Nicola Barker - Love Your Enemies

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From the brilliantly unconventional Nicola Barker, the short stories in ‘Love Your Enemies’ present a loving depiction of the beautiful, the grotesque and the utterly bizarre in the lives of overlooked suburban Britons.
Layla Carter, 16, from North London, is utterly overwhelmed by her plus-size nose. Rosemary, recently widowed and the ambivalent owner of a bipolar tomcat, meets a satyr in her kitchen and asks, ‘Can I feel your fur?’
In these ten enticingly strange short stories, a series of marginalised characters seek truth in the obsession and oppression of everyday existence, via a canine custody battle, sex in John Lewis and some strangely expressive desserts.

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Ralph came back into the shop and set Owen to work cleaning the insides of the windows and underneath the display trays. Old blood turned the water brown. Soon the first customers of the day started to straggle into the shop and he learned the art of pricing and weighing. The day moved on. At twelve he had half-an-hour for lunch.

After two o’clock the shop quietened down again and Owen was sent into the store-room to acquaint himself with the lay-out, refrigeration techniques and temperatures. As he looked around and smelt the heavy, heady smell of ripe meat, he overheard Ralph and Marty laughing at something in the shop. Ralph was saying, ‘Leave him be. You’re wicked Mart.’ Marty replied, ‘He won’t mind. Go on, it’ll be a laugh.’

A few seconds later Ralph called through to him. Owen walked into the shop from the cool darkness of the storeroom. The light made his eyes squint. The shop was empty apart from Ralph and Marty who were standing together in front of the large cutting board as though hiding something. Ralph said, ‘Have you ever seen flesh, dead flesh, return to life, Owen?’ Owen shook his head. Marty smiled at him. ‘Some meat is possessed, you know. If a live animal is used as part of a satanic ritual at any point during its life, when it dies its flesh lives on to do the devil’s work. After all, the devil’s work is never done.’

As he finished speaking he stepped sideways to reveal a large chunk of fleshy meat on the chopping board. It was about the size of a cabbage. Everyone stared at it. They were all silent. Slowly, gradually, almost imperceptibly, the meat shuddered. Owen blinked to make sure that his eyes were clear and not deceiving him. After a couple of seconds it shuddered again, but this time more noticeably. It shivered as though it were too cold, and then slowly, painfully, began to crawl across the table. It moved like a heart that pumped under great duress, a struggling, battling, palpitating heart.

Owen’s face blanched. His throat tightened. Ralph and Marty watched his initial reactions and then returned their gazes to the flesh. By now it had moved approximately five or six inches across the cutting board. Its motions were those of a creature in agony, repulsive and yet full of an agonizing pathos. Owen felt his eyes fill, he felt like howling.

Ralph turned back to look at Owen and saw, with concern, the intensity of his reactions. He said, ‘Don’t get all upset, it’s only a joke. It’s got nothing to do with the devil, honest.’

He smiled. Owen frowned and swallowed hard before attempting to reply. ‘Why is it moving? What have you done to it?’

Marty reached towards the piece of convulsing flesh with his big butcher’s hand and picked it up. As he lifted it the flesh seemed to cling to the table. It made a noise like wet clay being ripped into two pieces, like a limpet being pulled from its rock. He turned it over. Underneath, inside, permeating the piece of meat, was a huge round cancer the size of Marty’s fist. A miracle tumour, complete, alive. The tumour was contracting and then relaxing, contracting and relaxing. Maybe it was dying. Owen stared at the tumour in open-mouthed amazement, at its orangy, yellowy completeness, its outside and its core. Marty said, ‘Sometimes the abattoir send us a carcass that shouldn’t really be for human consumption. They know that an animal is ill but they slaughter it just before it dies. They have to make a living too, I suppose.’

With that he threw the meat and its cancerous centre into a large half-full refuse bag and began to wipe over the work surface as though nothing had happened. Owen could still make out the movements of the cancer from inside the bag. A customer came into the shop and Ralph walked over to serve her. Owen felt overwhelmed by a great sense of injustice, a feeling of enormous intensity, unlike anything he had ever experienced before. He felt as though his insides were tearing. He felt appalled. Then instinctively he grabbed at the back of his apron and yanked open its bow. He pulled it over his head and slammed it on to the counter. He said, ‘I’m going home now. I’m going home and I’m taking this with me.’

Before anyone could respond Owen had grabbed the heavy refuse bag full of bones and gristle and off-cuts and had struggled his way out of the shop. When he had gone, Ralph turned to Marty and said, ‘He was a nice enough kid.’

Marty shrugged.

Owen got out of the shop and walked a short distance down the road before placing the bag on the pavement and opening it. He reached inside and felt for the cancer. When he finally touched it, it sucked on his finger like a fish or a baby. He took it out of the bag, pulled off his sweater and bundled the cancer up inside it. He carried it on the bus as though it were a sick puppy. It moved very slightly. When he got home he crept upstairs and locked himself in his room. He closed the curtains and then sat on his bed and unbundled the tumour. He placed it gently on his bedside table under the warm glow of his lamp. It was growing weaker and now moved only slowly.

Owen wondered what he could do for it. He debated whether to pour water on it or whether to try and keep it warm. He wondered whether it might be kinder to kill it quickly, but he couldn’t work out how. He wondered if you could drown a tumour (that would be painless enough), or whether you could chop it in half. But he couldn’t be sure that tumours weren’t like the amoebas that he’d studied in biology at school that could divide and yet still survive. He couldn’t really face destroying it. Instead he decided to simply stay with it and to offer it moral support. He whispered quietly, ‘Come on, it’ll be all right. It’ll soon be over.’

After a few hours the tumour was only moving intermittently. Its movements had grown sluggish and irregular. Owen stayed with it. He kept it company. He chatted. Eventually the tumour stopped moving altogether. Its meaty exterior was completely still. He knew that it was dead. He picked it up tenderly and cradled it in his arms as he carried it downstairs, out of the house and into the garden. Placing it gently on the grass, he dragged at the soft soil in the flowerbeds with both his hands until he had dug a hole of significant proportions. Then he placed the still tumour into the hole and covered it over. In a matter of minutes the soil was perfectly compacted and the flowerbed looked as normal.

He went inside and lay on his bed awhile. At six he went downstairs to the kitchen where his mother was beginning to prepare dinner. As he poured himself a glass of water she said, ‘I didn’t know that you were home. How did your first day go?’

Owen gulped down the water and then placed his glass upside down on the draining board. He said, ‘I think I’m going to be a postman.’

Then he dried his hands on a kitchen towel and asked what was for dinner.

Skin

Stephanie was over fifteen minutes late. Jane sat in a window-seat and read her paperback (bought for exactly this kind of occasion), intermittently sipping her half pint of lager.

They had arranged to meet in the Red Lion at seven o’clock. Jane hated sitting in pubs alone, she felt conspicuous, although in fact she was no more conspicuous than any woman who sat in a pub alone might be. She was reading an early Jilly Cooper which she had bought second-hand from a book stall outside the Festival Hall during the previous summer.

In general (since her ‘A’ levels) she had preferred to read magazines rather than novels, but in certain situations she felt that magazines created an unnecessarily promiscuous impression. Girls on the tube who read them often had long, painted fingernails, smart shoes and sheer tights. Magazines represented a disposable lifestyle; Jane preferred the idea of an indispensable lifestyle: at twenty-four, she worked in a bank and was rather conservative.

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