Joshua Mohr - Fight Song

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Fight Song: краткое содержание, описание и аннотация

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When his bicycle is intentionally run off the road by a neighbor's SUV, something snaps in Bob Coffen. Modern suburban life has been getting him down and this is the last straw. To avoid following in his own father’s missteps, Bob is suddenly desperate to reconnect with his wife and his distant, distracted children. And he's looking for any guidance he can get.
Bob Coffen soon learns that the wisest words come from the most unexpected places, from characters that are always more than what they appear to be: a magician/marriage counselor, a fast-food drive-thru attendant/phone-sex operator, and a janitor/guitarist of a French KISS cover band. Can these disparate voices inspire Bob to fight for his family? To fight for his place in the world?
A call-to-arms for those who have ever felt beaten down by life,
is a quest for happiness in a world in which we are increasingly losing control. It is the exciting new novel by one of the most surprising and original writers of his generation.

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“What are you talking about?” Björn asks, wiping some tears from his cheeks.

Dip his haunches in honey mustard

All Bob Coffen can think is this: Life coaches are not supposed to kidnap magicians . It must be some kind of unwritten life-coach rule — do not creep up and head-butt the magician. Do not give him the fireman carry and toss him in the backseat of your SUV.

Psycho Schumann’s not interested in any industry standards; he makes up his own rules as the night goes on. While they drive away, Coffen’s eyeballs Ping-Pong between Schumann and Björn, who’s starting to come to.

“I see you’re taking a very literal interpretation of capturing the magic,” Björn says in the SUV, mindlessly scratching at his moustache. “It’s a metaphor, you retards.”

“Is that any way to ingratiate yourself to your captors?” says Schumann. “You come into our stadium and start calling us retarded?”

“What stadium?” Björn says.

“We have to let him out of the car,” Bob says.

“We’ll all get out together at your house,” Schumann says.

“Schumann, let’s be reasonable,” Bob says.

“I’d drink the blood of a Notre Dame lineman right now,” Schumann says.

“I will put a curse something fierce on your asses if you don’t let me out right now,” says Björn.

Bob giggles and says, “A curse? Really?”

“I’d dip that lineman’s haunches in honey mustard and gorge like a king.”

“You saw what I did in the ballroom,” Björn says to Bob. “I’m assuming your soaked bib and wet head means you went in the water tank. Sorry about that. But what you’re doing right now, you’re going to regret forever.”

“This isn’t my idea,” Coffen says. “He’s acting on his own accord.”

“Tell that to the police,” Björn says.

“I feel totally alive again, Coffen,” Schumann says. “Our kidnapping has awoken the sleeping gladiator in me. All I see around me are football games.”

“I’m talking the kind of curse that ancient civilizations wrote about,” Björn says. “You two retards will be immortalized in an allegory about what happens when you tempt fate and have to suffer the dire consequences of the dark arts.”

“If it were up to me, I’d let you go right now,” Coffen says.

“You’re on the hook for this, too. Are you sure you want to mess with me?” Björn says.

“He doesn’t listen to me,” Coffen says, pointing at Schumann.

“Try harder to convince him.”

“He wants to take you to my house, so you can help me and my wife. I think she’s going to divorce me.”

“I’ve been there. You heard my story from the show. But think, man: You’re going to get arrested,” Björn says. “You’ll go to prison. But if you let me out now, I won’t call the cops or anything. Honest. I promise. A magician’s word is a two-ton brick of gold.”

“Hike the ball!” Schumann yells in the driver’s seat. “Hike the ball and let the fur fly! Let’s scrap like junkyard dogs!”

“Think about it,” Björn says. “You’re doing this for your wife? Do you have children, too?”

“Yes.”

“Well, what good will you do them once you’re in the clink?”

Reflexively, Bob begins to answer — begins a fumbling phrase, a polluted cluster of nonsense — because the truth is he can’t defend himself, or Schumann, or any of this. It’s wrong. He’s wrong. And even if this whole ordeal is Schumann’s idea, won’t the police assume Coffen is guilty by association?

