Karen Russell - St Lucy's Home for Girls Raised by Wolves

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St Lucy's Home for Girls Raised by Wolves: краткое содержание, описание и аннотация

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A dazzling debut, a blazingly original voice: the ten stories in
introduce a radiant new talent.
In the collection's title story, a pack of girls raised by wolves are painstakingly reeducated by nuns. In 'Haunting Olivia,' two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab. In 'Z.Z.'s Sleepaway Camp for Disordered Dreamers,' a boy whose dreams foretell implacable tragedies is sent to a summer camp for troubled sleepers (Cabin 1, Narcoleptics; Cabin 2, Sleep Apneics; Cabin 3, Somnambulists. .). And 'Ava Wrestles the Alligator' introduces the remarkable Bigtree Wrestling Dynasty' Grandpa Sawtooth, Chief Bigtree, and twelve-year-old Ava' proprietors of Swamplandia! the island's #1 Gator Theme Park and Cafe. Ava is still mourning her mother when her father disappears, his final words to her the swamp maxim 'Feed the gators, don't talk to strangers.' Left to look after seventy incubating alligators and an older sister who may or may not be having sex with a succubus, Ava meets the Bird Man, and learns that when you're a kid it's often hard to tell the innocuous secrets from the ones that will kill you if you keep them.
Russell's stories are beautifully written and exuberantly imagined, but it is the emotional precision behind their wondrous surfaces that makes them unforgettable. Magically, from the spiritual wilderness and ghostly swamps of the Florida Everglades, against a backdrop of ancient lizards and disconcertingly lush plant life 'in an idiom that is as arrestingly lovely as it is surreal' Karen Russell shows us who we are and how we live.

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“When wind opposes sea,” he said in a portentous singsong, “the waves build fast.”

“Thank you, Billy Shakespeare,” my father growled under his breath. For some reason, this hit Dad the hardest — harder than Olivia’s death itself, I think. The fact that we had nothing to bury.

It’s possible that Olivia washed up on a bone-white Cojimar beach, or got tangled in some Caribbean fisherman’s net. It’s probable that her lungs filled up with buckets of tarry black water and she sank. But I don’t like to think about that. It’s easier to imagine her turning into an angelfish and swimming away, or being bodily assumed into the clouds.

Most likely, Dad says, a freak wave knocked her overboard. Then the current yanked the sled away faster than she could swim. In my night terrors, I watch the sea turn into a great, gloved hand that rises out of the ocean to snatch her. I told Wallow this once, hoping to stir up some fraternal empathy. Instead, Wallow sneered at me.

“Are you serious? That’s what you have nightmares about, bro? Some lame-ass Mickey Mouse glove that comes out of the sea?” His lip curled up, but there was envy in his voice, too. “I just see my own hands, you know? Pushing her down that hill.”

The following evening, Wallow and I head over to Herb’s Crab Sledding Rentals. Herb smokes on his porch in his yellowed boxers and a threadbare Santa hat, rain or shine. Back when we were regular sledders, Wallow always used to razz Herb about his getup.

“Ho-ho-ho,” Herb says reflexively. “Merry Christmas. Sleigh bells ring, are ya listening.” He gives a halfhearted shake to a sock full of quarters. “Hang on, nauticats. Can’t sled without informed consent.”

Thanks to the Olivia Bill, new island legislation requires all island children to take a fourteen-hour Sea Safety! course before they can sled. They have to wear helmets and life preservers, and sign multiple waivers. Herb is dangling the permission form in front of our faces. Wallow accepts it with a genial “Thanks, Herb!” Then he crushes it in his good fist.

“Now wait a sec…” Herb scratches his ear. “I, ah, I didn’t recognize you boys. I’m sorry, but you know I can’t rent to you. Anyhow, it’ll be dark soon, and neither one of you is certified.”

Wallow walks over to one of the sleds and, unhelmeted, unjacketed, shoves it into the water. The half shell bobs there, one of the sturdier two-seaters, a boiled-red color. He picks up a pair of oars so that we can row against the riptides. He glares at Herb.

“We are going to take the sled out tonight, and tomorrow night, and every night until our parents get back. We are going to keep taking it out until we find Olivia.” He pauses. “And we are going to pay you three hundred and seventy-six dollars in cash.” Coincidentally, this is the exact dollar amount of Granana’s Social Security check.

Herb doesn’t say a word. He takes the wad of cash, runs a moistened finger through it, and stuffs it under his Santa hat. He waits until we are both in the sled before he opens his mouth.

