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Anne Garreta: Sphinx

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Anne Garreta Sphinx

Sphinx: краткое содержание, описание и аннотация

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Sphinx A beautiful and complex love story between two characters, the narrator, "I," and their lover, A***, written without using any gender markers to refer to the main characters, is a remarkable linguistic feat and paragon of experimental literature that has never been accomplished before or since in the strictly-gendered French language. Anne Garréta Pas un jour Emma Ramadan Monospace

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However, I did experience nights of rapture that no human ecstasy can equal, those nights when, for some unknown reason, a sort of inspired fury seized the entire club. This trancelike state that I provoked and prolonged vibrated through my body and carried me to unimaginable excesses of delirium. One such night is still carved into my memory, a Saturday in October — coincidentally also my birthday. The party lasted well beyond the usual timeframe. Strictly speaking, I was no longer listening to the music; it was passing through me. I was cuing up the records as if by instinct, my vision obscured by a veil of blood. I was in a coma agitated by rhythms that were more and more painfully arousing my desire without ever draining it. In a vague fog I discerned the compact mass of people dancing, flattened one against the other and yet swaying, lifted up in waves. United almost without fissure, they were probably incapable of moving, but the entire mass vibrated in rhythm, all individual drives undone and lost in a higher, sovereign need. George told me later that everyone who entered the club mixed gradually into this mob and that between the hours of two and six in the morning nobody left, the employees were overwhelmed. At eight in the morning, emptied, I collapsed onto a bench and went to sleep.

That night sealed my reputation. It still reigns supreme in my memory; no other night ever achieved such furious intensity. From then on they all seemed bland and nondescript. That night inflicted a violence upon me, an annihilation; I experienced what only sex at its extremes allows one to feel, infrequently and fleetingly. I had reached a limit, and after that came repetition and ennui.

I was guided by habit, or maybe addiction, as I left my house every night around midnight. I no longer slept at night; what had previously been a tendency of mine became a permanent mode of being. Anxiety would propel me into the streets and at nightfall, as if mechanically, I would get dressed to go out. The pallor of my complexion was heightened; in the light of day I looked like a corpse. Moreover, the sun’s glare hurt my eyes, so I started to avoid it.

Even when I didn’t have to serve as DJ at the Apocryphe, I would go out to other clubs where I was always let in because people recognized me. I would check out half a dozen, ending up each morning in the club that stayed open the latest, frequented by a mostly black clientele. I dawdled in all the places that were in vogue at the time. My eclecticism pushed me to ignore differences and transgress against exclusions; I entered indiscriminately into clubs that were gay or straight, male or female. I didn’t mind whether the place was a notorious dive or a hideaway of respectable sharks. By nature rather silent and reserved, whether from a sense of privacy or from my convictions, I had little to fear from these drunken late-night wanderings through this beautiful world abandoned to vice. The exquisite correctness of my manners, the benevolent moderation I flaunted in every place and in every circumstance, made it so that I was easily accepted: the Mafiosi propping up the bars would offer me cigars and pat me warmly on the shoulder; the groomed, bejeweled women adored the air of dreamy adolescence still floating around me. The contrast between my young age and the maturity legible in my serious features was comforting; they were sure of my discretion and that sufficed in this milieu. I didn’t drink much, which was astonishing to them. They never once saw me drunk but from the start I made known my high tolerance for alcohol, which they viewed as a strength; once this had been proven, I was able to stop drinking altogether, and they only respected me the more. I pretended that I was victim to gentle vices, the better to conceal my real vices, which would have seemed scandalous. They affectionately mocked me for my intellectual aura. I had to have a fault; they focused on this one and neglected to notice the others. This magnified aura made me feared, which is to say hated, by certain people, but at the same time, the distance that my intellectual reputation established kept me from dangerous familiarities. I spoke little and listened a lot: the ideal role, as so many people are in perpetual search of an indulgent ear for their nighttime rants. The sum of the stories they confided in me could fill entire volumes of sociological or ethnological reports. There was the tedious and nonsensical conversation of tipsy society men; the chatter vaguely colored with the philosophy and aestheticism of the washed-up who cling to a completely superficial and secondhand culture as a fiery temper clings to a menopausal bourgeoise; and, in passing, the virile and noxious conversations of old bachelors following the antics of their protégées out of the corner of their eyes — I was subjected to it all, and I listened with all the presence of mind that was still within my power in those hours of confusion.

What was I looking for there? A distraction from an imperceptible anguish? The response to a question I hadn’t yet formulated? Evasion? Flight? I don’t even know. But it became a game for me to go out like this. Entering a club or a bar was in a way like going to the cinema: a dark room with sounds and images in three dimensions (were there really three?). I lived on the film set of an enormous stock of unrealized B-movies of a hitherto unseen genre. At the hour when the television programs come to an end, when the last spectators leave from the theaters and the marquees are taken down, a different vision appears, a variation each night on the same miserable and violent scenario.

II

My new lifestyle wasn’t immediately upended by meeting A***. I merely added a preliminary stop to my nights — an obligatory visit to the Eden. However, my fascination, quickly transforming into passion, soon required more. To satisfy it, I had to start making more than one daily courtesy call.

A*** loved going out to clubs once the show at the Eden was over. Soon after, some of the other dancers from the Eden, dragged in A***’s wake, would show up at the Apocryphe. They did me the honor of dancing to the music I played and their performance gave me a new enthusiasm for my work. At certain moments throughout the night A*** would come keep me company in my glass booth, dancing until the surroundings were eclipsed, leaning in to say something to me with an accent I found irresistible. A***’s spirit, like A***’s dance, was infused with a crafty and charming naïveté.

Soon we became rather close; we would call each other almost every day when we woke up and would eat dinner together at least once a week, just the two of us, after which I would allow myself to escort A*** to the Eden. We would meet again at the Apocryphe, and would often go loiter somewhere else after closing. This strange intimacy didn’t stem from any common social or intellectual interests; it wasn’t the sign or effect of a close friendship or romantic relationship. I wasn’t particularly enthralled by the originality of A***’s views, or by a similarity in our tastes; we neither combated nor conversed. Our time together and our conversation were simply a pleasure, like the contemplation of A***’s body or A***’s dance, an aesthetic pleasure that I could attribute only to a lightness of being that never dipped into inanity. I can’t define A*** as being anything other than both frivolous and serious, residing in the subtle dimension of presence without insistence.

Our arrival together at every locale and the attention we paid to each other started to incite gossip. Our encounters, which took place only in public, aroused suspicions of a private affair that, at the time, didn’t exist. At the Apocryphe and everywhere we went, people made remarks about our striking dissimilarity. They teased me over the contrast in color between our skins, they stressed the difference in our mannerisms: the impulsiveness of A***’s voice and gestures, that wild exuberance and openness to the world, which by comparison underscored my moderation and reserve. A*** in turn had to bear the incessant prattle about my religious and social background. They painted a picture of my incomprehensible oddities: my isolation; my taste for solitude strangely coexisting with a sudden dive into this world; an unheralded abandon of a university career for the improvised post of DJ. For want of any intelligible coherence, they assumed I must have been harboring some kind of vice or perversion.

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