Thomas McGuane - The Bushwacked Piano

Здесь есть возможность читать онлайн «Thomas McGuane - The Bushwacked Piano» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2013, Издательство: Vintage, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Bushwacked Piano: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Bushwacked Piano»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

A heroic young man is in pursuit of a spoiled rich girl, a career, and a manageable portion of the American Dream.

The Bushwacked Piano — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Bushwacked Piano», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Ann fluttered around her room in her nighty like a moth. It had come to be time to think again about George Russell. She had after all lived with this bird; and in the face of Payne’s luminous appearance the day before, it seemed well to review the options. She transported herself to a day on which they had traveled through reasonably intact swatches of Provence, rolling along conspicuous in their Opel sedan among the pie-plate Deux Chevaux. There were the usual laments about American towns not having trees like that; and, withal, a pinched whininess was their sole response to all that was demanded by towns accreted upon Roman ruins. That day they reached the border town of Irun where, over the questions of Spanish border officials and views of the varnished heads of the Guardia Civil, they gazed upon the gray-green wondermass of España.

Through the efficiency of the crafty young executive, George Russell, they found themselves at the bullfights in Malaga, a mere day later. Ann’s knowledge of that came in pulses, there in the window over the garden, the garden in Montana:

They watched the bullfighter set up the bull for the kill. The bulk of the fight — the queening and prancing — was behind them now. He put away the wooden sword and took the steel one and moved the bull with the cape to uncross his front feet. George beside her had been giving the most relentless play by play: The bull’s tongue was out because the picadors had stayed in too long and had piced the bull too far back. The placing of the sticks, George said, had been arrant dancing. The torero’s ringmanship had been questionable; he had allowed the fight to continue until the bull’s head lolled.

“Nevertheless,” George summarized, “everything with the right hand, and I’m thinking especially of the derechazos , has been worth the trouble of getting here.” Ann nodded and looked back down onto the sand; at once, depressed.

The bullfighter had folded the muleta over the sword, reached out placing the cloth before the bull and, withdrawing the sword, rose up onto the fronts of his feet sighting down the blade. The exhausted animal remained fixed on the muleta. A moment later, it lifted its head from the cloth and the torero stabbed him in the nose to drive the head down. You can bet it worked. Ann looked away. Even art …

“Listen to those English,” said George. “The bastards are cheering the bull!” The bullfighter went in. The bull made no attempt to charge him. The sword went all the way to its hilt and the bull did not fall over dead. Instead, he turned slowly from where he had taken the sword and began to walk away from the torero. He had his head stretched out low and far in front of himself, close to the ground. Part of the retinue joined the torero following the bull in its circling of the ring. The bull walked in agony, an ox driving a mill, the torero behind, patient, trailing the sword in the sand. The bull stopped and the torero and his retinue stopped as well. The bull heaved and vomited several gallons of bright blood on the sand and began plodding along again. Presently, the hind legs quit and the bull went down on its rear. The torero walked around in front of it and waited for the completion of its dying. The bull lifted its head and bawled and bawled as though in sudden remembrance of its calfhood.

Laughter broke out in the stands.

Then the bull just died, driving the one horn into the sand. The torero stretched an arm over his head in much the same gesture Payne had made in the bronc chute, and turned slowly in his tracks to the applause.

“C-plus,” George Russell said. “An ear.”

By then, anyway, it was not so easy to sleep. They had been in Spain some weeks now in the small house in the villa district of Malaga’s North End: Monte de Sancha. The days were not hot but still clear and the nighttime came prettily, zig-zagging up the sloped system of streets and passages. And when it was dark it would be quiet for a few hours. By midnight, however, the high-powered cars on the coast road would begin their howling at almost rhythmic intervals, now and again interrupted by the independent screams of the Italian machinery, the Ferraris and Maseratis.

