Russell Banks - The Darling

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Set in Liberia and the United States from 1975 through 1991,
is the story of Hannah Musgrave, a political radical and member of the Weather Underground.
Hannah flees America for West Africa, where she and her Liberian husband become friends of the notorious warlord and ex-president, Charles Taylor. Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

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Satterthwaite drove the Mercedes slowly from the raft and onto the mudded clearing, parting the crowd, and shut off the motor.

“End of the road,” Woodrow said and chuckled. He put his pith helmet on and, checking himself in the rear-view mirror, squared it.

“End of the road,” Satterthwaite repeated, and he, too, chuckled. He stepped from the car and opened my door for me to exit, then jumped to Woodrow’s door.

Immediately, as soon as we were out of the car, the people surrounded us, all of them talking at once in loud voices pitched at the same high, flattened tone, their rapid-fire cries, calls, and speeches directed entirely at Woodrow, who shook hands with the men like a visiting plenipotentiary, smiled and nodded politely to the women and children, but said nothing in response to anyone and did nothing to present or even to acknowledge me. Satterthwaite, leaning against the hood, arms folded across his chest, waited by the car and with a sly smile on his face watched Woodrow and me in our city shoes and clothes make our awkward way up the slippery embankment.

Woodrow reached the top of the bank before the rest of us and without a pause plunged into the forest there. The crowd, focused entirely on Woodrow — their village champion returned from a far country in triumph — followed him, and I followed them, more or less ignored, except for the smallest children, the babies, who stared at me with wonderment and a shadow of worry on their brown faces, until their mothers caught them looking and turned them around, shifting them to where they couldn’t see me anymore or else covered their faces with a flattened hand or a large leaf torn from a nearby tree.

It was very hot, and the ground was wet and muddy, and the path was narrow and half-covered with wet, overhanging ferns and bushes. I had difficulty keeping pace with the others and at one point, hurrying to catch up, slipped and fell, smearing my dress, hands, and lower legs with red mud. I blurted, “Shit!” but no one looked back. No one paid me the slightest attention. To everyone, it seemed, except for the babies, who’d been all but blindfolded by their mothers, I was practically invisible. Which, before I arrived there, may well have been what I wanted. I wanted to see them but didn’t want them to see me. It was not, however, what I’d expected. And now that it was happening, it made no sense to me. Some welcoming party , I thought.

Soon the others had gotten so far ahead that I couldn’t see them anymore, and then I couldn’t hear their chatter and ululating calls to one another. I was alone and damned near lost in the middle of the jungle, and I was growing angry. Furious.

I felt like Katharine Hepburn in The African Queen and almost laughed out loud at the thought. Woodrow in his pith helmet and eyeglasses as Bogie? But I slipped and skidded and stumbled on, and after a while, a half-hour or so, the path brought me face to face with a palisade nearly eight feet high, made of thick poles roughly cut and peeled and lashed together with vines. The path split right and left alongside the wall, with no indication of which way led to the entrance to the village. I could see on the farther side of the wall thatched roofs like conical hats and the green leafy tops of fruit trees and caught the aroma of wood smoke and roasting meat.

I chose to go left and, like a princess locked out of her castle, made my way along the wall, looking for the drawbridge or gate, a doorway, a hole in the wall, a tunnel — any way in. I heard drumming, high, thin, rapid-fire patters at first, then a heavy bass drum joined in, and the click of sticks on a log, and singing — those high-pitched female ululations orchestrated cleanly into a chorus now. The sun shone aslant in the sky, behind the trees, but it was still very hot and humid, and I was sweating and muddy. The mud had a cold, metallic stink to it. I took off my shoes, and carrying them like pathetic gifts, one in each hand, walked along the path barefoot, whimpering with frustration and anger and confusion. Where was the damned gate? Where had everyone gone? What was going on in there? Why hadn’t Woodrow or someone, anyone, stayed back to lead me into the village? It was turning into one of those awful dreams of rejection and repressed rage that you think will never end. When, after walking for what seemed like hours but could not have been more than twenty minutes, I realized that I had actually walked full circle around the village without having come to a door or a gate and had arrived back where I had started, and I was suddenly afraid.

There must have been something important said or done back at the car that I utterly missed, I thought. I’d been distracted, confused, when we came to the river, not paying attention. Back there, when we crossed the river, a gesture, some sort of instruction or lead, must have been given to me by Woodrow or Satterthwaite or by one of the people who greeted us, something that would have told me what to say and do when we arrived and thus, as a result of my not having said or done it, would explain what was happening to me now. I must have unintentionally insulted Woodrow or his people. Perhaps I offended one of their ancestors or broke one of their taboos. Good Lord, I thought, this is Alice’s Wonderland — the rules are different here, and I haven’t a clue as to what they are, and everything I do is wrong!

Barefoot and muddy, sweating and scared, my shoes in my hands, my hair damp and in stringy tangles, I grimaced and began half to laugh over my plight and half to cry. I felt like a traveler from another planet whose compatriots had left for home too soon. A shadow crossed mine, and when I turned there was a slender boy of fourteen or fifteen standing beside me. He was silent and motionless, as if he’d been transported there by magic. Shirtless and barefoot, wearing little more than a loincloth, he was a pretty, almost girlish-looking boy who smiled slightly and gestured for me to follow him. Turning, he walked gracefully downhill a short ways, looked back once to be sure that I was coming along behind, then stepped into the bushes and disappeared into the bright greenery, and when I arrived at the place where he’d become invisible, I saw a narrow footpath and took it.

In seconds, the path had joined a wider path, a trail, actually, that soon broadened and swept beneath a head-high, earthen trestle overgrown with ferns and tall grasses. As I passed beneath the bridgelike structure, I glanced up and saw the high palisade above it and realized that in my search for an entrance to the village I had simply walked across the top of it and had missed the gate entirely. I followed my lissome guide under the bridge and entered the village of Fuama.

It was a large, circular compound of ten or twelve daub-and-wattle, whitewashed, windowless huts, each with a single, low doorway facing a packed dirt yard the size of a basketball court. A crowd of people, which I recognized as the same crowd that had greeted us when we first stepped from the car, was loosely gathered around a fire pit. Two large, skinned, piglike carcasses, headless and without hoofs, were slung across the red coals alongside a fifty-gallon drum whose steaming contents I could not see but assumed was a soup or stew, made no doubt from the heads, hoofs, and innards of the beasts roasting on the fire. While the children mostly held hands and watched in silence from the edge of the crowd, men and women of all ages drank from gourds and soda pop bottles, laughing and talking excitedly with one another and every few seconds breaking into scraps of song. It was a party, a drunken celebration. Off to one side were the drummers — four sweating, muscular, young men — eyes closed, heads thrown back, as if each were chained to a private, throbbing world of sound. And there, behind the drummers, rising above the crowd on a dais at the entrance to a hut significantly larger than the others, stood a very tall, elderly man in a white, short-sleeved shirt and trousers, four older women in colorful wraps, and Woodrow.

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