Joshua Cohen - Witz

And it’s the same with every foaled load, whether it be boat of sea or boat of land, which is train, or even plane at the aeroport beyond, far out amid the majestic land known as Queens; whatever substance arrived upon, whether it be land, sea, or air, it’s cleaved — they come between. Our island lies halfway between the city, also an island, and Liberty’s woman: she’d been a gift that was also a sacrifice, as if Odysseus’ famed token to Troy, a huge hollowed naked apparition, Rhodessa’s her name, standing out there on the furthest, as if to demarcate our world, upon the first island they pass, no matter their mode of arrival; out so far in the ocean and free as to be almost Joysey — perched just off its banks and barges, its splintered docks, ramshackle warehouses of tumbling store. Between her reach and the spires of the city, our island stands guard, keeps the watery gate, the defense of a pomp once ruined, modest in its glory renewed — at least, no longer sinking; an occasional Atlantis disappearing at hightide, a breathing chest, a pound of flesh, now shored up from the drownless delectation of the parasites it once hosted with dirt dug from under the earth and out from under the ocean surrounding, from the tunnels that would accommodate the traffic of great steel snakes, girded with trash then the flesh of the dead. Their gravestone this Great Hall, a hunk of officialdom made angelic with the addition of two wings, one to each side of the main expanse: a body sprawled, a cruciform corpse, two flightless wings terminating in the talons of those four towers; three porticos top the middle plinth, the head — doubtless, a touch of significance is always involved, a meaning lost on all but the mute and the dead — three porticos of three vaulting windows, Beauxbrilliant, deco’s imposing, and then around that, nothing, emptiness, voided only by trees, scrubby and yet undaunted, survivors themselves, upward growths of salted grasp, weathered whitegray, deepgrained, dustthick: poplar, oak, evergreen firs, they’re all one tree as much as the arrivals can think of them to care; trees nothing but Tree to them in the Platonic ignorance of languages busied being forgotten already — all trees, that is, with the exception of the apple, red and rounding Eden’s, symbolic of their imaginary sin, spitefully generous in its polar fruit, freezerotten hardpitted product their kinder try to bite, lose a tooth on, in anger bombing the orbs at each other’s heads; their bodies to be laidout cold atop iced sprawls intersected with coils of barb, spurs of galvanized iron, scrapped tin, loosened slabs of rafter like ribs, the quarters of the surgeon, the enginehouse thistle, electric and steamplant, furnaces beyond toward the baths to be stoked with stacked wood, bagged coal, mountains high of excess brick, leftovers baked in the cloudless sun, fallen stones and shoring rocks, pallets of glass, plasticwrapped and tarped, readied for an installation forever postponed, reconstruction stalled, put off until the end of time, an overhaul overhauled, a maintenance neglected, forgotten worksite in wasted daylight, bereft by bureaucracy, beset by neglect and trash; grisly verdigris, caltrops of cable and wire, gaping shafts and moaning ducts, hoistways left open to dizzying tumbles, uncovered sewers to fall into and smash a last leg, guttergraves…

Inside it’s unlit, peeling plaster as if the rind of the walls, chairs broken without back or legs and so not really chairs but stools or just mushrooms wrought of wood and barnacled metal, crumbling drapes, shattered glass. Dorm beds, column after column of them, line the floor; the air above infused with the exhaust of their springs; bumcold radiators sheltering mice, shadowing their secretions, turdpellets like bedbugs crushed. Dreams, being the annulment of slights incurred by day, make for the rubble of rumbling night: the bedding stained in blood and cum, mosquito leech and that of unseasonal greenheads, pinched ticks and lice, piss and fecs, mucus, vomit; loneliness given the ceiling lies so high as to be sky, the walls tubercularly white, offbronchial, pearls in the lungs, breath, breathe, at least try to.

