"George."
Don't shout my name in vain. You've done every sly thing to ruin the parade. With the tables set in the park. Where we were going to march to eat with banners, streamers red white and blue. And the organizers would have given out prizes. While the director watched from the stage. I know what you would have done Shirl, gone up to the microphone and sung a song into it. Embarrassed me as director. Because you wanted to appear before the public. Hear your voice floating over the crowd. So they would clap and cheer and say you're great. And I was only an acquaintance. From the other side of the tracks. You've interrupted my parade for the last time. Boom boom boom. Just got it going again. Thank you drummers.
"George what parade, shut up, it's up and enter me again."
"Shirl watch the underwear."
"What made you wear red."
"A predilection."
"Take it off, it rubs me."
"You're holding my head down by the ears and stop tearing the garment, Shirl."
"Kiss my bazumma."
"Shirl, you're tearing the garment."
"I'm pulling the zipper."
"It's tearing the garment Shirl and is caught in the hairs of my belly."
"It rubs me."
"I didn't ask you to come in here."
"George you wouldn't turn on the light. Shut up and take a handful of hair. You were so nice when you were a car. Drive you bastard."
"Beep beep."
"Kiss my bazumma."
"Stop telling me what to do Shirl. I've got my own mind."
"I'm the hottest handful you've had for months."
"Don't be too sure."
"So you've been into Matilda."
"That remark is false."
"Was she a good fuck, I don't mind."
"I repeat that remark is false and your use of language regrettable."
"Ha ha George."
"Ha ha Shirl it's not funny."
"Once more, fast George."
In this rural retreat of The Goose Goes Inn, the Friday before the Tuesday of Christmas. I wake to find my person used for a motive of which I had no notion. Torn out of the red underwear. Bereft of that red safety. Shirl a master at that tempting tickle, cupping up pearls blowing a warm air saying it was bigger than she remembered and she had memories. Till the energy I was conserving to get back to town, all gone. She'll take this as a renewal of hatred. A right to snoop round Eagle or Golf Street. Once getting hands on her, can't get them off. Deepest darkest kisser. And what can you do when it's upright. As she says wow. When it's downright rude to do nothing.
"Faster George, my friends are waiting."
Snowy owl hoots. Hear him out there in the night. When all the other animals are snug or more likely tearing each other and feathers apart. And in here I am agog and speechless at this last remark. I am no machine. I am no piece of old rope. I'll pretend the physical excitement has made you utter statements without meaning. has made you utter statements "Hurry George."
"Hurry George."
Between the parted curtain shines the white so white romantic moon. Right across the carpet, half way up the wardrobe and on the sleeve of my shirt. You're just getting carried away Shirl. Since you haven't as I hope you haven't, had any for a while. Ha ha, friends are waiting. I suppose if I had any mine would be waiting too. We've come together panting mechanically which is what disturbs me. I should have said no.
"Faster George, harder. Now you know why I ride horses."
The village church bell rings, quarter mile down the road. We're in here like this with flowers on the bedroom curtains and on the chair. Shake your brown thatch all out over your shoulders, be the last time I'll grab. I will not go faster.
"My friends are waiting, George."
In summer on this road they sell the stacked up pumpkins, purple aubergine and zeplin watermelons. And fresh farm eggs. Not for nude cooking I said. And Shirl this is a joke no longer.
"Shirl what do you mean your friends."
"They're waiting down stairs."
"They're what, Shirl."
"Waiting."
"Get out of this bed."
"Hey we're not finished."
"I will not give myself to being used while your friends wait for you. Get out."
"I'm not dressed."
"Get out."
"You're not pushing me naked into a hotel hall, George, you're not doing that. That's one thing you're not doing."
"I am doing. Out. Into the hall."
"No."
"Go to your friends. Waiting for you. Bunch of ambitious little commuters. O Shirl's just upstairs having a throw with some guy. Don't make me a laughing stock."
"You are already. Everybody knows how you make your money. And they laugh, boy do they laugh. They laugh because they know."
