Sherman Alexie - The Lone Ranger and Tonto Fistfight in Heaven

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When it was first published in 1993,
established Sherman Alexie as a stunning new talent of American letters. The basis for the award-winning movie
it remains one of his most beloved and widely praised books. In this darkly comic collection, Alexie brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and, most poetically, modern Indians and the traditions of the past.

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“Where are we?” he asked the Flathead driver with insane braids.

“Heading back to Arlee, cousin. You said you wanted a ride.”

“Shit, all I wanted to do was dance.”

By the river. She was standing by the river. She was dancing without moving. By the river. She wasn’t beautiful exactly; she was like a shimmer in the distance. She was so white his reservation eyes suffered.

“Hey,” Victor asked. “Haven’t you ever heard of Custer?”

“Have you ever heard of Crazy Horse?” she asked him.

In his memory she was all kinds of colors, but the only one that really mattered was white. Then she was gone, and absence has no color. Sometimes he looked in the mirror, rubbed his face, pulled at his eyelids and skin. He combed his hair into braids and forgave himself. At night his legs ached and he reached down under the covers and touched his thighs, flexed muscles. He opened his eyes but all he could see in the dark was the digital clock on the milk carton beside the bed. It was late, early in the morning. He kept his eyes open until they grew accustomed to the dark, until he could see vague images of the bedroom. Then he looked at the clock again. Fifteen minutes had passed and it was closer to sunrise and he still hadn’t slept at all.

He measured insomnia by minutes. Ten minutes , he told himself. I’ll be asleep in ten minutes. If not, I’ll get up and turn on the light. Read a book maybe .

Ten minutes passed and he made more promises. It’s hopeless. If I’m not asleep in half an hour, I’ll get up and make some breakfast. I’ll watch the sunrise. Vacuum .

When dawn finally arrived, he lay awake for a few minutes, ran his tongue over his teeth. He reached out and touched the other half of his bed. No one was supposed to be there; he just stretched his arms. Then he rose quickly, showered, shaved, and sat at the kitchen table with his coffee and newspaper. He read headlines, a few Help Wanted ads, and circled one with a pencil.

“Good morning,” he said aloud, then louder. “Good morning.”

“People change,” she told Victor. He watched her face as she spoke and watched her hands when she touched his arm.

“I wouldn’t know about that,” he said. Her hands were white and small. He remembered how white and small they looked against his brown skin as they lay together, wrapped in sheets. She fell asleep easily and he watched her, listened to her breathing, until his breath fell into the same rhythm, until he slept.

“I miss watching you sleep,” he said.

“Listen, things are just crazy right now. I went to a party the other night and someone had some cocaine, you know? It was there and I liked it.”

“You mean you snorted it?”

“No, no. I just liked it being there. I danced, too. There was music, and people were dancing out by the pool. So I danced.”

He stared at her then. She smiled and touched her face, brushed hair away from her eyes.

“God,” she said. “I could really get addicted to cocaine, you know? I could really like it.”

Victor sipped his coffee carefully even though it was lukewarm. He stared out over the cup, through the window into the sun rising. He felt dizzy and didn’t stand up for fear of falling. His eyes were heavy, ached.

“Today,” he said to his coffee, “I’m going to run.”

He imagined pulling on a pair of shorts and his tennis shoes, stretching his muscles on the back porch before he set out into the early morning. Two, maybe three miles out and then back to the house. A few sit-ups, push-ups, to cool down and a piece of dry toast to settle his stomach. Instead, he finished his coffee and switched on the television, flipped through a few stations before he found a face he liked. A pretty blond woman was reading the local news, but he turned the volume all the way down, watched her mouth working silently.

Soon she was replaced by other faces, tired reporters with windblown hair, a forest fire, another war. It was all the same. Once, he owned a black-and-white television. He thought everything was much clearer then. Color complicated even the smallest events. A commercial for a new candy bar was so bright, so layered, he ran to the bathroom and threw up.

Still, he drank his coffee straight today. In other yesterdays he poured vodka into his cup before the coffee was finished brewing.

“Shit,” he said aloud. “Nothing more hopeless than a sober Indian.”

Victor was fancydancing. Eight, maybe nine years old and he was fancydancing in the same outfit his father wore as a child. The feathers were genetic; the fringe was passed down like the curve of his face.

Drums.

He looked into the crowd for approval, saw his mother and father. He waved and they waved back. Smiles and Indian teeth. They were both drunk. Everything familiar and welcome. Everything beautiful.

Drums.

After the dance, back at camp, he ate fry bread with too much butter and drank a Pepsi just pulled from the cooler. The Pepsi was partly frozen and the little pieces of ice hurt his teeth.

“Did you see Junior dancing?” his mother asked everyone in camp. She was loud, drunk, staggered.

They all nodded heads in agreement; this other kind of dancing was nothing new. His father passed out beneath the picnic table, and after a while his mother crawled under, wrapped her arms around her husband, and passed out with him. Of course, they were in love.

Drums.

Victor was drunk again.

A night in the wooden-floor bar and she wanted to dance, but he wanted to drink and ease that tug in his throat and gut.

“Come on, you’ve had enough,” she said.

“Just one more beer, sweetheart, and then we’ll go home.”

It happened that way. He thought one more beer could save the world. One more beer and every chair would be comfortable. One more beer and the light bulb in the bathroom would never burn out. One more beer and he would love her forever. One more beer and he would sign any treaty for her.

At home, in the dark, they fought and kicked at sheets, at each other. She waited for him to pass out. He drank so much but he would never pass out. He cried.

“Goddamn it,” he said. “I hate the fucking world.”

“Go to sleep.”

He closed his eyes; he played the stereo at full volume. He punched the walls but never hard enough to hurt himself.

“Nothing works. Nothing works.”

Mornings after, he would pretend sleep while she dressed, left for work and her own home. Mornings after, she paused at the door before leaving, asked herself if this was for good.

One morning, it was.

Sometimes Victor worked.

He drove a garbage truck for the BIA; he cooked hamburgers at the Tribal Cafe. On payday, his wallet stuffed with money, he would stand in front of the beer cooler in the Trading Post.

“How long has he been standing there?” Phyllis asked Seymour.

“Some say he’s been there for hours. That woman over there with the music case says Victor has been standing there his whole life. I think he’s been there for five hundred years.”

Once, Victor bought a case of Coors Light and drove for miles with the bottles beside him on the seat. He would open one, touch the cold glass to his lips, and feel his heart stagger. But he could not drink, and one by one he tossed twenty-four full bottles out the window.

The small explosions, their shattering, was the way he measured time.

Victor watched the morning arrive and leave. His hands were cold. He pressed them against the window glass and waited for some warmth to translate. He’d been back home on the reservation for one hundred days after being lost in the desert for forty years. But he wasn’t going to save anyone. Maybe not even himself.

He opened his front door to watch the world revolving. He walked onto his front porch and felt the cold air. Tomorrow he would run. He would be somebody’s hero. Tomorrow.

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