Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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Even facing death, Lily wanted to be impossible. She knew Eileen would call me. She knew — oh, what’s the point? Mom must be terrified.

Diane got out of the tub, meaning to get dressed before she phoned Lily, but her hand trembled when she reached for the towel. She sat on the toilet seat, pulled a towel down to cover herself, and dialed.

“Hello,” Lily answered, a hello of such despair and terror and weakness that Diane would have known something was wrong even if ignorant.

“Eileen called me, Ma,” Diane said.

“I’m so angry at her! I told her—”

“She had to, Ma. Listen, what did the doctor say?”

“I have a heart murmur!” Lily said as if the diagnosis were a personal affront. “They have to give me a catheterization. My friend Judy had one. You know they’re dangerous? He won’t tell me, of course, what it might be. But this is what they do before you go in for open-heart.”

“But the doctor didn’t say you needed surgery?” Maybe Eileen was exaggerating. Please.

“No, of course, he didn’t say. You know doctors. All he’s thinking about is not getting sued. I told him you’re a lawyer. I didn’t tell him you quit.” She laughed at herself. “I don’t know. I thought maybe he’d take better care of me. He scared me,” Lily said in a funny voice, not one Diane recognized from her mother’s repertoire. No bark, no whine, no sarcasm, no bitterness, no anger. She sounded like a friend. “I didn’t like him,” she added, an afterthought, not important.

“Dr. Shwartz?”

“No! This is a cardiologist that Shwartz sent me to. He’s not qualified for something like this.”

“When’s the—”

“This Friday. That’s what scared me. He’s in a big rush. They don’t rush unless—” She laughed again, only it was mixed with tearfulness.

“I’m coming to Philly, Ma. I’ll leave in—”

“No, no. Eileen’ll go with me. Wait until it’s something—”

“I see, I’m only supposed to come when you’re dying.”

“I hope you will come when I’m dying!” Lily answered, outraged, missing the point as usual. “I expect you to—”

“Ma!” My God, I’m yelling at her. “Ma, I’m coming, okay? There’s nothing for me to—”

“Oh, and I suppose Byron is nothing. You can’t leave him for—”

“I can leave him for two days. In fact, I can leave tonight.”

“At this hour!”

“I’ll take the car. There’ll be no traffic—”

“No, no. There’s no point. You’ll be exhausted when you get here and me — well, I won’t get any sleep tonight. I’ll be up making noise, probably disturb you.”

Diane had to hang up on Lily in order to get going. She had to be rude to get Lily to allow her to be considerate.

Diane explained the situation to Peter in a breathless rush while packing. Diane was glad to go, to do something; idle, she would be tortured by worry.

“What do I tell Byron?” Peter said. What a response. Not, I’m sorry. Can I help? Should I come? Well, Peter hates my mother. She’s just a stupid cartoon to him, a Neil Simon character, something you sneer at from your seat in the theater, someone whom you cry for at the curtain, if the actress is good enough and the playwright sophisticated enough to know the New York audience is full of people with mothers like that, and they don’t want to think thoughts that are too terrible. Shut up, Diane! She’s sick. Shut up, shut up, shut up.

“Tell him Grandma is sick,” she told Peter, “and I’m going to take care of her for a few days. I’ll call him in the morning. If everything goes well Friday, you can both come down for the weekend. She’d love to see Byron.”

The look on Peter’s face! Why, if he were on trial, a jury would hang him for that look. “Um, this weekend is bad—” he started to complain.

“Let’s not worry about it now. Okay? I’m going.”

Once at the door, after kissing a sleeping Byron good-bye, she added something to Peter: “If she’s in real trouble, you’re bringing Byron this weekend.”

“Okay,” he said, chastened. “Give her my love.”

Diane softened, kissed him good-bye. In the parking garage, when she started the car, she thought: I don’t want his help anyway.

NINA FELT something crawl on her. she sat up from her bed of grass and looked away from the trees, the long-haired trees that swayed above her, waving hello—

Who was it? Luke? No sound from his room. She turned on her side and gasped with horror.

Eric was upright in the bed, wide-awake, staring out as if he’d seen a ghost.

“Eric!” she cried out. “What’s wrong?”

Eric’s head moved slowly, a robot activated by her voice. His big face looked at her. “They’re too hard. Luke’s shit is too hard. It’s not just that he’s holding it in. He’s really pushing now, really trying. I mean, after the first couple times, he gets serious and really tries. I’ve looked at them. They’re hard.”

Her heart was still pounding. She coughed, in order to clear out the choking scare, so she could breathe. “Eric, you’re gonna kill yourself. Relax. He’s doing great. You’re doing a great job.”

“No, I know, honey. That’s okay. But I think there was something physical in it. He did start holding it in because of — well, it’s your theory. I’m sure it’s right. Did the pediatrician say anything about what he should eat?”

She sighed. She wanted to laugh at him. Or maybe scream at him. Or maybe hose him down. She looked across at the angry red eyes of their digital clock: 2:35. Blink: 2:36.

“Are you worried about something at work?” she decided to ask. Maybe this was a dream. Maybe this was a conversation she wanted to have, but couldn’t. Probably this was a dream.

“How did you know?” he said, and his robot head looked back at whatever vision he thought was there, just out there in the dark, ahead of him.

“You always worry about Luke when there’s something wrong at work.”

“You’re right,” he said. And then Eric lay down, collapsed onto the bed. He nestled his head into his pillow, like Luke into his blanket, and closed his eyes.

The angry red eyes: 2:36. Nina got herself settled back under the covers. Should I ask him what’s wrong at work? Eric’s eyes were shut. He breathed heavily. Was he asleep? Maybe I’m dreaming.

The trees waved hello. There was nothing but sky above them. Nothing but blue, happy blue.

I love my husband, she told the trees, the long-haired trees. They nodded and waved hello.

BYRON SHOOK him. “Where’s Mommy?”

Peter’s head felt big and heavy. Too much Rémy last night. I’m in bed, it’s morning, and I’m alone with Byron. “Mommy had to go visit Grandma.”

“Why?” Byron demanded.

“Grandma’s sick. Mommy went to take care of her for a couple days. What time is it?”

“I don’t know!” Byron said, and laughed. “I’m a child!”

Peter looked at his son. Byron’s skin was smooth from sleep, his sandy hair wild, up in places, smashed in others. He was at attention, his body alert, ready for the day. “Are you hungry?” Peter asked.

“Yeah!” Byron said with lust.

That got Peter awake. He struggled out of bed. Byron took him by the hand and gently tugged, towing Peter as if he were an ocean liner, into the kitchen.

“Rice Krispies, please.”

Peter had never gotten up with Byron before. Never been alone with him in the apartment, except for brief times, such as Diane going out to shop. Thank God he’s toilet trained, Peter thought while having coffee and watching Byron maneuver his mouth around bulky spoonfuls of cereal. Then Peter remembered — he glanced at Byron’s bottoms. There was a dark patch around the groin. “Did you pee in your bed?” he asked.

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