"You take it from me and spend it."
"I wish I didn't because it's horrible money."
"I reject that."
"And they know what happens with that nigger in that apartment. Don't try to fool me."
"Simply get out of this room before I lose my temper."
"Always knew you were from the wrong side of the tracks."
"A litde vulgar fantasy of yours."
"It isn't. You sneaked into society."
"I see. I'm in society now."
"They saw you sneaking, don't worry. My friends know. Your phoney little cultivated habits."
"I reject that."
"Mosaics all over your stupid house. How they let you in The Game Club I don't know. And trying to make some baronial hall sowing trees up our drive. My friends were wise to that, don't you worry. Can't find my things. I want the light on."
"You came in in the dark you go out with all lights off."
"You rat. I'm glad I can't see your face. It's the only way I could bear you fucking me."
"I think perhaps you've said enough."
"Tell me to get out. And I'm going."
"Splendid. Bring your little playmates downstairs with you."
"You bet I will. You'll hear from my legal counsel."
"Can't wait."
"My friends are better than you are and I'd like to know where all that other money goes. And I'll find out. You can't kid my lawyer, he's smart."
"Since I pay for him I'm glad to hear that."
"I ought to have half of what you possess."
"Ha ha."
"Go ahead and laugh. Where's my purse. You'll be laughing. Boy you'll be laughing. FU make you laugh. You'll laugh all right. Boy you'll be laughing."
"Ha ha."
"Laugh all you want. Go ahead. But I'll squeeze you dry."
Across the room somewhere in the dark there was the momentary silence. Four hoots of that snowy owl. And summer comes back and the tangled worms squirming in the white silk nets they weave in wild cherry trees.
"George, George, what terrible things am I saying."
"You were saying, boy, you'll be laughing, And I'll squeeze you dry."
"George, I'm scared and shivering. What's making me shiver. Turn on the lights. I'm scared the things I'm saying."
"Can't you find your purse."
"No George and I'm scared. Don't throw me out. I didn't mean that about legal counsel."
"Forget it."
"George, I can't. What about the kids. God legal counsel. Don't make me go to court George."
"I'm not making you go to court."
"They'll scream down at me. I know they'll scream down at me. A judge with white hair. He'll eat up my soul George."
"Don't be silly."
"Never make me go before a judge, George. As you lie there now promise me that. I'm scared. Let me sit. I'd be accused. The judge would accuse me and it would be horrible."
Can see the shadow of her hair. See the shoulders she covers with her shirt. And I know she's breaking right in two. Tears pouring down her cheeks. Wait and the sniff and sob will come. Shirl all women cry. The lousy life. But outlive men. I mean you no harm. Let no judge get you. Even on judgement day. When all the country yokels are clustering in the trees and I step down the steps of my tomb. To cheers. Remember under the snow lies summer. Done that for a lot of years. Can sit then sucking a straw of grass and it hardly matters nearly that one is in society. Or that I went out in the world ruthlessly. Maybe sneaking across the tracks. Shirl you're crying. I could cry too. I went so far in the snow today. Walked back along the tracks in the road where it was hard. Thinking so much about the silence you hold like a child's hand and it was all up over the hills. I came last night when it was snowing. A rich man. The papers said it would be crisp and cold. At the Junction it began to snow. I was hurt when the train left. I hate anything to leave. Stay. Stay longer. I only told you to get out because it was a fiasco. Paper hats and jumping bodies in the lobby. Tell me nice things and I'll believe them forever. Shirl don't cry. What harm really for a fast one and for you to run down and meet your friends and go out speeding over the snowy roads and even sit on a stranger's knee. Why should I mind. Except that I suppose I have no friends. Save one old one standing staring at me at some excavation site when I ran. So Shirl little girl. Dry up your eyes. I've got your purse here under my pillow. And now I'll give it back. Made of mesh like your slipper. And you can go away then. Out to friends. I think you're right, the only time traffic will ever stop for me.
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