Rafael Yglesias - Only Children

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Only Children: краткое содержание, описание и аннотация

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The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook A loving satire of new parenthood and its attendant joys and blunders The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition,
skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Copyright 1988 Reed Business Information, Inc. From Publishers Weekly
From Library Journal

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ERIC SHUT his eyes against the sound. But he could still hear.

The wails soared in the apartment, flying wildly about the rooms, a frantic, terrified bird, beating its soft body against the hard prison.

Eric opened to look. Nina sat stone still, but her face cracked from unhappiness.

At least she had been honest: “I can’t do this, Eric. It’s up to you.”

I’ve already made two mistakes. “When you stop crying, we’ll try again.” What an asshole. The psychologist had said, specifically said, just wait until the crying is over and then when he holds it in — I’ve linked them now, that when he stops crying — what an asshole. I can’t handle this. I just can’t.

Luke found them. He came stumbling into the living room, drunk with tears. Luke had managed to get out of his pants, so he was bare from the waist down. “Mommy, Mommy” was all Eric could make out of his speech, but he was saying more, about what he couldn’t do, and the hurt, and about Daddy.

“Shhh,” Nina said to him, and picked him up, holding him in her lap. Eric had a headache. Not a real headache. It was just his brain exploding.

Luke tried to get them to talk. It was obvious now that he wanted to talk, to get them to talk. Nina caved in, she asked him why he cried so hard — Eric shot her a look. How am I going to do this if she doesn’t—

“Daddy left me alone. I was going to try, but he left me alone—”

It’s bullshit. Just like the doctor said. If I stand in the bathroom, he’ll talk to me about how much it hurts—

“Okay, Luke. As long as you don’t cry, I won’t leave you alone. Okay?”

“I cry because—”

“I don’t want to talk about it anymore, Luke! There’ll be no more talking about it! That goes for you too, Nina!” Eric shouted. He swallowed. Luke ducked his head into Nina. The walls seemed to ring from the shout. They bounced about, thunder rumbling. Luke stayed still in Nina’s arms.

Luke thought it was over. In five minutes, he was calm again, happy. Eric waited. It didn’t take long. Luke had cheered up, was telling Nina something, and he flexed his buttocks, began to dance on his toes, holding—

Eric was up, his hand taking Luke’s, “It’s time to go to the bathroom—”

“Noooooo!”

“I won’t stay in the bathroom if you cry.” I’m stuck with this position now. He pulled Luke with him. He let himself go dead, absolutely dead. The colors had no vibrancy, the sounds no resonance. Eric looked past Luke’s pleas as if he were a bum on the street. Eric drained his heart of emotion, watched his humanity empty out, down the drain, until his soul was as cold and bare as a porcelain tub. I’m a guard at Auschwitz; this is how evil is carried out, numb, everything pale and flat.

“Daddy! Daddy!” Luke pleaded.

“I’ll leave if you don’t stop crying.”

“Okay, okay, okay.” Luke gasped, tried to swallow his tears back. He did after a moment. He climbed up onto the toilet seat, his little legs not long enough to touch the floor. His face went red and jumped off. “I can’t.”

When Luke says he can’t do it — the doctor had said when Eric went over all the possible permutations, after Eric had quit arguing — when he says he can’t, say fine and go. Don’t make trying the issue, only getting it done.

Back out they went, Luke surprised that he had gotten away with so little torture. Back they went to the living room, and a second later Luke danced, buttocks tight, hopping.

“It’s time to go to the bathroom, Luke,” and now Eric’s voice did sound neutral, a dead voice of authority.

“No!” Luke’s protest was shorter this time.

Back they went. Up on the toilet, jumping off. Out to the living room. Another minute, then: “It’s time to go to the bathroom, Luke.”

“Again?” Luke said, like a grown-up, outraged by a mad bureaucracy. Nina actually smiled.

“It’s time,” dead Eric answered, beyond being charmed.

By bedtime, although they had gone a dozen times, there was still no yield. The next morning, after fifteen more journeys, after Luke tried running away, talking to Eric while he held his legs together on the toilet (I’m not talking, Luke, I’m just keeping you company), after Luke threw one wild crying jag (Eric walked into the living room and sat with the Wall Street Journal open in front of his face), after Luke tried to appeal to Nina, after dozens of little tricks, Luke finally made an effort, perhaps bored by the repetition. His face turned red, his stomach squeezed flat, and he pushed out four enormous turds. Where did he keep the stuff?

“You’re a big boy, Luke,” Eric said, well beyond feeling any triumph or relief. “You can have a few M & M’s as a reward for going.”

“Okay,” Luke said quietly.

Then, his body empty, Luke was happy. He asked Nina to take him to the park. Eric went along. Luke laughed and went down the slide without asking anyone to catch him. He built elaborate castles in the sandbox, he told Nina stories about his constructions, he asked her to push him in the swing, and to read him all the signs in the deli where they went to lunch, he took his afternoon nap peacefully with her, in her arms, he played in his room in the evening before dinner, he talked to Nina while they ate, he was very, very happy, and he ignored Eric completely.

He asked Nina to read his bedtime stories, instead of Eric, and told her Daddy didn’t have to come in to say good night. Eric went anyway, brushed the black hairs off Luke’s sweet brow, and kissed the soft chin. “I love you, Luke,” Eric said.

“Nighty-night,” Luke said in a phony voice. He usually said, “I love you too.”

Eric came out, beat. He thought: tomorrow Luke will start to hold it in again.

Eric fell onto the couch, facing a blank television screen, the remote control in his hand, too tired to press the power button. Nina’s hand brushed the top of his hair. He looked up and her face was on him. He saw a glimpse of her blue eyes, filled with water, and her lips kissed him. “You were very brave,” she said.

“Now I’m his stupid father,” Eric said, and he wanted to cry. His voice quavered; his eyes blurred.

“He loves you,” she said.

“Now I’m just another stupid father,” Eric said.

15

“NO!” BYRON shouted. “You can’t.” Luke dropped his mud cake.

“But, Byron, but—”

“No!” Luke does everything wrong. Doesn’t listen. “I told you. This is the tower. Nothing goes on the tower.”

“Oh, yeah.” Luke was being gooder now. “Right. You told me. What kind of thing would go on a tower! Right, Byron? Nothing should go on a tower.”

“Yeah, that would be crazy!” Luke’ll play right now. “Now, you be Skeletor. And I’ll put you in the prison.”

Luke pulled back. Byron grabbed him.

“Come on Skeletor. Go in the prison. You’re bad.” Luke is bad. He doesn’t listen.

“I don’t want to—”

“You have to! I have the power! You have to!”

“I don’t want to!” Luke ran away.

Good, I’ll catch him. Fast Byron — go! Got his arm and squeeze. “I got you, Skeletor!”

“Byron! What are you doing?” Oh, Pearl. Go away. “We’re playing.”

“I don’t wanna be Skeletor,” crybaby Luke was saying.

“Why do you cry all the time?” Bad Luke. Doesn’t listen.

“He don’t cry ’cept when you being so bossy,” Pearl said.

“What is it, Byron?” Francine’s big tushy was in his face. So big and blue, her pants stretched like a pillow when you sit on it. “You bossing Luke again? He plays so nice and you don’t let him be.”

“We were just playing He-Man. Luke was being Skeletor and I was chasing him. Right, Luke?” Byron nodded at Luke, making his eyes talk. He blinked the words at Luke: don’t tell them. They’re grown-ups and they’ll ruin our game. Blink, blink. Don’t tell them, Luke.

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