Russell Banks - The Darling

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Set in Liberia and the United States from 1975 through 1991,
is the story of Hannah Musgrave, a political radical and member of the Weather Underground.
Hannah flees America for West Africa, where she and her Liberian husband become friends of the notorious warlord and ex-president, Charles Taylor. Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

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The sky, floating overhead, was a creamy ribbon. Here below, the road was its shadow, growing rougher as it narrowed, with deep pits, potholes, and corrugated ruts carved in the red dirt by the morning and evening daily downpours — not by motor vehicles, surely, for there were no tire tracks anymore, save ours. To avoid the holes and ruts, Satterthwaite drove more slowly and elaborately now, cutting from one side of the road to the other as if on an obstacle course. Every few hundred yards we passed people walking towards us and away, always walking, never just standing, never idly waiting, men, women, and children and sometimes elderly people, all of them walking with bundles on their heads and in their arms — sugarcane stalks, firewood, baskets and swollen burlap bags and large and small babies strapped to their mothers’ backs or clinging to their hips — everyone, regardless of the burden, moving along with a lovely, easeful, straight-backed carriage. They wore loose clothing, brightly colored, traditional, topless and over-the-shoulder wraps on the women, the men usually shirtless in baggy shorts or trousers, battered straw hats or sometimes baseball caps on their heads, most of them barefoot or in broken-backed sneakers worn as slippers.

We slowly drew abreast of them and passed by. The people turned and looked at us. A Mercedes sedan carrying a white woman accompanied by two black Africans in Western city clothes way out here in the bush had to be an unusual sight, extraterrestrial, almost; yet the expressions on the native people’s faces remained unchanged, placid and incurious — as impenetrable as the jungle itself. At least to me they were. I could not know how, or even if , Woodrow and Satterthwaite read them.

By this time, after nearly six months in Africa, I had learned the names of some of the trees and flowers, although it was difficult way out here to separate and identify individuals from the tangled, green throng. As we passed strangler figs and huge cotton trees with gray, winglike extensions at the ground, I named them to myself. For miles we drove alongside a closed palisade of thick bamboo, then a grove of ferns high as a house, and everywhere liana vines, blooming epiphytes, wild coffee plants, aloes. Swatches of frangipani and oleander blossoms tumbled to the roadside. Among the fan-shaped traveler’s-trees and papaws and in thickets of the malagueta pepper plants that so excited the early English traders that for a century they called this place the Pepper Coast, I saw black hornbills pecking for seeds with their ax-like beaks, and dusky plovers and parrots. And wherever there was standing water, usually a pool covered with water lilies or a shining green swamp, I saw kingfishers in flocks, egrets, and herons.

This inland territory, the bush, was ancient. Primeval. From before the Fall, it seemed. Here the needs of nature and humanity were collaborative and far more peacefully meshed than back along the coastal region, where Monrovia, the capital, and the other, smaller cities of Liberia — with their modern industrial spoilage and smoke-spewing cars and diesel trucks and buses — waged warfare against the jungle that surrounded them. Down there, from the border with Côte d’Ivoire in the east to the border with Sierra Leone in the west, human beings and their machines were chewing their way inland, greedily devouring the land and everything on it.

It was like that all over equatorial Africa then, especially on the coast, and is even worse now; but in the mid-1970s, when this journey took place, the upland region of Liberia still remained essentially untouched by industry and technology, by modernity; and as we moved farther and farther away from the coast and the plantations on the lower plateau, I felt myself steadily slipping backwards in time. The twentieth century disappeared behind us, then the nineteenth was gone, the eighteenth, and the seventeenth. Lost to my mind were the crowded, rapidly swelling coastal cities, the rubber plantations, the railroad lines, even the roads that had spread inland from the seaside trading stations built first by Europeans and then Americans. The iron mines hadn’t yet been established, the gigantic mahogany and cotton trees still loomed overhead, blocking out the sun, and diamonds hadn’t been uncovered and sold for guns. Chimpanzees hadn’t been captured, caged, and bred for the development of multibillion-dollar drugs. They and all the other now-decimated species were still out there in the jungle, abundant, invisible, silent, watching us pass. This, I thought, is as close as I will ever get to West Africa as it was when the first Europeans arrived.

THE ROAD, barely a grassy trail now and no wider than the car, led to the edge of a slow-moving, brown river. A large raft made of cut poles lashed together with vines was waiting at the bank and the half-dozen men beside it, barefoot and wearing loose shorts, watched us approach as if expecting our arrival. The river was not wide — a boy could toss a ball to a boy on the other side — and a thick vine tied to a tree on both banks crossed the river just above the sluggish surface of the water.

“Beyond this river is my village,” Woodrow said. “Fuama.”

These were the first words he had spoken to me since I’d stepped from the car nearly two hours earlier and had been overcome by … what? A vision? A seizure. If I don’t know what to call it now, I certainly didn’t at the time. It had been a sudden, thoroughgoing confusion of needs and desires, I knew that much, even when it was happening, and little else. But looking back these many years later, I see it more clearly now, and if it was a vision, then it must have been the felt aftereffect of a collision between two conflicted desires that had been germinating in my subconscious for months. One desire had been generated by the woman named Hannah Musgrave, who wanted to become wholly herself again, free to go back to her parents and homeland; the other by the woman named Dawn Carrington, who also wanted to become wholly herself, but hoped in the process to disappear from her pursuers safely into Africa. My decision to marry Woodrow was turning both women — the lost but still loving daughter and the fugitive revolutionary — into a bourgeois African man’s loving American wife. It had set Hannah’s and Dawn’s opposing desires on a collision course. If I married Woodrow, Hannah would never go home again, and Dawn would not disappear into Africa. It would be as if neither woman had ever existed, as if both had been from the beginning nothing more than fictions. In deciding to marry Woodrow, I was deciding to abandon my dream of assuming the identity I had been given in childhood and youth, as well as the identity I had replaced it with.

I glimpsed that fact that day, and it terrified me, and when I fled from the safety and comfort of the ministry car and embraced that poor, pathetic, female goat, it was not to comfort her, but somehow to induce her to comfort me. To help me believe that what I saw coming towards me would not arrive.

THE CAR COASTED from the road onto the raft and stopped. To the man in charge Satterthwaite spoke a few words in the man’s language and dropped a coin into his hand. Satterthwaite closed the window and let the motor and air-conditioner continue to purr, as the crew of muscular men, like a team in a tug-of-war, somberly, rhythmically pulled on the thick vine and drew us slowly across the river, where I saw gathered on the farther bank a large, rapidly growing crowd of naked and near-naked men, women, and children. They were a somber group, like a photo from an old National Geographic , the women with large, pendulous breasts, the men with tightly muscled arms and chests, the children with round bellies and protruding navels — a passive, yet withheld and slightly suspicious-looking crowd, as if waiting for us to make our intentions clear, not exactly welcoming, and not in the slightest ceremonial. I suppose I expected feathers and masks and drums, elaborate headdresses, leopard-skin capes, and woven breastplates, not, as they seemed, a loose collection of poverty-stricken hunters-gatherers. Woodrow’s people. His family. Soon to be mine.

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