness back into darkness.

Oh bababa lajakmeh sikethacoco.

Amen.

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The Widow woke up to a threat. One more minute and the pictures would have cut through skin. She reached for them between dress and breast. The Widow placed them on the table like cards and studied them carefully. They were all faded to sepia and they all provoked the same response. Boys, some small and featureless, some with more than a few facial and pubic hairs, all in undress. Some had their legs crossed, some were spread wide like cherubs caught in knowledge of their sex. They were no longer boys but dolls, warped and reshaped into somebody’s reflection. Like the girls on those playing cards that Mr. Greenfield kept in his secret place. In all her years of suspecting Mr. Garvey of sodomy and seeing his several nephews, she never married the two. Her mind traveled to places she had not thought thinkable. Such sickness and perversion tormented her, reduced her to a child’s fear of darkness. She looked at pictures of boys, spread like women, some in makeup and hats, and she imagined demons raping tiny holes of innocence and inexperience. There were others that needed no imagining, their buttocks free but their mouths stuffed with what went beyond her ability to believe. The only way to pull herself out was to imagine them unreal, or French, as her husband would have said to explain anything obscene. That was the only way she knew to make them unremarkable, to take her heart out. She would have succeeded were it not for the third photograph, which she had passed over twice. The picture had blurred into the others before, but now a face slid into focus.

From a mop of wild black hair, the signs came. Eyes sparkled from brown skin that was light but darker than the others. The same brown skin, the same eyes, and the same wet, unruly hair that blew over his shoulders even in the stillness of the picture.

“Hector! Hector! Hector! Come quick! Hect—” A silence came upon her, overwhelmed her completely. The quiet punished her for perception. The Widow remained standing, accepting his absence from the house. Her blue dress seemed a stupid thing. She no longer wished to wear it. She wanted to peel the memory of him, the musk of him, away from her skin. The stench of dead John Crows drifted through the house. She went into his room and sat amid a confluence of words and symbols. She remained there until nightfall.

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Abba babba a maka desh.

We declare the Kingdom of 1000 years. To the light of the Father and soon-coming King. We His other sheep bow down before Him. We invoke His presence in the name of the Most High.

картинка 40

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