Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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He hates his own people, Nina thought, watching Eric hunch his shoulders against Sadie’s attack. “Julie’s got such fancy doctors,” Sadie said, “she already knows the baby is a girl. Can you imagine that?”

“Everybody’s got that!” Aunt Rose answered. “Nothing to do with fancy doctors. They do that with everybody now.”

“You didn’t have that!” Sadie argued to Eric.

“That’s cause my wife isn’t over thirty-five,” Eric answered, laughing cruelly. “If it hadn’t taken Julie so long to find someone to marry her, she wouldn’t have needed amnio.”

“Eric,” Nina said to stop him. She knew he didn’t mean any of that. He just wanted to fight Sadie with like weapons.

“Julie’s very beautiful,” Sadie protested, with her peculiar logic.

“Especially with that nose he bought her,” Aunt Rose answered.

“That was years ago!” Sadie said. “She was a little girl.”

“Stop,” Hy croaked. He looked agitated. One paw had lifted from its cushioned rest. The bent fingers trembled. “Sadeleh,” he said to Sadie, in a tone of command. “You talk too much about money.”

“Hy,” she complained, tossing her head. “I’m talking about medicine, not money.”

“Don’t talk about medicine either. I’m sick of both money and doctors.”

He still has his brain. Nina worried for him. To be stuck in that broken body with a clear head must be awful. “How do you like where you stay, Hy?” Nina asked him, kneeling beside his contraption. The huge wheel came into her vision, reminding her of the paddle wheel on an old steamboat ride that ran the river Charles one summer.

“I don’t like it,” Hy said quietly.

“They take good care of you,” Sadie almost yelled at him.

Nina looked into Hy’s eyes. They were so old, the white almost yellow, but in their large, peering worry, open and curious, blue and fragile, they could be Luke’s. She wanted to cry. It was unfair. “I’m sorry. We’ll visit you,” she stammered.

“Too much trouble,” Hy said. “Your baby is beautiful.”

“Let’s get started,” Miriam said.

Uncle Bill leaned into Barry. “I hope you’re going to do the short version.”

“Is this the baby’s first Passover?” Sadie asked Nina. They almost bumped heads when Nina got to her feet.

“No, we were here last year.”

“Are you raising him Jewish?” Sadie went on. “Because Israel doesn’t think he is. They say it doesn’t count if it’s just the father.”

“They’re a government,” Hy said, his voice disintegrating, the sounds crackling like bad radio reception.

“The religion too, Hy,” Sadie said. “He may even have to convert.” Sadie peered at Nina. “You plan to have him bar mitzvahed, don’t you?”

The guests were in awkward positions, half out of their chairs, partially out in the hall, en route to the dining table. So Sadie’s equally awkward question, stiffening the group in their uncommitted postures, hung in the air, causing both physical and intellectual paralysis.

“He’s two years old,” Miriam said, and laughed. “Can we worry about this some other time?”

Sadie abruptly grabbed Nina by the elbow and pulled her down (Sadie was a very tiny woman) to kiss Nina’s cheek with a loud, wet smack. “Just a question, dear. I ask a lot of questions because I want to know everything.”

“Me too!” Luke said in his piercing voice.

Everyone turned to look at him, surprised by his existence.

Luke ducked his head in Eric’s chest and hid.

“WHICH ONE?” Daddy asked.

“Here.” Luke showed him, 6A, that was Byron’s apartment. “Don’t you know?”

“Daddy’s never been here,” Mommy said. “You visit here with Pearl when you have a play date with Byron. This is our first visit.”

Luke felt good. He knew more than Mommy and Daddy about something. “I’ll show you,” he said, and took Daddy’s hand. Luke pulled him to the door. “You push the button,” he told Daddy.

Daddy looked funny. His face was sad, no smile. Daddy looked at the door. Then at the button. Daddy pushed his pants legs down. “I’ve got to get these let out,” he said.

“Ring the bell,” Mommy told him.

“Yeah!” Luke told him. The hallway’s no fun.

He heard Byron. “Yah, yah, yah, it’s Luke. I’m here, Luke! I’m here!”

The door opened. Byron came right out, almost through the door. “I got Castle Grayskull!”

“Uh-oh,” Mommy said.

Castle Grayskull! Luke ran with Byron, past legs and books. There!

“See the trap,” Byron showed him. Skeletor fell right through!

“Daddy!” Luke called.

“No,” Byron said. “Don’t.”

“Daddy, look!” Daddy’s face came down from the ceiling, right next to him.

“So this is it, huh? Fantastic.” Daddy likes toys.

“See the trap?”

“Can you believe this horrible stuff,” a deep voice said. Luke leaned against Daddy and looked up. A smiling man was above him.

“Introduce your friend, Byron,” Byron’s mommy said.

“My daddy,” Byron said. He reached for Luke’s hand. “Let’s take Castle Grayskull to my room.”

Where are we? The hallway.

“And what’s your friend’s name?” Byron’s Mommy said.

“My name is Luke,” Luke told her. She forgot?

“You’re supposed to introduce him,” Byron’s Mommy said to Byron.

“Hello, Luke, I’m Peter,” said Byron’s daddy. “I’ve heard a lot about you.”

“Let’s go to my room,” Byron said.

“Yes, take Grayskull to your room. Brunch will be ready soon.”

“Don’t wanna eat!” Byron said. “Right, Luke? We don’t want to eat.”

“Yeah, I’m not hungry,” Luke said.

“Of course, you have to eat,” Diane said.

Byron pulled Grayskull. The weapons rack fell off. The trapdoor went crazy. It was going to break. Luke wanted Byron to stop.

“Here, I’ll help you,” Daddy said to Byron.

“I can do it!” Byron said.

“Byron, that’s not polite,” his daddy said.

“Come on, Luke, we can carry it.”

But it was made of stone, Luke thought. He got himself strong, like He-Man. Put his hands on the wall. It was plastic! Like nothing. Like air to push.

Byron pulled too hard. It came in half. He was holding half, only half, it was broken, no, no—

“It’s okay! Don’t cry!” Byron’s mommy said.

What? “It comes apart, Luke,” Daddy said, and took the two pieces of Grayskull. There were things that — Daddy pushed it together. It was fixed.

Luke wiped his sore eyes. “I thought it was broken.”

“No! No!” Byron said. “Comes apart. See?” Byron showed him, pulling.

“Don’t!” Luke begged him. “Reattach it!”

“What did you say?” Byron’s daddy said.

Luke fought to say the long sound harder: “Reattach it!”

“My goodness. That’s a good word, Luke,” Byron’s daddy said.

“See?” Byron’s mommy said. “I told you.”

“I’ll help you carry it, Byron,” Daddy said.

“We can!” Byron yelled.

“Byron!” his mommy yelled.

Stop. Stop. He tried to stop them with his body, but they wouldn’t.

“Why are you crying?” Daddy asked.

“Leave it alone,” Luke told him.

Daddy looked sad. “Okay.”

“Let’s go,” Byron’s mommy said. “We’ll leave them to play.”

The grown-ups walked off, down the hallway. Deep voices got small, talking about me and Byron. They’re so far away. “We’ll leave,” she said. There’s a door in the kitchen. They could go out that way.

“Daddy,” Luke called. Daddy had looked so sad when Luke told him to leave Grayskull alone. Luke was sorry to make Daddy sad.

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