Philip Roth - Letting Go

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Letting Go: краткое содержание, описание и аннотация

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Letting Go
Goodbye, Columbus
Letting Go
Newly discharged from the Korean War army, reeling from his mother's recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paul's moody, intense wife. Gabe's desire to be connected to the ordered "world of feeling" that he finds in books is first tested vicariously by the anarchy of the Herzes' struggles with responsible adulthood and then by his own eager love affairs. Driven by the desire to live seriously and act generously, Gabe meets an impassable test in the person of Martha Reganhart, a spirited, outspoken, divorced mother of two, a formidable woman who, according to critic James Atlas, is masterfully portrayed with "depth and resonance."
The complex liason between Gabe and Martha and Gabe's moral enthusiasm for the trials of others are at the heart of this tragically comic work.

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“I was going to leave them for the next guy.”

“Who were you going to move in with now?”

“To tell you the truth,” I said, “I began to understand hermits.”

“You mean you were going to try moving in with the fellas?”

“You’re thinking of monks, Martha. I was realizing that I have some fouled-up connections, some mistaken ideas. That I’m not in tune with myself. I was understanding why ascetism was once a basic Western value.”

“The old light-hearted historian,” she said. “I wouldn’t worry if I were you. You seem eminently in tune with yourself.”

“If I am what you’re trying to say I am, you ought to consider yourself lucky without me.”

“I can’t say I’m sure what you are.”

“Then why did you want me back?”

“I think you want somebody to beat you up tonight, Gabe. I think maybe you’d better go home after all.”

My coat was on my lap and my hat on my head, but I didn’t move. I saw only one alternative to running away. “Why don’t we get married, Martha?”

“Oh this is too romantic to bear.”

“Why don’t you stop crapping around?”

“Why don’t you!”

“I asked you if we shouldn’t get married. You want to give an answer?”

“You’re the answer, you shmuck.”

“Am I? I remember getting a long set of instructions when I moved in here not to propose to you.”

“It’s curious,” she said, “what parts of the law you choose to obey and what parts you don’t.”

“The law isn’t so uncomplicated.”

“Don’t be a college teacher, I couldn’t stand it.”

“Why don’t you want to get married, Martha?”

“Is this obligation, or impulse, or what?”

“It’s both, if you want to know. All three.”

“You don’t want to bring up love or anything, is that it?”

“You’re too full of principles, Mrs. Reganhart. You’re too high-minded.”

“Wowee,” she said.

“Why don’t you face the facts?”

“Why don’t you! You don’t want to marry me. Isn’t that a pertinent fact?”

“Wanting isn’t the right word.”

“Oh hell then, what is? Loving isn’t the right word and wanting isn’t either. Look, buddy, don’t feel obligated. Oh you’ve got a nice fat trouble, my friend.”

“Why don’t you go sit in the window, Martha, and wait for Mr. Right to come along in his big shoulders and his red convertible?”

“You’re damn right I’m going to wait!”

“It’s great you’re five nine, Martha, it’s perfect you’re hefty. The bigger they are the better they can enjoy the fall.”

“Shut up.”

“Your untrammeled, unselfish nobility is about one of the most disgustingly selfish exhibitions I’ve ever seen.”

“Please don’t you be the one to bring up words like selfish around here, all right? God might send down thunder on this whole house. Have it understood, nobody’s marrying me out of a sense of loyalty. Someday somebody’s going to marry me because they want to. They’re going to choose little me.”

“I’m choosing you. I’m making the choice.”

“There must be some kind of noose around your neck. I can’t see it, but I know it’s there.”

“You’ve got circumstances,” I said. “I’ve got them too. Don’t be an ass.”

“Your circumstance is plain and simple. That isn’t what I meant was invisible.”

“Go ahead, Martha, you might as well go all the way.”

“You don’t need anybody,” she said. “If you did, you wouldn’t feel so obliged all the time.”

“You don’t know what I need — you don’t begin to know!”

“Nor you, me,” she said flatly.

“Then maybe that’s why I was giving some thought to coming back or not. Maybe that deserves some thought.”

“For instance,” she said, as though I hadn’t spoken, “ten minutes you’re here and you haven’t even asked why I called.”

“I didn’t think there was a specific reason.”

“There is. I’m not you. I don’t make phone calls out of wistful nostalgia.” Her voice lost a bit of its edge. “Dick Reganhart’s back in town.”

For a moment the words meant nothing; all I could think was that it was the name of some third child of Martha’s.

“My first love,” she said. “He wants his kids. I thought you might have a suggestion,” she added; whereupon she left the room.

When I found her in the kitchen she had already poured herself a cup of coffee and was drinking it standing up, looking out the back window.

“What do you mean he wants his children?”

“He wants his children. Simple as that. They’re half his.” She turned; in the little time it had taken to get from the living room to the kitchen her face had become pouchy with fatigue. She leaned against the window sill. “He’s a great success. New York’s latest fad. You can get yourself a Reganhart by plunking down a thousand bucks. He’s chic, my former husband. He’s grown a mustache. He’s getting married to a millionairess. His new father-in-law was once Ambassador to China. How’s that? A wife who can use chopsticks. All good things come to him who waits for it.”

“The only trouble is he’s got no rights.”

“He’s got rights,” she said. “He’s got you. You’re evidence that I’m an immoral woman. He’s going to take me to court and hold up your underwear as evidence.”

“He knows about me?”

“There are still creeps around this neighborhood who consider it a pleasure to have smoked pot with my ex-husband. They turned me in. I’m ah immoral character.”

“Which isn’t so.”

“Which is. That’s one more fact, since we’re counting facts.”

“You saw him then.”

“I served him his dinner. He’s still got the old instinct for comedy,” she said. “Tomorrow he’s going to come over and see his kids.”

“It doesn’t make any sense.” I tried to engage her eyes but she looked right past me; except for the rapidity and brittleness with which she spoke, she gave no sign of falling to pieces. I asked, for lack of anything else to say, “What do you think?”

“That’s what I was going to ask you.” She came over and sat down at the table.

“Well, I think it’s ridiculous.” I sat down across from her. “As for my being evidence of your bad character, that’s one of those things that’s got to be proved. What the locals say, they say — it hasn’t the ring of proof. It’s assertion.”

She did not answer; I realized that the first thing I had tried to explain was how I was not implicated.

“Well,” I said, “what about his character? What about all those years of support payments unpaid? What about the divorce itself? You can’t not be a father for six years, five years, whatever it was, and then suddenly decide you’re ready. No judge is going to listen to him, Martha. You’ve got Jaffe still, haven’t you? You’ve got — hell, Martha, it’s an empty threat.” She continued to look unconvinced. “You’re not immoral,” I said. “The power you’ve got is the fact that you know it isn’t so.”

“But it is,” she told me when she saw that I was through. Only her jaw moved as outward evidence that she was not immune to feelings. “Because I want him to take the kids, Gabe. That’s the next fact.”

To which I had no ready answer. I got up and poured myself a cup of coffee. Under the sink the garbage pail was overflowing; I set down my cup and took the pail out and emptied it into the can on the back porch. When I came back in, Martha had left the kitchen and I found her in the empty children’s room on Markie’s bed.

“Surprised?” she said, looking up at me.

“No.”

“Shocked? Disgusted? Overcome? None of the above?”

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