Bob feels a throb in his guts and barely rolls the SUV’s window down in time before he throws up everywhere.

“Don’t worry about that,” says Schumann. “I tossed my cookies before we went for the state title in high school. Nerves are good. They mean you’re starving for victory. But if the puke damages my paint job, you’re footing the bill.”

“Stop the SUV,” Coffen says to Schumann.

“Why?”

“Stop it.”

“I can’t do that.”

“Pull over.”

“We’re driving the ball. We’re almost to the end zone. Soon we’ll celebrate victory with dances of ecstasy. Back flips. Ceremonial chants. Cheerleaders flipping their tiny skirts up.”

“We have to let him go,” Bob says.

“We’re almost the champions,” Schumann says.

“The champions of what?” Björn says.

“The kidnapping champions.”

“Stop the SUV!” shouts Bob.

“No,” Schumann says. “I’m calling an audible.”

“What’s that even mean?” Coffen says.

“It means I’ve come to the line of scrimmage. I’ve looked over the defensive formation. And at the last second, I’m changing the play. You’re telling me the play is to pull over and let this magician go scot-free. And I’m telling you that I won’t run that play. I’m calling something different.”

Coffen says, “Listen to me, Schumann. This isn’t a game. This is real. We are committing a crime. We will get arrested. Snap out of it.”

“Feels too good to be competing in a game again.”

It’s that mention of the word “game”—Coffen and Schumann have totally different definitions of gaming. Bob controls his avatar. Bob competes in a controlled environment. Yet for Schumann, the stakes are real. His adrenaline is like gasoline and Bob thinks that he has to appeal to Schumann’s sense of family: The only way Schumann will come to his senses, snap out of this trance, is if he’s going to lose much more than a game, much more than blowing out a knee, his career over — he’s going to lose his status quo. His wife. His child. And hopefully, he won’t squander all that for an orgasm of endorphins.

“Think of going to jail and never kissing your wife again,” Bob says.

“I’m a tiger breaking out of my cage with a laser cannon and a top-shelf vendetta.”

“Think of never spooning her.”

“I’m a king cobra poised to strike and my fangs have been coated in a tincture of nuclear waste and hot lava.”

Okay, so his missus isn’t the pressure point that Coffen needs to push. How can he get this game’s character to do what he wants? Last ditch effort: “Think of little Schu. Can you imagine little Schu without you?”

Suddenly, Schumann’s whole face changes. Trance shattered. His eyes fill with tears, though he’s able to choke them back.

“Little Schu?” Schumann says, almost in a whisper.

“Don’t deprive him of your loving guidance.”

“I never really had a father,” Schumann says.

“Me neither,” Coffen says.

“Neither did I,” says Björn from the backseat. “America is full of deadbeat dads. They’re like crabs in our country’s pubes.”

“Little Schu deserves a papa,” Schumann says, pulling the car over.

“I’m sorry,” Coffen says to the magician. “Please don’t call the cops.”

“I went a little crazy when my wife left me, too,” Björn says.

“Little Schu needs to know all my tricks of the trade. I have to pass on my secrets. Every rookie needs a cagey veteran to show him the ropes.”

Björn gets out of the SUV and says to Bob, “Look, I’m trying to be understanding. You fell through the ice. You’re obviously having some kind of psychotic break induced by your wheezing marriage. Like I said, I went off the rails when my wife left me. But do me a favor and try to make this the dumbest thing you ever do. And appreciate my incredible empathy. Most men would not be cool about this. The world already has plenty of psychotics. Get your shit together.”

“I don’t think I’m psychotic,” Coffen says.

“Would you consider yourself more of a recreational kidnapper?” Björn asks.

“Okay, okay,” Bob says. “You’re not seeing me at my best. But thank you for your mercy.”

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