Karen Russell - St Lucy's Home for Girls Raised by Wolves

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St Lucy's Home for Girls Raised by Wolves: краткое содержание, описание и аннотация

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A dazzling debut, a blazingly original voice: the ten stories in
introduce a radiant new talent.
In the collection's title story, a pack of girls raised by wolves are painstakingly reeducated by nuns. In 'Haunting Olivia,' two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab. In 'Z.Z.'s Sleepaway Camp for Disordered Dreamers,' a boy whose dreams foretell implacable tragedies is sent to a summer camp for troubled sleepers (Cabin 1, Narcoleptics; Cabin 2, Sleep Apneics; Cabin 3, Somnambulists. .). And 'Ava Wrestles the Alligator' introduces the remarkable Bigtree Wrestling Dynasty' Grandpa Sawtooth, Chief Bigtree, and twelve-year-old Ava' proprietors of Swamplandia! the island's #1 Gator Theme Park and Cafe. Ava is still mourning her mother when her father disappears, his final words to her the swamp maxim 'Feed the gators, don't talk to strangers.' Left to look after seventy incubating alligators and an older sister who may or may not be having sex with a succubus, Ava meets the Bird Man, and learns that when you're a kid it's often hard to tell the innocuous secrets from the ones that will kill you if you keep them.
Russell's stories are beautifully written and exuberantly imagined, but it is the emotional precision behind their wondrous surfaces that makes them unforgettable. Magically, from the spiritual wilderness and ghostly swamps of the Florida Everglades, against a backdrop of ancient lizards and disconcertingly lush plant life 'in an idiom that is as arrestingly lovely as it is surreal' Karen Russell shows us who we are and how we live.

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I shiver in the water, letting the salt dry on my shoulders, listening to the echo of my breath in the snorkel. I fantasize about towels. But Wallow is still watching me, his face a blank oval. I tug at the goggles and stick my head under for a second look.

Immediately, I bite down on the mouthpiece of the snorkel to stop myself from screaming. The goggles: they work. And every inch of the ocean is haunted. There are ghost fish swimming all around me. My hands pass right through their flat bodies. Phantom crabs shake their phantom claws at me from behind a sunken anchor. Octopuses cartwheel by, leaving an effulgent red trail. A school of minnows swims right through my belly button. Dead, I think. They are all dead.

“Um, Wallow?” I gasp, spitting out the snorkel. “I don’t think I can do this.”

“Sure you can.” Squat, boulder-shouldered, Wallow is standing over the ladder, guarding it like a gargoyle. There’s nowhere for me to go but back under the water.

Getting used to aquatic ghosts is like adjusting to the temperature of the ocean. After the initial shock gives way, your body numbs. It takes a few more close encounters with the lambent fish before my pulse quiets down. Once I realize that the ghost fish can’t hurt me, I relax into something I’d call delight if I weren’t supposed to be feeling breathless and bereaved.

I spend the next two hours pretending to look for Olivia. I shadow the spirit manatees, their backs scored with keloid stars from motorboat propellers. I somersault through stingrays. Bonefish flicker around me like mute banshees. I figure out how to braid the furry blue light of dead coral reef through my fingertips, and very nearly giggle. I’ve started to enjoy myself, and I’ve nearly succeeded in exorcising Olivia from my thoughts, when a bunch of ghost shrimp materialize in front of my goggles, like a photo rinsed in a developing tray. The shrimp twist into a glowing alphabet, some curling, some flattening, touching tails to antennae in smoky contortions.

Then they loop together to form words, as if drawn by some invisible hand:

G-L-O-W-W-O-R-M G-R-O-T-T-O.

We thought the Glowworm Grotto was just more of Olivia’s make-believe. Olivia was a cartographer of imaginary places. She’d crayon elaborate maps of invisible castles and sunken cities. When the Glowworm Grotto is part of a portfolio that includes Mount Waffle Cone, it’s hard to take it seriously.

I loved Olivia. But that doesn’t mean I didn’t recognize that she was one weird little kid. She used to suffer these intense bouts of homesickness in her own bedroom. When she was very small, she would wake up tearing at her bedspread and shrieking, “I wanna go home! I wanna go home!” Which was distressing to all of us, of course, because she was home.

