Chris Abani - GraceLand

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GraceLand: краткое содержание, описание и аннотация

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This novel is set in Maroko, a sprawling, swampy, crazy and colorful ghetto of Lagos, Nigeria, and unfolds against a backdrop of lush reggae and highlife music, American movies and a harsh urban existence. Elvis Oke, a teenage Elvis impersonator spurred on by the triumphs of heroes in the American movies and books he devours, pursues his chosen vocation with ardent single-mindedness. He suffers through hours of practice set to the tinny tunes emanating from the radio in the filthy shack he shares with his alcoholic father, his stepmother and his stepsiblings. He applies thick makeup that turns his black skin white, to make his performances more convincing for American tourists and hopefully net him dollars. But still he finds himself constantly broke. Beset by hopelessness and daunted by the squalor and violence of his daily life, he must finally abandon his dream.
With job prospects few and far between. Elvis is tempted to a life of crime by the easy money his friend Redemption tells him is to be had in Lago's underworld. But the King of the Beggars, Elvis's enigmatic yet faithful adviser, intercedes. And so, torn by the frustration of unrealizable dreams and accompanied by an eclectic chorus of voices, Elvis must find a way to a Graceland of his own making.
Graceland is the story of a son and his father, and an examination of postcolonial Nigeria, where the trappings of American culture reign supreme.

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Elvis watched a young girl, no older than twelve, pick up a stone and throw it at Jeremiah. It struck him with a dull thud, and though she lacked the strength to break skin, the blow raised a nasty purple lump. That single action triggered the others to pick up and throw stones. The combined sound was sickening, and Jeremiah yelled in pain. There was something comically biblical, yet purely animal, about the scene.

“Why doesn’t anybody help?” Elvis’s voice cracked. This was just like the time that man had jumped into the fire and the time the youths had chased that thief in Bridge City. In both instances he did nothing. Now, again, he did nothing.

“Because dey will stone you too.”

Elvis’s question had been rhetorical, and he glared at Redemption, who went on blithely:

“Look, Elvis, dese are poor people. Poor people are hungry people, and like Bob Marley talk, a hungry man is an angry man. You get ciga?”

Elvis passed his pack. Redemption lit two, passed one to Elvis and pocketed the pack.

“Hey!” Elvis said.

“Sorry. Habit,” Redemption said, handing the pack back with a smile.

“How long can we use the excuse of poverty?”

Although Elvis had not asked anyone in particular, a man sitting across the room responded angrily, not taking his eyes off the scene outside.

“You dis man, you just come Lagos?”

“Hey! Mind your business!” Redemption shouted.

The man returned to arguing with the buka owner. She was standing in the kitchen doorway, attention divided between pots bubbling over on the wood-burning stove and the scene outside.

“He must have molest a child,” the buka owner said, voice heavy with wonder.

“If so, he for die by now. I tink he is just a common tief,” the man said.

“But he no look like tief,” she countered.

“How does tief look?”

“Not like him!” she said.

Elvis turned away from them. He watched Redemption’s face. It was clear that his attention was focused completely on the events unfolding in the street outside, even though his face wore a disinterested look. His breathing was shallow, and that intrigued Elvis.

“Where are the police when you need them?” Elvis asked, sucking smoke into his lungs.

“Dere dey are,” Redemption said, pointing to the checkpoint a few yards up the street. The policemen were watching the scene with bored expressions.

Outside, the crowd had given up throwing stones and was watching Jeremiah for signs of life. He lay on his side twitching, the tire necklace still in place. Elvis noticed that Jeremiah’s hands were tied, explaining why he couldn’t fight back. A whooping sound went through the crowd as a man ran up with a ten-gallon metal jerry can.

“What is that?” Elvis asked.

“Petrol,” Redemption replied.

“Oh.”

The crowd parted slightly to let the man with the jerry can through. He stood in front of the prone Jeremiah for a while, appearing unsure about what to do next.

“Baptize him! Baptize him!” the crowd shouted.