Then, a light suffuses, is sustained, fluorescence, the flicker of bulbs just as the sun begins its weary rise: slightness and slowness and torpor, the rise fall rise of respiration, guts, weight they’ll lose then die of their loss, igniting, illuminating the space amid snoozing sounds, cicadan snore, cricket stridulation as if in the summoning of smoke: this barracks room one massed breath, an industrial maw, opening, opened, its teeth leaning columns, bent and bowed columns, its gasps steaming stains on the walls bitter with humours and mold; bed after bed, ten-by-ten in ranks, ten-by-ten again, rows, of what are really upgraded cots, iron sag, rusted to give under slumber, green creak for the horny. And then, in the cots — they’re forms; in appearance only bedclothes stuffed with flesh, bledclothes, though with noses that peek above trims, mussed sheets, fake feather pillows, comforters of imitation down in the shape of people, cast in the shape of beds, concrete slabs they feel, immobile, corpsed dead as cement. An exhausted form twitches its feet, its toes, one two three, slowly, then three four five, individually one two three four five to prove he’s alive — to whom; that he’s separately willed, even special, as if singled from among this mass, leans toward the form directly to the left, the mensch, if we might judge by the bulge from under his sheets, his drunk and tented lust, the sexual clump, grapeleaved in fitted, flat. He grunts, then as if to say hello, to introduce himself he farts, a poof, a toot, is answered by that mensch neighboring, a response given upon permission, shameless, with another fart, this rip huge, Rrrrrrrip! an enormous sortie wet and thick, which tears a hole right out of his uniform pajamas, this sound echoed six beds down then maybe two over with another, is dueted with, a ffrrip, and yet another, pow, pow, — and — pow from opposite sides of the barracks, a barrage of miniexplosions, from cot to cot echoing against the corroded collapsing wet walls, stacked booms rocking the lower bunks, bucking the uppers, bombs from the rafters to incise there their own dark graffiti, signing a scatology’s name. How all this seems almost coordinated, prearranged, if you’re that species of paranoid, how couldn’t they be: Affiliated, neurotic, too; though if you’ve been strangely calm here, confident from the first or already resigned, then now appalled’s being contracted into the bargain, disgusted, given the very randomness of this rearending assault, such lack of control, this chaos — a cacophony of bursts and bops, of salvos percussive, sallies of bangs and syncopated, syncopating bings, in their fading sound, the foggy fade of their echoes, giving way to a host of hissy almost silent farts, some snakelike, others barking or crazily purring; flatulisms serving to both make a haze and, also, to pierce it, stifling even the smoke with its maker, the flame. Then, a rapid sweep coming down the aisles, boom boom baboom, the strafing of morning, machinegunned repeatrepeat, ratatat of fire that even if friendly seems no less dangerous or revolting: farts raising sheets, fitted, rising sheets, flat, bubbling covers, burbling blankets, in gastrointestinal whumps, lower tract lumps, milky eruptions, redeyed evacuations, pyloric blockages, buildups and then, explosion! p-pow! the glorified dorm reverberating in a rousing finale, rolled bodies corpsed on the floor, from forms picked clear up and off beds, shot spumed into air then slumped back down to bounce thud and sag, launches and falls selfpropelled, the trajectory of methane released, ricocheting ping and pop, cracks and snaps in a confusion, offtime, out of time, a dense swirl of emission, the barracks a hellish, burning pit, and then, as suddenly as all began, and cutting clarion through din and fog, there’s a siren, alarm… Reveille! — wake up! Boker both tov and or, rise and shine and give God more than your gases. Time to toss and turn, to rub, sit and stand, time to wake for those left alive, time to remember their dead: to live their wake in the mourning of mothers and fathers, of their sisters and brothers and cousins, first, second, third, aunts and uncles and who knows more removed, how half and inlaw, whoever that was, I’m not sure…survivors to noose themselves up to the rafters with linings of quilt and collar and cuff. Then, to stand upon the freezing floor of their barracks, to stand on their own two feet for a moment and imagine they’re not animals — to undress of pajamas, only to hide their nakednesses in the underwear and socks they’ve been supplied, too. Even as their family’s laid to rest on the floor of the ocean surrounding, submerged deep amid the numberless drops that star that lower sky, dead, diffuse — every single one and engaged one of them, each affianced and married one, each one widowed, widowered, twiceseparated and thrice-divorced, dead; all of them, that is, except these very menschs, those who were firstborn and still are, those of the inheritance, which is this and this only — this Island, this life; lining their ways, two-by-two, out to the baths, to stand under the showers and wash away their guilt and their dreams, which have been found guilty themselves.