Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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Too cool. Tickle, tickle. Don’t show it! Under the fingernail and pull.

Not right, not right.

Grandma clapped once. “Very—” Daddy shushed Grandma like she was a child. Ha-ha. Grandma old.

“There are two and then a rest,” Mommy said.

Two? Under the nail, don’t pull! No sound.

“Try again,” Mommy said.

Under the nail and pull medium.

“Good!” Mommy excited.

Again.

“Good!” Mommy happy.

Byron heard them. They were pleased. He turned to smile. “See!”

“Byron!” Mommy warned. “You have a lot more.”

Under the nail, pull. Under the nail, pull. Too hard. Try again. Tired. Under the nail — that hurt. The string stayed on his skin, even after going away. Still there. Look. The string is still on my skin!

“I’m tired,” Byron said.

“You only have another line,” Mommy said, her finger on the next hopping foot. Her face dark, her eyes burning.

“It’s wonderful, Byron,” Daddy said. “Keep going.”

“Can I hold the bow?” Byron asked.

“After you finish the line, you can hold the bow for a little bit. But it’s not to be played with.”

Under the nail — pull!

It’s inside my skin, still pushing in on it, pushing in.

Byron used the fatter part of his finger and didn’t pull so hard. The sound was wrong.

Look at Mommy. About to say—

No, her finger went to the next one.

Fatter part. Wrong sound. “I want to stop!” Byron said fast.

“Just one more.”

Brush it softly. Wrong, wrong, wrong sound.

“Very good,” Mommy said, but she wasn’t excited.

Grandma and Grandpa and Daddy clapped.

“Yah!” Byron hopped and laughed. “Yah!” He danced at its end, showing his prize. Mine!

“Byron!” Mommy grabbed the violin. “You can’t do that. If the violin breaks, you can’t learn it.”

“You said I could hold the bow.”

Mommy didn’t answer.

“Here,” Daddy said. He pulled the bow out from the belts.

Byron took it. Sword. He-Man sword. Don’t let Mommy know.

“Well, that was great,” Mommy said. “Aren’t you impressed?”

“Must take ten years before they can play a song,” Grandpa said.

“I played a song!” Byron said.

“Of course you did,” Grandma said.

“Yes, you were very good,” Grandpa said.

Mommy kissed his head. “Okay, let me put the bow back.”

“I want to!”

“Okay.”

Sword away. Through the belts, into the case. Close. Click, click.

Mommy kissed his head again. “You’re a good boy, Byron.”

I’m a good boy.

“When you give your first concert,” Grandma said, “will you invite me?”

“Are you old?” Byron asked her. Maybe she was a child.

Grandpa laughed. So did Daddy. “Yes, I am,” Grandma said with a broken mouth, her voice quiet.

“Then you’re going to die,” Byron told her.

NO MATTER how far they went, no matter which path they walked back into his memory, Peter and Kotkin ended up face-toface with Larry, stroking Peter’s flat stomach, digging under the belt, under the elastic of his briefs, reaching for the little penis to make it tickle and tingle, like peeing, but not peeing, like resting, but not resting—

The more Peter discussed the events and the harder Kotkin worked to get him to be clear about the details — how old were you? how long after the divorce? did you say no? what did Larry say? — the fuzzier they got. Peter had gone into therapy with clear images. Larry standing next to a little version of Peter, Peter’s head just clearing the sink in his friend Gary’s bathroom. Larry had, under the pretext of peeing, taken out his erect penis. Only it wasn’t an erection to Peter; it was a huge, angry, pulsing creature, a blind, breathing sausage, a blank-faced snake, a hairy worm—

“You want to touch it?” Larry said. “You can touch it.”

“No” from out of his little mouth, echoing out of the chasm of his past. “No,” he stammered.

Larry didn’t argue. He took Peter’s hand and pulled it toward the impossible gravityless thing. “It feels good when you touch. People want you to touch it. Hasn’t your father ever shown you his? He’d like you to touch it.”

“He said that!” Kotkin asked. She sounded outraged, amazed, disbelieving, disgusted.

“I don’t know, I don’t know,” he stammered. He had always been afraid to say. What was real, what was not? It seemed incredible even to him. People would be disgusted to know. He had never told details. Were they real?

“You don’t know?”

She wasn’t outraged, that’s in my head. “I can’t talk about it.” Sour and choking, bitter and lumpy, the memories churned in his chest, bubbled in his throat. Was it real? Why didn’t I say no the very first time he reached in my pants? Why didn’t I tell someone?

But I did. I told Gary. Larry said he had done it to Gary.

“Yeah, he plays around with it,” Gary had said. Or had he then? Was it years later? “Tell him you don’t like it. He’ll stop and give you a present.”

“I don’t like Gary as much as you; that’s why I don’t touch him anymore,” Larry had said.

He won’t stop with me.

Did I think that? I pulled my hand away — even if this memory is false, even in the lie, I didn’t touch him. It. Red and pulsing, a blind face. Or is that the block? Did I touch?

No.

“What were your parents doing?”

“They were divorced!”

“I know,” Kotkin said with a trace of impatience. Or did she? “Where were they? Were they around? Had you been dumped at Gary’s?”

Yes. No. “I don’t know. I just don’t know. I should see Gary and find out.”

“You’ve never discussed this with your mother or father?”

“No.” Peter laughed.

“An absurd question?” Kotkin said warmly. Or was it? Was it sarcastic?

“No, I guess if I were healthy, that’s what I would do, I would ask the grown-ups what the hell was going on. I’d find how exactly old I was, where they were, and how much was done. The whole cast is still alive, just waiting for my questions.”

“But you don’t want to ask them?”

“No, yes, no, yes.”

Kotkin chuckled. “Are you scared?”

Flat on his back, peering into eternity. What was scared?

Who am I?

There was one time, the time when Larry invited Gary and Peter to a matinee of the road company of Hello, Dolly! Later, Larry took them to his office. Peter felt safe because Gary was with them and Larry had never touched Peter without sending Gary away and in the office that would be impossible—

But Larry’s secretary needed a hand with some packages, just to carry them downstairs. Larry insisted Gary, just Gary, go. “I’ll help,” Peter tried to say, knowing, knowing. …

Still stuck in his throat, hundreds of years later, lying on Kotkin’s couch, still forming in his mouth—“I’ll help too.” Peter’s eyes still pleaded with Gary: take me with you, take me with you.

“What are you thinking about?” Kotkin asked.

And during the fifteen minutes that the secretary and Gary were gone, Larry lowered my pants and put it in his mouth.

“Are you remembering something?” Kotkin asked.

“No. Yes.” The couch was heavy. Too heavy for the floorboards. Its dense weight cracked them, crashing down, down. I want to sleep. “I don’t want to talk about it anymore.”

“Okay,” Kotkin said with the sweet, soft voice of forgiveness. “You don’t have to talk about anything you don’t want to. But you can tell me anything you want to. That’s what I’m here for.”

“I know.” He wanted to cry. Somewhere, maybe below the couch, beneath the floorboards, were all his tears.

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