That said, I wouldn’t be surprised to learn that Olivia was an adoptee from some other planet. She used to change into Wallow’s rubbery yellow flippers on the bus, then waddle around the school halls like some disoriented mallard. She played “house” by getting the broom and sweeping the neon corpses of dead jellyfish off the beach. Her eyes were a stripey cerulean, inhumanly bright. Dad used to tell Olivia that a merman artisan had made them, out of bits of sea glass from Atlantis.

Wallow saved all of her drawings. The one labeled “Glowerm Groto” is a sketch of a dusky red cave, with a little stick-Olivia swimming into the entrance. Another drawing shows the roof of the cave. It looks like a swirly firmament of stars, dalmatianed with yellow dots.

“That’s what you see when you’re floating on your back,” Olivia told us, rubbing the gray crayon down to its nub. “The Glowworm Grotto looks just like the night sky.”

“That’s nice,” we said, exchanging glances. Neither Wallow nor I knew of any caves along the island shore. I figured it must be another Olivia utopia, a no-place. Wallow thought it was Olivia’s oddball interpretation of Gannon’s Boat Graveyard.

“Maybe that rusty boat hangar looked like the entrance to a cave to her,” he’d said. Maybe. If you were eight, and nearsighted, and nostalgic for places that you’d never been.

But if the Glowworm Grotto actually exists, that changes everything. Olivia’s ghost could be there now, twitching her nose with rabbity indignation—“But I left you a map!” Wondering what took us so long to find her.

When I surface, the stars have vanished. The clouds are turning red around their edges. I can hear Wallow snoring on the pier. I pull my naked body up and flop onto the warm planks, feeling salt-shucked and newborn. When I spit the snorkel out of my mouth, the unfiltered air tastes acrid and foreign. The Glowworm Grotto. I wish I didn’t have to tell Wallow. I wish we’d never found the stupid goggles. There are certain things that I don’t want to see.

When we get back to Granana’s, her cottage is shuttered and dark. Fat raindrops, the icicles of the tropics, hang from the eaves. We can hear her watching Evangelical Bingo in the next room.

“Revelation 20:13!” she hoots. “Bingo!”

Our breakfast is on the table: banana pancakes, with a side of banana pudding. The kitchen is sticky with brown peels and syrup. Granana no longer has any teeth left in her head. For the past two decades, she has subsisted almost entirely on bananas, banana-based dishes, and other foods that you can gum. This means that her farts smell funny, and her calf muscles frequently give out. It means that Wallow and I eat out a lot during the summer.

Wallow finds Olivia’s old drawings of the Glowworm Grotto. We spread them out on the table, next to a Crab Shack menu with a cartoon map of the island. Wallow is busy highlighting the jagged shoreline, circling places that might harbor a cave, when Granana shuffles into the kitchen.

“What’s all this?”

She peers over my shoulder. “Christ,” she says. “Still mooning over that old business?”

Granana doesn’t understand what the big deal is. She didn’t cry at Olivia’s funeral, and I doubt she even remembers Olivia’s name. Granana lost, like, ninety-two million kids in childbirth. All of her brothers died in the war. She survived the Depression by stealing radish bulbs from her neighbors’ garden, and fishing the elms for pigeons. Dad likes to remind us of this in a grave voice, as if it explained her jaundiced pitilessness: “Boys. Your grandmother ate pigeons.”

“Wasn’t much for drawing, was she?” Granana says. She taps at stick-Olivia. “Wasn’t much for swimming, either.”

Wallow visibly stiffens. For a second, I’m worried that he’s going to slug Granana in her wattled neck. Then she raises her drawn-on eyebrows. “Would you look at that — the nudey cave. Your grandfather used to take me skinny-dipping there.”

Wallow and I do an autonomic, full-body shudder. I get a sudden mental image of two shelled walnuts floating in a glass.

“You mean you recognize this place, Granana?”

“No thanks to this chicken scratch!” She points to an orange dot in the corner of the picture, so small that I hadn’t even noticed it. “But look where she drew the sunset. Use your noggins. Must be one of them coves on the western side of the island. I don’t remember exactly where.”

“What about the stars on the roof?”

Granana snorts. “Worm shit!”

“Huh?”

“Worm shit,” she repeats. “You never heard of glowworms, Mr. Straight-A Science Guy? Their shit glows in the dark. All them coves are covered with it.”

We never recovered Olivia’s body. Two days after she went missing, Tropical Storm Vita brought wind and chaos and interrupted broadcasts, and the search was called off. Too dangerous, the Coast Guard lieutenant said. He was a fat, earnest man, with tiny black eyes set like watermelon seeds in his pink face.

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