Philip Roth - Letting Go

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Letting Go: краткое содержание, описание и аннотация

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Letting Go
Goodbye, Columbus
Letting Go
Newly discharged from the Korean War army, reeling from his mother's recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paul's moody, intense wife. Gabe's desire to be connected to the ordered "world of feeling" that he finds in books is first tested vicariously by the anarchy of the Herzes' struggles with responsible adulthood and then by his own eager love affairs. Driven by the desire to live seriously and act generously, Gabe meets an impassable test in the person of Martha Reganhart, a spirited, outspoken, divorced mother of two, a formidable woman who, according to critic James Atlas, is masterfully portrayed with "depth and resonance."
The complex liason between Gabe and Martha and Gabe's moral enthusiasm for the trials of others are at the heart of this tragically comic work.

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“—what makes poetry a fascinating subject,” she heard Rosen saying, “is that people express all kinds of things in it.”

“Oh yes, it is fascinating. I’m very fond of poetry. I like Keats very much,” and she spoke almost passionately now (as though her vibrancy while discussing verse would make up for the books she couldn’t remember having read recently). “And I like John Donne a great deal too, though I know he’s the vogue, but still, I do. And I like Yeats. I don’t know a lot of Yeats, that’s true, but I like some of him, what I know. I suppose they’re mostly anthologized ones,” she confessed, “but they’re awfully good. The worst are full of passionate intensity, the best lack all conviction.’ ” A second later she said, “I’m afraid I’ve gotten that backwards, or wrong, but I do like that poem, when I have it in front of me.”

“Hmmmm,” Rosen said, listening even after she had finished. “You seem to really be able to commit them to memory. That must be a satisfaction.”

“It is.”

“And how about your own poems? I mean — would you say they’re, oh I don’t know, happy poems or unhappy poems? You know, people write all kinds of poems, happy poems, unhappy poems — what do you consider yours to be?”

“Happy poems,” said Libby. “Very happy poems.”

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At the front door, while Mr. Rosen went round in a tiny circle wiggling into his little coat, he said, “I suppose you know Rabbi Kuvin.”

“Rabbi who?”

He was facing her, fastening buttons. “Bernie Kuvin. He’s the rabbi over in the new synagogue. Down by the lake.”

She urged up into her face what she hoped was an untroubled look. “No. We don’t.”

Rosen put on his hat. “I thought you might know him.” He looked down and over himself, as though he had something more important on his mind anyway, like whether he was wearing his shoes or not.

She understood. “No, no, we don’t go around here to the synagogue. We’re New Yorkers, originally that is — we go when we’re in New York. We have a rabbi in New York. Rabbi Lichtman. You’re right, though,” she said, her voice beginning to reflect the quantity and quality of her hopelessness. “You’re perfectly right”—her eyes were teary now—“religion is very important—”

“I don’t know. I suppose it’s up to the individual couple—”

“Oh no, oh no,” Libby said, and now she was practically pushing the door shut in his face, and she was weeping. “Oh no, you’re perfectly right, you’re a hundred percent right, religion is very important to a child. But”—she shook and shook her tired head—“but my husband and I don’t believe a God damn bit of it!”

And the door was closed, only by inches failing to chop off Rosen’s coattails. She did not move away. She merely slid down, right in the draft, right on the cold floor, and oh the hell with it. She sat there with her legs outstretched and her head in her hands. She was crying again. What had she done? Why? How could she possibly tell Paul? Why did she cry all the time? It was all wrong— she was all wrong. If only the bed had been made, if only it hadn’t been for that stupid poetry-writing— She had really ruined things now.

As far as she could see there was only one thing left to do.

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Rushing up Michigan Boulevard in the unseasonable sunlight — unseasonable for this frostbound city — she realized that she was going to be late. She had gone into Saks with no intention of buying anything; she had with her only her ten-dollar bill (accumulated with pennies and nickels and hidden away for just such a crisis), and besides she knew better. She had simply not wanted to arrive at the office with fifteen minutes to spare. She did not intend to sit there, perspiring and flushing, her body’s victim. If you show up so very early, it’s probably not too unfair of them to assume that you are weak and needy and pathetically anxious. And she happened to know she wasn’t. She had been coping with her problems for some time now, and would, if she had to, continue to cope with them in the future, until they just resolved themselves. She was by no means the most unhappy person in the world.

As a result, she had taken her time looking at sweaters. She had spent several minutes holding up in a mirror a lovely white cashmere with a little tie at the neck. She had even taken off her coat so as to have her waist measured by a salesgirl in Skirts. She had left the store (stopping for only half a minute to look at a pair of black velveteen slacks) with the clock showing that it still wasn’t one o’clock. And even if it had been, she would prefer not to arrive precisely on the hour. Then they would assume you were a compulsive — which was another thing no one was simply going to assume about her.

But it was twelve minutes past the hour now, and even if she wasn’t a compulsive, she was experiencing some of the more characteristic emotions of one. She clutched at her hat — which she had worn not to be warm, but attractive — and raced up the street. Having seriously misjudged the distance, she was still some fifty numbers south of her destination. And it was no good to be this late, no good at all; in a way it was so aggressive of her (or defensive?) and God, she wasn’t either! She was … what?

She passed a jewelry store; a clock in the window said fourteen after. She would miss her appointment. Where would she ever find the courage to make another? Oh she was pathetically anxious — why hadn’t she just gone ahead and been it! Why shopping? Clothes! Life was falling apart and she had to worry about velveteen slacks — and without even the money to buy them! She would miss her appointment. Then what? She could leave Paul. It was a mistake to think that he would ever take it upon himself to leave her. It must be she who says goodbye to him. Go away. To where?

She ran as fast as she could.

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The only beard in the room was on a picture of Freud that hung on the wall beside the doctor’s desk. Dr. Lumin was clean-shaven and accentless. What he had were steamrolled Midwestern vowels, hefty south-Chicago consonants, and a decidedly urban thickness in his speech; nothing, however, that was European. Not that she had hung all her hopes on something as inconsequential as a bushy beard or a foreign intonation; nevertheless neither would have shaken her confidence in his wisdom. If anything at all could have made her comfortable it might have been a little bit of an accent.

Dr. Lumin leaned across his desk and took her hand. He was a short wide man with oversized head and hands. She had imagined before she met him that he would be tall; though momentarily disappointed, she was no less intimidated. He could have been a pygmy, and her hand when it touched his would have been no warmer. He gave her a nice meaty handshake and she thought he looked like a butcher. Under his slicked-down brownish hair, his complexion was frost-bitten red, as though he spent most of the day lugging sides of beef in and out of refrigerated compartments. She knew he wouldn’t take any nonsense.

“I’m sorry I’m late.” There were so many explanations that she didn’t give any.

“That’s all right.” He settled back into his chair. “I have someone coming in at two, so we won’t have a full hour. Why don’t you sit down?”

There was a straight-backed red leather chair facing his desk and a brownish leather couch along the wall. She did not know whether she was supposed to know enough to just go over and lie down on the couch and start right in telling him her problems … Who had problems anyway? She could not think of one — except, if she lay down on the couch, should she step out of her shoes first.

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