Moving quickly, the man unscrewed the can’s cap and doused the prone Jeremiah with the petrol. Jeremiah twitched as the petrol got into his open wounds and burned. A fat woman stepped back and Elvis caught his first good look of Jeremiah’s face. It was tired, features reflecting Jeremiah’s struggle against the inevitable resignation. The man threw the empty can to the ground and it resounded with a metallic echo. Nobody moved or spoke, not in the crowd, the buka or at the police checkpoint. Everybody was waiting for something to happen. Anything. Peter stepped forward and stood before Jeremiah, who, revived by the harsh smell of the petrol, was struggling to his knees.

“I beg, Peter. You know I no be tief. I beg.”

Peter calmly reached into his pocket and pulled out a cigarette lighter. He flicked it on and stepped back from Jeremiah, dropping the lighter on the tire necklace. Elvis followed the lighter’s fall. It could not have lasted more than two seconds, though it seemed to take forever. It was hard to tell which came first, the sheet of flame or the scream.

“Aah,” Redemption said in a long, drawn-out breath. “Necklace of fire.”

It sounded so sensual it made Elvis shudder.

“Every day for de tief,” the man across from them breathed.

“One day for the owner,” the buka owner completed.

They watched as the screaming, burning Jeremiah struggled to his feet and tried to break through the circle, but men who had retrieved long wooden planks from the timber yard earlier, for this exact moment, pushed him back with the long wooden fingers. The only way out was in the direction of the timber yard, and Jeremiah headed for it. From where Elvis sat, it was impossible to see his limbs; he looked like a floating sheet of flame. The men by the timber yard gate, caught off guard, yelled in alarm and scattered in every direction as Jeremiah crashed through and into the yard. He was still screaming. Within minutes, the timber yard was ablaze and the workers formed a chain, throwing buckets of water and sand at the fire, but it was too big. The mob of lynchers had melted away, as had the police.

“We should help,” Elvis said, not getting up.

“What good is dat.”

“The fire will spread.”

“Not our problem. Anyway, our ride is here,” Redemption said, walking out to a black GMC truck that had just pulled up. Elvis hesitated for a second, then followed him. The last thing he saw was the buka owner grabbing all the money from the tin that served as her till. She stuffed bills and coins down her bra and ran out the back, leaving the food still burning.

“Get in,” Redemption said, opening the back door for him.

As he climbed into the truck, Elvis was shaking. This scene had affected him more than anything else he had seen, though he wasn’t sure why. Maybe it was the cumulative effect of all the horror he had witnessed; there was only so much a soul could take. As they drove off, Elvis watched the spreading fire through the tinted glass. It was horrifying, yet strangely beautiful.

MORINGA OLEIFERA LAM.

(Igbo: Okwe-beke)

This small deciduous tree with a crooked stem, often forking near the base, has a dark grey and smooth bark. The twigs and young shoots are densely hairy, and the tree is often found in farmlands and around small-town homes. It has doubled, sometimes tripled, large leaves, and small white sweet-scented flowers and a podlike fruit.

Its leaves and the young pods are used as vegetables for soup or salad, and the kernels yield clear, sweet oil. The root and bark are used as an antiscurvy treatment. The tree is planted on graves to keep away hyenas and its branches are used in a charm against witches.

TWENTY-TWO

He then passes it to the next in line by seniority.

Yet there is a deeper philosophy to this, a connection to land and history that cannot be translated.

Lagos, 1983

They left the scene of the fire behind, merging onto a highway that cut into the edge of a cliff, the Atlantic falling off to the right, sheer rock rising to the left. Mountain goats ran across the road, timing the traffic with practiced ease. The sea was an angry crash on rocks, and the landscape seemed too barren even for birds.

Then the road dipped, still hugging the coastline, until it was at sea level and waves swept over the rock battlements to flood the road. The cliff to their left relaxed in gentle gradients, into a rolling plain of windswept grass. They turned off and headed inland, the sea grass giving way to richer, denser rain forest. The road wound between trees that had probably been there a few hundred years, and the vegetation matting between them seemed as impenetrable as a sultan’s harem.

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