George, the employee of General Motors, and guarded car snob, dismissed the “greaseball hotrods”; but often paused in Torremolinos and Fuengirola to caress the voluptuous tinted metal or smile dimly into the faces of the drivers. Ann imagined the noise made him sleep even better; and in fact, coming in from the terrace, a sleepless middle of the night, the long cones of light pushed along beneath the house by a wall of noise rising and falling in sharp slivering of sound as the cars jockeyed for turn positions on the way to Valencia and Almeria, Gibraltar and Cadiz, she would see George, asleep on the big bed, his lip neatly retracted over the Woodrow Wilson teeth in something altogether like a smile.

That day they returned from Seville where George had taken four hundred and nineteen photographs of Diego Puerta killing three Domecq bulls which he dismissed as brave but “smallish.”

“Small but bravish?”

“Brave but smallish, I said.”

“Then why do you take their pictures.”

“Oh, come on.”

She had seen in George an unusual, even troubling, interest in the bullfighters, passed off with the same misleading sneer as the greaseball hotrods; but once she had caught him pinching his hair behind between thumb and forefinger, looking at himself sideways in the mirror, and she knew he wondered how it would be to wear the bullfighter’s pigtail — even in the clip-on version of the modern “swords”—and cruise the Costa del Sol in his Italian auto-meringue all the way from Malaga to Marbella where sleek former Nazis teased the flesh on the sun-dappled concrete of the Spanish Mediterranean and sent cards to Generalissimo Francisco Franco on his birthday.

With none of this to endure, the sight alone of George throwing the absolutely limp and filthy wads of Spanish bills at waiters, at the African who bent iron reinforcing rods with his teeth in front of the Cafe España, or at the concierge of the Plaza de Toros in Seville whose under-shirted laborer son came to the door inopportunely as George highhandedly tried to bribe the mother; so that George very nearly got it, then and there, just got it; and when at the bars he would say in a loud voice, “Another Ciento Three para me,” she would begin vainly to plot her escape and was only stopped when she could not think of any place she wanted to go. Sometimes, too, she stayed because she felt that suffering was good for an artist, the source of his wisdom.

So, then, ever since the grave of Cristobal Colon, and intermittently before, her escape had been to think of Payne. She could not, in her thoughts even, avoid the very beastly and useless things he did. But somehow the thought of his bad drinking, the spilling train of cigar ash always on his front, the ardent nonsense and volcanic cascade of lies and treachery, seemed now, as it had not when the two had been side by side to compare, unobjectionable next to George’s calculations.

George was planning another trip now. Starting in Sicily they were going to follow thermoclines all worked out on a thin pad of tissue maps so that they would stay at a temperature and humidity least likely to rouse George’s sinuses. Only the scenery would change.

But George was everybody’s dream. Once her father and George were talking in the den and Ann listened in.

“How are they treating you at G.M.?” her father had asked.

“Oh, God,” George grinned.

“That’s a boy!”

“Trying to work me to death,” George allowed.

“You ought to know why!”

“Trying to do five jobs at once. They think I’m—”

“You’re going to go, George! You’re going to go big!”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Bushwacked Piano»

Представляем Вашему вниманию похожие книги на «The Bushwacked Piano» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Thomas McGuane - To Skin a Cat
Thomas McGuane
Thomas McGuane - The Sporting Club
Thomas McGuane
Thomas McGuane - The Longest Silence
Thomas McGuane
Thomas Mcguane - The Cadence of Grass
Thomas Mcguane
Thomas Mcguane - Something to Be Desired
Thomas Mcguane
Thomas McGuane - Panama
Thomas McGuane
Thomas McGuane - Nothing but Blue Skies
Thomas McGuane
Thomas Mcguane - Nobody's Angel
Thomas Mcguane
Thomas McGuane - Ninety-Two in the Shade
Thomas McGuane
Thomas Mcguane - Keep the Change
Thomas Mcguane
Thomas Mcguane - Gallatin Canyon
Thomas Mcguane
Thomas McGuane - Driving on the Rim
Thomas McGuane
Отзывы о книге «The Bushwacked Piano»

Обсуждение, отзывы о книге «The Bushwacked Piano» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x