Jonathan Franzen - Purity

Sadly, she wasn’t a very good stepmom to my sisters. She herself was like a plant in a parched field, craving the rain of my father’s attention, which my sisters soaked up so much of. But it was worse than that: she criticized my sisters the way her own mother had criticized her; she found particular fault with their clothes. This had to do partly with the rebellious sixties, hard years for a conservative, and partly with the rebellion of one of her own organs, her colon. I’m told I was a colicky baby, and no sooner was she past the stress of this than she suffered an ectopic pregnancy. Physical stress, life disappointment, money worries, genetic predisposition, bad luck: her bowel became inflamed and gave her trouble for the rest of her life. It pulled the strings in her face that her mother’s stomach had pulled in hers, and she became, with everyone but me, the voice of its unhappiness.

When I think about Anabel and the warning signs I ignored on the road to marrying her, I keep coming back to my polarized family: my sisters out doing world-bettering things with my dad, me at home with my mom. She spared me the shameful details of her suffering (she would have preferred, I’m sure, to have had her mother’s stomach, which ejected nothing worse than blood, not foul-smelling filth, not the very foundation of German expletive, humor, and taboo), but of course I could sense that she wasn’t happy, and my father always seemed to be out at some meeting or away on an adventure. I spent a thousand evenings alone with her. She was mostly very strict with me, but we had a strange little game that we played with the tony magazines she subscribed to. After we’d paged through an entire Town & Country or Harper’s Bazaar , she had me pick out the one house and one woman I most wanted. I soon learned to choose the most expensive house, the greatest beauty, and I grew up feeling as if I could redeem her unhappiness by getting them. What was striking about our game, though, was what a gushing, hopeful, big-sisterly girl she seemed like, leafing through the pages. When I was older and she told and retold me the story of her flight from Jena, the person I imagined was that girl.

* * *

I betrayed Anabel before I even met her. At the end of my third year at Penn, I’d run for the top job at The Daily Pennsylvanian on a platform of paying more attention to the “real” world, and once I was installed as executive editor, after a summer in Denver with my mother (my father had died two years earlier), I created the position of city editor and assigned articles about ticket scalping at the Spectrum, mercury and cadmium in the Delaware, a triple murder in West Philly. I thought my reporters were breaking the hermetic campus bubble of seventies self-indulgence, but I suspect that, to the people they pestered for interviews, they seemed more like kids whose overpriced candy bars you had to buy so they could go to summer camp.

In October, my friend Lucy Hill alerted me to an interesting story. Across the river, in Elkins Park, the dean of the Tyler School of Art had come to his office one morning and found a body wrapped in brown butcher paper. Scrawled on the paper in red crayon were the words YOUR MEAT. The body was warm and breathing but nonresponsive. The dean summoned security, which tore away enough paper to reveal the face of a second-year grad student, Anabel Laird. Her eyes were open, her mouth taped shut. Laird was already known to the dean for a series of letters denouncing the underrepresentation of women on the faculty and the disproportionate number of fellowships awarded to male MFA students. Further judicious tearing seemed to indicate that Laird was wearing nothing but the butcher paper. After some collective hand-wringing, security carried away the package and put it in a room with a female secretary who unwrapped the student, untaped her mouth, and covered her with a blanket. Laird refused to speak or move until late afternoon, when a second female student arrived with some clothes in a plastic bag.

Since Laird was an old friend of Lucy’s, I should have edited the story myself, but I’d fallen behind with my class work and left the DP in the hands of the managing editor, Oswald Hackett, who was also my roommate and best friend. The Laird story, written by a notably amoral sophomore, was by turns salacious and snarky, with an assortment of tasty blind quotes from Laird’s fellow students (“nobody likes her,” “poor little trust-fund girl,” “a sad cry for the attention she’s not getting with her films”), but the reporter had checked the requisite boxes, getting lengthy quotes from Laird and a bland statement from the dean, and Oswald ran it in full on our front page. When I read it the following afternoon, I had only a fleeting sense of guilt. Not until I stopped by at the DP and found phone messages from both Laird and Lucy did I realize — all at once, with a lurch in my heart — that the piece had been really cruel.

A fact of my life was that I had a morbid fear of reproach, especially from women. Somehow I persuaded myself that I could get away with not returning either of the women’s messages. Nor did I bring the matter up with Oswald; being so afraid of reproach myself, I hated to inflict it on a friend. It seemed possible that Lucy, who lived off campus, might have cooled down by the next time I saw her, and it didn’t occur to me that a woman militant enough to wrap herself in butcher paper might show up at the DP in person.

As the executive editor, I had an actual office I could use as a study room. If Anabel had come to it in bib overalls, the Penn uniform of feminist militancy, I might have guessed who she was, but the woman who knocked on my door, late on a Friday afternoon, was dressed expensively, in a white silk blouse and a snug below-the-knee skirt that struck me as Parisian. Her mouth was a slash of crimson lipstick, her hair a dark cascade.

“I’m looking for Tom Ab err ant.”

“ Ab erant,” I corrected.

The woman registered her surprise with the bulging eyes of a hanged person. “Are you a freshman ?”

“Senior, actually.”

“Good Lord. Did you come here when you were thirteen? I’d pictured somebody bearded.”

My baby face was a sore subject. My freshman roommate had suggested that I age myself by manufacturing a dueling scar in the nineteenth-century manner, by cutting myself with a saber and laying a hair in the cut to keep it from healing cleanly. I believed my face to be the main reason why, although I was good at befriending women, I wasn’t having sex with any of them. I got physical attention exclusively from very short girls and queer guys. One of the latter had walked up to me at a party and, without a word, put his tongue in my ear.

“I’m Anabel,” the woman said. “The person whose message you didn’t return.”

My chest constricted. Anabel shut the door behind her with a chicly booted foot and sat down with her arms crossed tightly, as if to conceal what her blouse wanted to reveal. Her eyes were large and brown, like a deer’s, and her face rather long and narrow, also like a deer’s; she shouldn’t have quite been pretty but somehow was. She was at least two years older than me.

“I’m sorry,” I said wretchedly. “I’m sorry I didn’t return your message.”

“Lucy told me that you were a good person. She said I could trust you.”

“I’m sorry about the article, too. The fact is, I didn’t even read it until after it was out.”

“Are you not the editor?”

“Authority is delegated in various ways.”

I was avoiding her eyes, but I could feel them blazing at me. “Was it necessary for your reporter to mention that my father is the president and chairman of McCaskill? And that I’m not a well-liked person?”