“Boys,” he says. “You have that crab sled back here before dawn. Otherwise, I’m calling the Coast Guard.”

Every night, we go a little farther. Out here, you can see dozens of shooting stars, whole galactic herds of them, winking out into cheery oblivion. They make me think of lemmings, flinging themselves over an astral cliff.

We are working our way around the island, with Gannon’s Boat Graveyard as our ground zero. I swim parallel to the beach, and Wallow follows along in the crab sled, marking up the shoreline that we’ve covered on our map. “X” marks all the places where Olivia is not. It’s slow going. I’m not a strong swimmer, and I have to paddle back to Wallow every fifteen minutes.

“And just what are we going to do when we find her?” I want to know.

It’s the third night of our search. We are halfway around the island, on the sandbar near the twinkling lights of the Bowl-a-Bed Hotel. Wallow’s face is momentarily illuminated by the cycloptic gaze of the lighthouse. It arcs out over the water, a thin scythe of light that serves only to make the rest of the ocean look scarier.

“What exactly are we going to do with her, Wallow?”

This question has been weighing on my mind more and more heavily of late. Because let’s just say, for argument’s sake, that there is a Glowworm Grotto, and that Olivia’s ghost haunts it. Then what? Do we genie-in-a-bottle her? Keep her company on weekends? I envision eternal Saturday nights spent treading cold water in a cave, crooning lullabies to the husk of Olivia, and shudder.

“What do you mean?” Wallow says, frowning. “We’ll rescue her. We’ll preserve her, uh, you know, her memory.”

“And how exactly do you propose we do that?”

“I don’t know, bro!” Wallow furrows his brow, flustered. You can tell he hasn’t thought much beyond finding Olivia. “We’ll…we’ll put her in an aquarium.”

“An aquarium?” Now it’s my turn to be derisive. “And then what? Are you going to get her a kiddie pool?”

It seems to me that nobody’s asking the hard questions here. For example, what if ghost-Olivia doesn’t have eyes anymore? Or a nose? What if an eel has taken up residence inside her skull, and every time it lights up it sends this unholy electricity radiating through her sockets?

Wallow fixes me with a baleful stare. “Are you pussying out, bro? She’s your sister, for Christ’s sake. You telling me you’re afraid of your own kid sister? Don’t worry about what we’re going to do with her, bro. We have to find her first.”

I say nothing. But I keep thinking: It’s been two years. What if all the Olivia-ness has already seeped out of her and evaporated into the violet welter of clouds? Evaporated, and rained down, and evaporated, and rained down. Olivia slicking over all the rivers and trees and dirty cities in the world. So that now there is only silt, and our stupid, salt-diluted longing. And nothing left of our sister to find.

On the fourth night of our search, I see a churning clump of ghost children. They are drifting straight for me, all kelped together, an eyeless panic of legs and feet and hair. I kick for the surface, heart hammering.

“Wallow!” I scream, hurling myself at the crab sled. “I just saw — I just — I’m not doing this anymore, bro, I am not. You can go stick your face in dead kids for a change. Let Olivia come find us.”

“Calm it down.” Wallow pokes at the ocean with his oar. “It’s only trash.” He fishes out a nasty mass of diapers and chicken gristle and whiskery red seaweed, all threaded around the plastic rings of a six-pack. “See?”

I sit huddled in the corner of the sled, staring dully at the blank surface of the water. I know what I saw.

картинка 2

The goggles are starting to feel less like a superpower and more like a divine punishment, one of those particularly inventive cruelties that you read about in Greek mythology. Every now and then, I think about how much simpler and more pleasant things would be if the goggles conferred a different kind of vision. Like if I could read messages written in squid ink, or laser through the Brazilian girls’ tankinis. But then Wallow interrupts these thoughts by dunking me under the water. Repeatedly.

“Keep looking,” he snarls, water dripping off his face.

On the fifth night of our search, I see a plesiosaur. It is a megawatt behemoth, bronze and blue-white, streaking across the sea floor like a torpid comet. Watching it, I get this primordial déjà vu, like I’m watching a dream return to my body. It wings towards me with a slow, avian grace. Its long neck is arced in an S-shaped curve; its lizard body is the size of Granana’s carport. Each of its ghost flippers pinwheels colored light. I try to swim out of its path, but the thing’s too big to avoid. That Leviathan fin, it shivers right through me. It’s a light in my belly, cold and familiar. And I flash back to a snippet from school, a line from a poem or a science book, I can’t remember which:

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